REFERENCES
- Cohen, Steven. (1998) Living Art. [Video documenting four early personas in Cohen’s oeuvre.]
- Conklin, Beth A. (2001) Consuming Grief: Compassionate in an Amazonian society, Austin, TX: University of Texas Press.
- De Waal, Shaun and Sassen, Robyn (2003) ‘Surgery without anaesthetic: The art of Steven Cohen’, in Steven Cohen ed. Jillian Carman, Johannesburg: David Krut Publishing, pp. 4–29.
- Eshleman, Clayton (1995) ‘Introduction’, in Clayton Eshleman and Bernard Bador (eds and trans) Watchfiends and Rack Screams: Works from the final period. Antonin Artaud, Boston, MA: Exact Change, pp. 1–45.
- Harvey, Graham (2004) ‘Endo-cannibalism and the making of a British ancestor’, Mortality 9(3), 255–267. doi: 10.1080/13576270412331272866
- Meyer-Rochow, Victor Benno (2009) ‘Food taboos, their origin and purpose’, Journal of Ethnobiology and Ethnomedicine, 5(18)
- Sassen, Robyn (2004) ‘Torah pages’, Performance Research 9(2): 108–117. doi: 10.1080/13528165.2004.10872021
- Sassen, Robyn (2005) ‘Steven Cohen/Princess Menorah: Coming out Jewish in South African art’. Master’s dissertation, University of the Witwatersrand, Johannesburg.
- Sassen, Robyn. (2009) ‘Steven Cohen’s bitter, tender lament’, Mail & Guardian, Friday Supplement, p. 2, 27 November.
- Sassen, Robyn. (2016) Broken Bird, Fly Free. https://robynsassenmyview.com/2016/07/23/broken-bird-fly-free/ 23 July, last accessed 4 September 2018.
- Sassen, Robyn (2017a) Interview with Steven Cohen on email.
- Sassen, Robyn. (2018) Elu’s Yizkor, https://robynsassenmyview.com/2018/03/08/elus-yizkor/, 8 March, last accessed 4 September 2018.