REFERENCES
- Barba, Eugenio (1979) The Floating Islands, Holstebro: Drama.
- Correa, Ana (2000) ‘Yuyachkani, a group experience’, Open Page 5 (March).
- Del Noce, Augusto (2014) The Crisis of Modernity, Kingston: McGill-Queen’s University Press.
- Derrida, Jacques (1994) The Spectre of Marx: The State of the Debt, the Work of Mourning and the New International, trans. Peggy Kamuf, London: Routledge.
- Derrida, Jacques, and Anne Duformantelle (2000) Of Hospitality, Stanford, CA: Stanford University Press.
- Giles, Harry (2016) ‘Shock and Care, an essay about art, politics and responsibility’, wwwshock-and-care/, accessed 8 September 2017.
- Henry, Michel (2014) From Communism to Capitalism: Theory of a Catastrophe, trans. Scott Davidson, London: Bloomsbury.
- Manwaring, Rob, and Paul Kennedy, eds (2017) Why the Left Loses: The Decline of the Centre-left in Comparative Perspective, Bristol: Policy Press.
- Mauss, Marcel (1954 [1925]) The Gift, trans. W. D. Halls, New York: W. W. Norton & Company.
- Pompa, Pierangelo (2016) Personal interview, Odin Teatret, Holstebro, Denmark.
- Rasmussen, Iben Nagel (2016) O Cavalo Cego: Diálogos com Eugenio Barba e outros escritos, Sao Paulo: Editora Espaço Cultural Livraria.
- Rubio, Miguel (2017) Personal interview, Casa Yuyachkani, Lima, Peru.
- Shevtsova, Maria (2002) ‘Border, barters and beads: In search of intercultural Arcadia’, in Ian Watson (ed.) Negotiating Cultures: Eugenio Barba and the Intercultural Debate, Manchester: Manchester University Press.
- Watson, Ian, (1993) Towards a Third Theatre: Eugenio Barba and the Odin Teatret, London: Routledge.
- Watson, Ian, ed. (2002) Negotiating Cultures: Eugenio Barba and the Intercultural Debate, Manchester: Manchester University Press.
- Watson, Ian (2015) ‘The Social Physics of Festuge: Odin Teatret at Home’, New Theatre Quarterly, 3 (2): 179–196. doi: 10.1017/S0266464X15000275