References
- Atalli, Jacques (1985 [1977]) Noise: The political economy of music, trans. Brian Massumi, Minneapolis, MN: University of Minnesota Press.
- Barnett, Cassandra (2017) ‘Pitter Patter, Papā-tū-a-nuku’, in J. Preston and H. Steinmann (eds) Performing, Writing: A symposium in four turns 2017 (catalogue), Massey University Wellington, 13–15 March, pp. 51.
- Bergvall, Caroline (1996) ‘What do we mean by Performance Writing’, Keynote paper presented at the first Symposium of Performance Writing, Dartington College of Arts, 12 April 1996, www.carolinebergvall.com/content/text/BERGVALL-KEYNOTE.pdf, accessed 29 August 2017.
- Bull, Michael and Back, Les (eds) (2003) The Auditory Culture Reader, London: Berg.
- Hall, John (2013) ‘Performance Writing: Twenty-years and still counting’, Journal of Writing in Creative Practice 6(3): 355–63. doi: 10.1386/jwcp.6.3.355_1
- Ingold, Tim (2011) Being Alive: Essays on movement, knowledge and description, London and New York, NY: Routledge.
- Kahn, Douglas (1999) Noise, Water, Meat, Cambridge, MA: MIT Press.
- Schafer, R. Murray (1994 [1977]) The Soundscape: Our sonic environment and the tuning of the world, Rochester: Destiny Books.
- Sterne, Jonathan (2003) The Audible Past, Durham, NC: Duke University Press.
- Voegelin, Salomé (2010) Listening to Noise and Silence: Towards a philosophy of sound art, London: Bloomsbury Academic.