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Performance Research
A Journal of the Performing Arts
Volume 24, 2019 - Issue 3: On Ageing (& Beyond)
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Articles

The Dancer from the Dance

Ontologies of the body in Eszter Salamon’s and Christophe Wavelet’s Monuments 0.1 and 0.2

REFERENCES

  • Brandstetter, Gabrielle (2000) ‘Choreography as a cenotaph’, in Gabriele Brandstetter and Hortensia Völckers (eds) ReMembering the Body, Ostfildem-Ruit: HatjeCantz Verlag, pp. 102–34.
  • Butler, Judith (1993) ‘Critically queer’, GLQ: A journal in gay and lesbian studies 1(1): 17–32. doi: 10.1215/10642684-1-1-17
  • Cramer, Franz Anton (2012) ‘Body, archive’, in Gabriele Brandstetter and Gabriele Klein (eds) Dance [and] Theory, Bielefeld: Transcript Verlag, pp. 219–22.
  • Dance On: The Ensemble, https://dance-on.net/en/ensemble/, accessed 10/1/2019.
  • Lepecki, André (2010) ‘The body as archive: Will to re-enact and the afterlives of dances’, Dance Research Journal 42(2): 28–48. doi: 10.1017/S0149767700001029
  • McRuer, Robert (2006) Crip Theory: Cultural signs of queerness and disability, New York: NYU Press.

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