REFERENCES
- Bell, Catherine E. (2011) ‘Cooking up crimes and maternal misdemeanours: From food ritual to transgressive performances’ in Double Dialogues 15, Winter: The Hunger Artist: Food and The Arts.
- Casey, Edward S. (2000) Remembering: A Phenomenological Study, 2nd edn, Bloomington: Indiana University Press.
- Humble, Nicola (2010) Cake A Global History, London: Reaktion Books Ltd.
- Hoffman, Beth (2012) ‘The time of live art’, in Deirdre Heddon and Jennie Klein (eds) Histories and Practices of Live Art, Houndmills: Palgrave Macmillan.
- Lawson, Nigella (2003) How to be a Domestic Goddess, London: Chatto & Windus.
- Lloyd, Annie (2011) Bake me a Cake, Compass Festival, http://compassliveart.org.uk/festival/events/bake-me-a-cake, accessed 12 February 2018.
- Lupton, Deborah (1998) Food the Body and the Self, London: Sage Publications.
- Tambiah, Stanley, J. (1990) Magic, Science and Religion and the Scope of Rationality, Cambridge: Cambridge University Press.
- Thompson (2013), Selina Pat It Prick It and Mark It with ‘B’ Promotional Video, Spill Festival of Performance, http://selinathompson.co.uk/work/pat-prick-mark-b/, accessed 12 February 2018.
- Zerihan, Rachel (2009) Study Room Guide on One To One Performance, London: Live Art Development Agency.