References
- Allsopp, Ric (2015) ‘Some notes on poetics and choreography’, Performance Research 20(1): 4–12. doi: 10.1080/13528165.2015.991578
- Byrne, Sophie and Moran, Lisa (2011) What Is Performance Art?, Dublin: Irish Museum of Modern Art.
- Hall, John (1998) ‘Missing persons: Personal pronouns in Performance Writing’, Performance Research 3(1): 87–90. doi: 10.1080/13528165.1998.10871593
- Hall, John (2013) On Performance Writing with Pedagogical Sketches, Volume 1 of Essays on Performance Writing, Poetics and Poetry, Bristol: Shearsman Books.
- Johnson, Dominic (2015) The Art of Living: An oral history of performance art, London: Palgrave.
- Kwon, Miwon (2004) One Place After Another: Site specific art and locational identity, Cambridge, MA and London: Massachusetts Institute of Technology Press.
- Manzella, Christina and Watkins, Alex (2011) ‘Performance anxiety: performance art in twenty-first century catalogs and archives’, Art Documentation 30(1): 28–32.
- Morgan, Sally J. (2013) interviewed by Hannah McDougal, PA2013 Interview 10, https://theplaygroundnz.com/2013/02/04/pa2013-interview-10/ 4 Feb, accessed 5 May 2017.
- Morgan, Sally J. (2016) ‘Commemoration and moral choice in “The Travails of the Bomb Aimer’s Daughter”‘, Memory Connection 2(1) The Memory Waka: 69–81.
- Richards, Jess (2014) The Isolation Blog, and Moving Mountains, http://jessrichards.com, accessed 11 June 2017.
- Richards, Jess (2017) City of Circles, London: Sceptre, Hodder & Stoughton.
- Schirato, Tony and Webb, Jen (2004) Reading the Visual, St Leonards: Allen & Unwin.