REFERENCES
- Ahmadi, Mohebat (2015) ‘Andrew Bovell’s When the Rain Stops Falling: Theatre in the age of “hyperobjects”‘, Australasian Drama Studies 66: 40–62.
- Carleton, Stephen (2016) The Turquoise Elephant, Strawberry Hills, NSW, Australia: Currency Press.
- Cocks, Doug (2013) Global Overshoot: Contemplating the world’s converging problems, New York, NY: Springer.
- Finnigan, David (2018) Kill Climate Deniers, Strawberry Hills, NSW, Australia: Currency Press.
- Gilbert, Helen (2019) ‘Performing the Anthropocene: Marrugeku’s Cut the Sky’, in Beate Neumeier and Helen Tiffin (eds) Ecocritical Concerns and the Australian Continent, New York, NY: Lexington Books, pp. 219–34.
- Goodbody, Axel and Johns-Putra, Adeline, eds (2019) Cli-Fi: A companion, New York, NY: Peter Lang.
- Johns-Putra, Adeline (2016) ‘Climate change in literature and literary studies: From cli-fi, climate change theater and ecopoetry to ecocriticism and climate change criticism’, in Mike Hulme (ed.) WIREs Climate Change 7(2): 266–82. doi: https://doi.org/10.1002/wcc.385
- Kill Climate Deniers – Griffin Theatre Company (2018) https://bit.ly/34lXj2s, February 2018, accessed 6 September 2019.
- Lavery, Carl and Finburgh, Clare, eds (2015) Rethinking the Theatre of the Absurd: Ecology, the environment and the greening of the modern stage, London: Bloomsbury.
- Morton, Timothy (2016) Dark Ecology: For a logic of future coexistence, New York, NY: Columbia University Press.
- Tait, Peta (2018a) ‘Performing species kinship and strange emotions’, Performance Research 23(3): 92–9. doi: https://doi.org/10.1080/13528165.2018.1495953
- Tait, Peta (2018b) ‘Site-specific ecological loss’, Performance Research 23(4–5): 192–4. doi: https://doi.org/10.1080/13528165.2018.1522135
- Varney, Denise, Eckersall, Peter, Hudson, Chris and Hatley, Barbara (2013) Theatre and Performance in the Asia-Pacific: Regional modernities in the global era, Houndmills: Palgrave Macmillan.