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Performance Research
A Journal of the Performing Arts
Volume 23, 2018 - Issue 2: On Writing & Performance
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Original Articles

Disrupting the Market in Echoes

Voice, body and technology in poetry and performance by Hannah Weiner and Holly Pester

References

  • Auner, Joseph (2003) ‘“Sing it for me”: Posthuman ventriloquism in recent popular music’, Journal of the Royal Musical Association 128(1): 98–122.
  • Barthes, Roland (1977) ‘The grain of the voice’, in Stephen Heath (ed. and trans.) Image Music Text, Glasgow: Fontana/Collins, pp. 179–89.
  • Bergvall, Caroline (2013) ‘1DJ2MANY (60 Songs we Love to Love)’, https://vimeo.com/86232889, accessed 18 November 2017.
  • Cubitt, Sean (1984) ‘“Maybellene”: Meaning and the listening subject’, Popular Music 4: 207–24.
  • Dolar, Mladen (2006) A Voice and Nothing More, Cambridge, MA: MIT Press.
  • Finer, Ella (2012) ‘Where we meet volumes 1 and 2′, http://sound-art-text.com/post/30890138193/ella-finer-where-we-meet-volumes-1-and-2, accessed 22 November 2017.
  • Goldman, Judith (2001) ‘Hannah=hannaH: Politics, ethics, and clairvoyance in the work of Hannah Weiner’, differences: A journal of feminist cultural studies 12: 121–68.
  • Goldsmith, Kenneth (2002) Head Citations, Great Barrington, MA: The Figures.
  • Pester, Holly (2011) ‘Buddy Holly on my Answer Machine’ in Hoofs, Manchester: if p then q.
  • Pester, Holly (2013a) Making Speech-Matter: Recurring mediations in sound poetics and its contemporary practice, PhD thesis, Birkbeck, University of London.
  • Pester, Holly (2013b) ‘Buddy Holly is on my Answer Machine’, https://soundcloud.com/holly-pester/buddy-holly-is-on-my-answer, accessed 25 August 2017.
  • Pester, Holly (2015b) ‘Buddy Holly (performed while hula-hooping)’, Track 15 on CD accompanying Emily Critchley (ed.) Out of Everywhere 2: Linguistically innovative poetry by women in North America & the UK, Hastings: Reality Street, pp. 246–9.
  • Silva, Hannah (2013) ‘Total man’, http://hannahsilvaperformance/total-man/, accessed 18 November 2017.
  • Weiner, Hannah (1982) Code Poems: From the INTERNATIONAL CODE OF SIGNALS for the use of all nations, Barrytown, New York: Open Book Publications.

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