References
- Adams, Matt (2016) Unpublished interview with Seda Ilter.
- Adams, Matt, Steve Benford and Gabriella Giannachi (2008) ‘Pervasive presence: Blast theory’s Day of the Figurines’, Contemporary Theatre Review 18(2): 219–57.
- Auslander, Philip (2012) ‘Digital liveness: A historico-philosophical perspective’, PAJ 102: 3–11.
- Blasttheory.co.uk (2017) Karen | Blast Theory [online] www.blasttheory.co.uk/projects/karen/, accessed 7 September 2017.
- Bolter, Jay David and Richard Grusin (1999) Remediation: Understanding new media, Cambridge, MA: MIT Press.
- Chatzichristodoulou, Maria (2015) ‘Blast theory’, in Liz Tomlin (ed.) British Theatre Companies 1995–2014: Mind the Gap, Kneehigh Theatre, Suspect Culture, Stan’s Cafe, Blast Theory, Punchdrunk, London: Bloomsbury Methuen Drama, pp. 231–54.
- Furse, Anne (2011) Theatre in Pieces: Politics, poetics and interdisciplinary collaboration. An anthology of play texts, 1966–2010, London: Bloomsbury Methuen Drama.
- Giannachi, Gabriella (2004) Virtual Theatres: An introduction, London: Routledge.
- Hayles, N. Katherine (2002) Writing Machines, Cambridge, MA and London: MIT Press.
- Lavery, Carl (2009) ‘Is there a text in this performance?’, Performance Research 14(1): 37–45.
- Marranca, Bonnie (2009) ‘Mediaturgy: A conversation with Marianne Weems’, International Journal of Arts and Technology 2(3): 173–86.
- Marranca, Bonnie (2010) ‘Performance as design: The mediaturgy of John Jesurun’s Firefall’, PAJ 96: 16–24.
- Pytash, Kristine E. and Richard E. Ferdig (2014) Exploring Technology for Writing and Writing Instruction, Hershey, PA: IGI Global.