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Performance Research
A Journal of the Performing Arts
Volume 24, 2019 - Issue 8: On Politics
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Articles

Slow Making in Five Short Blasts

REFERENCES

  • Barad, Karen (2003) ‘Post humanist performativity: Toward an understanding of how matter comes to matter’, Signs 28(3): 801–31. doi: 10.1086/345321
  • Bauman, Zygmunt (2002) Liquid Modernity, Cambridge: Polity Press.
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  • Eckersall, Peter and Eddie Paterson (2011) ‘Slow dramaturgy: Renegotiating politics and staging the everyday’, Australasian Drama Studies 58: 178–92.
  • Eggers, Jessie (2018) ‘Between participation and non-participation: The generative potential of slow performance and slow scholarship’, Performance Paradigm 14: 108–25.
  • Gamble, Ruth and Trevor Hogan (2019) ‘Watersheds in watersheds: The fate of the planet’s major river systems in the Great Acceleration’, Thesis Eleven 150(1): 3–25. doi: 10.1177/0725513619826190
  • Johnston, Kim and Ampersand Duck (2014) Slow Making, 1 March, https://slowmaking.blogspot.com/, accessed 31 October 2019.
  • Lipson, Elaine (2012) ‘The slow cloth manifesto: An alternative to the politics of production’, Symposium Paper, Textile Society of America Symposium Proceedings, 1 September, https://bit.ly/38pvCaF, accessed 2 October 2019.
  • Lynch, Cassie (2019) ‘Riverland’, Five Short Blasts Manifest, Perth Festival, Perth: Western Australia, pp. 18–20.
  • Neimanis, Astrida (2013) ‘feminist subjectivity, watered’, Feminist Review 103: 23–41. doi: 10.1057/fr.2012.25
  • Reed, Arden (2019) Slow Art: The experience of looking, sacred images to James Turrell, 1st paperback printing edn, Oakland, CA: University of California Press.
  • Waters, Sera (2012) ‘Repetitive crafting: The shared aesthetic of time in Australian contemporary art’, Craft + Design Enquiry 4: 132–65.
  • Wellesley-Smith, Claire (2015) Slow Stitch: Mindful and contemplative textile art, London: Batsford (imprint of Pavilion Books Company).

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