REFERENCES
- Agamben, Giorgio (1998) Homo Sacer: Sovereign power and bare life, Stanford, IL: Stanford University Press.
- Awâsis, Sâkihitowin (2014) ‘Pipelines and resistance across Turtle Island’, in Black et al. (eds) A Line in the Tar Sands: Struggles for environmental justice, Toronto: Between the Lines, pp. 253–66.
- Bears (2019) Programme, Factory Theatre, 28 February – 17 March.
- Black, Toban, D’Arcy, Stephen, Weis, Tony and Russell, Joshua Kahn, eds (2014) A Line in the Tar Sands: Struggles for environmental justice, Toronto: Between the Lines.
- Burtynsky, Edward with Baichwal, Jennifer and Pencier, Nick de (2018), Anthropocene, Göttingen: Steidl.
- Cardinal, Jesse (2014) ‘The tar sands healing walk’, in Black et al. (eds) A Line in the Tar Sands: Struggles for environmental justice, Toronto: Between the Lines, pp. 127–33.
- Deloria, Jr, Vine (1969) Custer Died for Your Sins, New York, NY: Macmillan.
- Estes, Nick (2019) Our History is the Future: Standing Rock versus the Dakota Access Pipeline, and the long tradition of Indigenous resistance, London: Verso.
- Haraway, Donna (2016) Staying with the Trouble: Making kin in the Chthulucene, Durham, NC: Duke University Press.
- Levitt, Deborah (2018) The Animatic Apparatus: Animation, vitality, and the futures of the image, London: Zero Books.
- MacKenzie, Matthew (2018) Bears, draft script, PDF file.
- Morton, Timothy (2012) The Ecological Thought, Cambridge, MA: Harvard University Press.
- Morton, Timothy (2016) Dark Ecology: For a logic of future coexistence, New York, NY: Columbia University Press.
- Moses, Daniel David (2009 [1991]) Almighty Voice and His Wife, Toronto: Playwrights Canada Press.
- Negarestani, Reza (2008) Cyclonopedia: Complicity with anonymous materials, Melbourne, Australia: re.press.
- Newton, Esther (1999 [1972]) ‘Role models’, in Fabio Cleto (ed.) Camp: Queer aesthetics and the performing subject: A reader, Ann Arbor: University of Michigan Press, pp. 96–109.
- Nolan, Yvette (2015) Medicine Shows: Indigenous performance culture, Toronto: Playwrights Canada Press.
- Pineault, Éric (2018) ‘The capitalist pressure to extract: The ecological and political economy of extreme oil in Canada’, Studies in Political Economy 99(2): 130–50. doi: https://doi.org/10.1080/07078552.2018.1492063
- Scudeler, June (2016) ‘”That’s who the stories are about”: Cree ways of knowing in Kent Monkman’s Miss Chief: Justice of the Piece’, in Yvette Nolan and Ric Knowles (eds) Performing Indigeneity, Toronto: Playwrights Canada Press, pp. 197–213.
- Simpson, Leanne (2017) As We Have Always Done: Indigenous freedom through radical resistance, Minneapolis, MN: University of Minnesota Press.
- Taylor, Drew Hayden (2005) ‘Whacking the Indigenous funny bone: Political correctness vs. Native humour, round one’, in Drew Hayden Taylor (ed.) Me Funny, Vancouver: Douglas & McIntyre, pp. 67–84.
- Todd, Zoe (2016) ‘An Indigenous feminist’s take on the ontological turn: “Ontology” is just another word for colonialism’, Journal of Historical Sociology 29(1): 4–22. doi: https://doi.org/10.1111/johs.12124
- Tuck, Eve and Yang, K. Wayne (2012) ‘Decolonization is not a metaphor’, Decolonization: Indigeneity, education & society 1(1): 1–40.
- Vizenor, Gerard, ed. (2008) Survivance: Narratives of Native presence, Lincoln, NB: University of Nebraska Press.