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Performance Research
A Journal of the Performing Arts
Volume 24, 2019 - Issue 2: On Mountains
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TRANSLATING MOUNTAINS

Black Rock

Routes through scenographic translation, from mountain climbing to performance

David Shearing
Pages 36-44 | Published online: 25 Jul 2019

REFERENCES

  • Bell, Simon (1999) Landscape: Pattern, perception and process, London: E & FN Spon.
  • Carlson, Marvin (1985) ‘Theatrical performance: Illustration, translation, fulfillment, or supplement?’ in ‘Theory’, Theatre Journal 37(1) ( March): 5–11. doi: 10.2307/3207181
  • Carter, Claire (2017) Black Rock script, Unpublished.
  • Coyne, Richard (2010) The Tuning of Place: Sociable spaces and pervasive digital media, Cambridge, MA: The MIT Press.
  • Dawes, Johnny (2011) Full of Myself, Padstow: Johnny Dawes Books.
  • Dawes, Johnny (2013) ‘Facing the Indian’, UK Climbing, https://bit.ly/2ViScz2, accessed 25 January 2019.
  • Gibson, James Jerome (1979) The Ecological Approach to Visual Perception, Boston: Houghton Mifflin.
  • Harris, Will (2006) ‘Climbing lingo: How to talk the talk’, BMC Online, https://bit.ly/2J3UjA9, accessed 25 January 2019.
  • Hughes, Alun (2006) Stone Monkey: Portrait of a rock climber [DVD], Al Hughes.
  • Ingold, Tim (2013) Making: Anthropology, archaeology, art and architecture, London: Routledge.
  • Leder, Drew (1990) The Absent Body, London: The University of Chicago Press.
  • Lehmann, Hans Thies (2006) Postdramatic Theatre, London: Routledge.
  • UK Climbing (n.d.) UKC Logbook Description on UK Climbing online, https://bit.ly/2VSleF1, accessed 5 February 2019.
  • Varela, Francisco J., Evan Thompson and Eleanor Rosch (1991) The Embodied Mind: Cognitive science and human experience, Cambridge, MA: The MIT Press.
  • Welton, Martin (2007) ‘Seeing nothing: Now hear this … ’, in Sally Banes and André Lepecki (eds) The Senses in Performance, London: Routledge, pp. 146–55.
  • Welton, Martin (2012) Feeling Theatre, Basingstoke: Palgrave Macmillan.

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