REFERENCES
- Attali, Jacques (1985) Noise: The political economy of music, Minneapolis, MN: University of Minnesota Press.
- Borkowski, Alex (2014) ‘Song of the digital flesh: Vocal manipulation & our cyborg selves’, The Quietus, http://bit.ly/39O7mzT, May 2014, accessed 15 October 2019.
- Connor, Steven (2000) Dumbstruck: A cultural history of ventriloquism, New York, NY: Oxford University Press.
- Connor, Steven (2001) Edison’s Teeth: Touching hearing, http://bit.ly/305S7O5, accessed 15 October 2019.
- Ebling, Maria (2016) ‘Can cognitive assistants disappear?’, IEEE Pervasive Computing 15(3): 4–6. doi: 10.1109/MPRV.2016.41
- Eidsheim, Nina (2009) ‘Synthesizing race: Towards an analysis of the performativity of vocal timbre’, Trans. Revista Transcultural de Música 13: 1–9.
- Ferrete-Vázquez, Jaume (2016a) ‘Voder ( voder’, in Generación 2016, Madrid: La Casa Encendida. http://bit.ly/3aHEYj9, accessed 15 October 2019.
- Ferrete-Vázquez, Jaume (2016b) ‘Tu padre está hablando con la voz de mi padre’ (Your father is speaking with my father’s voice), in Ecolalias I, Madrid: Radio del Museo Reina Sofía, RRS, http://bit.ly/36EACag, May 2016, accessed 15 October 2019.
- Ferrete-Vázquez, Jaume (2016c) ‘Las voces’ (The voices), in El imitador de voces, Madrid: Teatro Pradillo.
- Ferrete-Vázquez, Jaume (2017) ‘Tosquelles, TTS, poder el separarse’ (Tosquelles, TTS, to be able to be apart), in Alfredo Aracil, Apuntes para una psiquiatría destructiva, Madrid: Sala de Arte Joven de la Comunidad de Madrid, http://bit.ly/30b2qAz, accessed 15 October 2019.
- Fischer-Lichte, Erika (2008) The Transformative Power of Performance: A new aesthetics, New York, NY: Routledge.
- Garbayo-Maeztu, Maite (2016) Cuerpos que aparecen: performance y feminismos en el tardofranquismo (Bodies that appear: Performance and feminism in late Francoism), Bilbao: Consonni.
- Hoegaerts, Josephine (2013) ‘“As it echoes South and North”. Girls and boys singing identity into the national landscape’, in Waligorska Magdalena (ed.) Music, Longing and Belonging. Articulations of the self and the other in the musical realm, Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 202–21.
- Joyce, James (2009) Ulysses, Mineola: Dover Publications.
- Marcos Mota, R. (2013–15) ‘Lanzar un travesti al espacio’ (To launch a transvestite into space), a trilogy: (2013) Chapter 1: ‘Lanzar un travesti al espacio’ (To launch a transvestite into space), ClaResil, Madrid: Noestudio. https://vimeo.com/61304125 (full video).
- (2014) Chapter 2: ‘Al menos tres canciones de un travesti en el espacio’ (At least three songs of a transvestite in space), in Picnic Sessions, Móstoles: Centro de Arte 2 de Mayo. Full audio on Soundcloud http://bit.ly/3aGp8oY, excerpt on Vimeo http://bit.ly/37pOPYP, accessed 15 October 2019
- (2015) Chapter 3: ‘Estrellar un travesti contra la tierra’ (Crashing a transvestite against the earth), in SOS 4.8, Murcia. Full audio on Soundcloud http://bit.ly/2NWcNTZ
- Milner, Greg (2010) Perfecting Sound Forever: An aural history of recorded music, New York, NY: Faber and Faber.
- ‘present’, Merriam-Webster.com, http://bit.ly/39WDCAC, accessed 15 October 2019.
- Weinberger, Sharon (2019) ‘Meet America’s newest military giant: Amazon’, MIT Technology Review, http://bit.ly/2QDU5Ci, October 2019, accessed 15 October 2019.
- Young, Miriama (2015) Singing the Body Electric: The human voice and sound technology, Farnham: Ashgate.