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Performance Research
A Journal of the Performing Arts
Volume 23, 2018 - Issue 2: On Writing & Performance
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Original Articles

Tracing the Essay in Contemporary Performing Arts

References

  • Adorno, Theodor W. (1984 [1958]) ‘The essay as form’, New German Critique 32 (spring–summer): 151–71. doi: 10.2307/488160
  • Alter, Nora M. (2003) Projecting History. German nonfiction cinema 1967–2000, Ann Arbor, MI: University of Michigan Press.
  • Alter, Nora M. (2007) ‘Translating the essay into film and installation’, Journal of Visual Culture 6(1): 44–57. doi: 10.1177/1470412907075068
  • Alter, Nora M. and Corrigan, Timothy (2017) ‘Introduction’, in Nora M. Alter and Timothy Corrigan (eds) Essays on the Essay Film, New York, NY: Columbia University Press, pp. 1–18.
  • Arthur, Paul (2003) ‘Essay questions: From Alain Renais to Michael Moore’, Film Comment 39(1) (January/February): 58–63.
  • Bellinck, Thomas and Hendrickx, Sébastien (2016) ‘A future history of the present’, Documenta 34 (2): 101–19.
  • Corrigan, Timothy (2010) ‘The essay film as a cinema of ideas’, in Rosalind Galt and Karl Schoonover (eds) Global Art Cinema: New theories and histories, New York, NY: Oxford University Press, pp. 218–37.
  • Corrigan, Timothy (2011) The Essay Film: From Montaigne, after marker, New York, NY: Oxford University Press.
  • Corrigan, Timothy (2016) ‘Essayism and contemporary film narrative’, in Papazian, Elizabeth Astrid and Caroline Eades (eds) The Essay Film. Dialogue, politics, utopia, New York, NY: Columbia University Press, pp. 15–27.
  • Delbecke, Jasper (2017) ‘The total irreversibility of history: An interview with Belgian theatre maker Thomas Bellinck about the role and importance of history in his work’, in Testimony: Between history and memory, Brussels: Auschwitz Foundation - Remembrance of Auschwitz, pp. 50–59
  • Elsaesser, Thomas (2017 [2015]) ‘The essay film: From film festival favourite to flexible commodity form?’ in Nora M. Alter and Timothy Corrigan (eds) Essays on the Essay Film, New York, NY: Columbia University Press, pp. 240–58.
  • Good, Graham (1988) The Observing Self: Rediscovering the essay, London: Routledge and Kegan Paul.
  • Lopate, Philip (1996) ‘In search of the centaur: The essay film’, in Charles Warren (ed.) Beyond Document: Essays on nonfiction film, Hanover: Wesleyan University Press, pp. 243–70.
  • Papazian, Elizabeth Astrid and Eades, Caroline (2016) ‘Introduction. Dialogue, politics, utopia’, in Papazian, Elizabeth Astrid and Caroline Eades (eds) The Essay Film. Dialogue, politics, utopia, New York, NY: Columbia University Press, pp. 1–11.
  • Rascaroli, Laura (2009) The Personal Camera: Subjective cinema and the essay film, London: Wallflower Press.
  • Renov, Michael (2017 [1995]) ‘The electronic essay’, in Nora M. Alter and Timothy Corrigan (eds) Essays on the Essay Film, New York, NY: Columbia University Press, pp. 172–182.
  • Richter, Hans (2017 [1940]) ‘The film essay. A new type of documentary film’, in Nora M. Alter and Timothy Corrigan (eds) Essays on the Essay Film, New York, NY: Columbia University Press, pp. 89–92.
  • Steyerl, Hito (2011) ‘The essay as conformism? Some notes on global image economies’, in Kramer, Sven and Thomas Tode (eds), Der Essayfilm: Asthetik und Aktualität (‘The Essay Film: Aesthetics and Topicality’), Konstanz: UVK Verlagsgesellschaft, pp. 101–10.

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