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Performance Research
A Journal of the Performing Arts
Volume 24, 2019 - Issue 6: On Animism
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Editorials

On Animism

Introduction

References

  • Badiou, Alain (2019) I Know There Are So Many of You, trans. Susan Spitzer, Cambridge: Polity.
  • Benjamin, Walter (1997) ‘One-Way Street’, in Walter Benjamin, Selected Writings: Volume 1: 1913–1926, eds. Marcus Bullock and Michael W. Jennings, Cambridge, MA: Harvard University Press, pp. 444–88.
  • Bird-David, Nurit (1999) ‘Animism’ Revisited: Personhood, environment, and relational epistemology, Current Anthropology, Vol. 40 (February 1999), pp. 67–91. doi: 10.1086/200061
  • Celan, Paul (2003) The Meridian’, in Collected Prose, trans. Rosemary Waldrop, London and New York: Routledge, pp. 37–55.
  • Deleuze, Gilles (1993) The Fold: Leibniz and the Baroque, trans. Tom Conley, London: Continuum.
  • Deleuze, Gilles (2005) Cinema 2: The time image, trans. Hugh Tomlinson and Robert Galeta, London: Continuum.
  • Genet, Jean (1989) Prisoner of Love, trans. Barbara Bray, Hanover, NH: Wesleyan University Press.
  • Honzl, Jindrich (1984 [1940]) ‘Dynamics of the sign in theatre’, trans. Irwin R. Titunik, in Ladislav Matejka and Irwin R. Titunik (eds.) Semiotics of Art: Prague School contributions, Cambridge, MA: The MIT Press, pp. 74–93.
  • Stengers, Isabelle (2005) ‘Introductory notes on an ecology of practices’, Cultural Studies Review 11(1, March): 183–96. doi: 10.5130/csr.v11i1.3459
  • Stengers, Isabelle (2012) ‘Reclaiming animism’, e-flux 36, https://bit.ly/35e6j9U, accessed 14 September 2019.

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