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Performance Research
A Journal of the Performing Arts
Volume 24, 2019 - Issue 4: On Theatricality
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Articles

‘Rule Number 1 – It is Possible that Your Only Nation is Imagination’

Political/Historical theatricality of Jan Fabre’s images in Belgian Rules/Belgium Rules

REFERENCES

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  • Davis, Tracy C. and Postlewait, Thomas, eds (2010) Theatricality, Cambridge: Cambridge University Press.
  • Delavigne, Germain (1828) ‘La Muette de Portici – Libretto’, www.operafolio.com/libretto.asp?n=La_muette_de_Portici, accessed 18 November 2018.
  • Fabre, Jan (2001) Umbraculum: un lieu ombragé hors du monde pour réfléchir et travailler (Umbraculum: a shady space outside the world for reflection and work), Arles: Actes Sud.
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  • Merleau-Ponty, Maurice (1996) ‘Eye and mind’, in The Merleau-Ponty Aesthetics Reader: Philosophy and painting, trans. Michael B. Smith, ed. Galen A. Johnson, Evanston, IL: Northwestern University Press, 121-49.
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  • Nehamas, Alexander (2017) Only a Promise of Happiness: The place of beauty in a world of art, Princeton, NJ: Princeton University Press.
  • Troubleyn/Fabre, Jan (2017) Belgian Rules/Belgium Rules – Performance programme, Vienna: Impulstanz.
  • Van den Dries, Luk (2006) Corpus Jan Fabre: Observations of a creative process, trans. Bert Bultnick, Gent: Imschoot.
  • Van den Dries, Luk (2009) ‘Introduction’, in Jan Fabre’s Le pouvoir des folies théâtrales – The power of theatrical madness, Paris: L‘Arche, 65-7.
  • Yahata, Keiichi (2013) La problématique de l’expression dans la philosophie de Maurice Merleau-Ponty (The problematics of expression in the philososphy of Maurice Merleau-Ponty), PhD thesis, Université Toulouse le Mirail, https://core.ac.uk/download/pdf/50537819.pdf, 4 June accessed 18 November 2018.

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