REFERENCES
- Gilbert, Helen, and Phillipson, J. (2014) Hands On: Indigenous artists and European cultural institutions: The story of two artist residencies, London: Royal Holloway, University of London.
- Ka’ili, Tēvita, Mahina, Ōkusitino, Addo, Ping-Ann eds. (2017) ‘Tā-Vā (Time-Space) Theory of Reality’, Lāie: Pacific Studies, vol. 40(1-2).
- Refiti, Albert (n.d.) Reanimation, Upgrades, and Ancestors in the Work of Rosanna Raymond, http://bit.ly/3rTLv2x, last accessed 7 March 2021.
- Raymond, Rosanna (2018) ‘Backhand and full tusks: museology and the mused’ in Alison Clark, Lucie Carreau, Alana Jelinek, Erna Lilje & Nicholas Thomas (eds) Pacific Presences - Volume 2 Oceanic Art and European Museums, Leiden: Sidestone Press, pp. 397-408.
- Teves, Stephanie Nohelani (2018) Defiant Indigeneity: The Politics of Hawaiian Performance, Critical Indigeneities, Chapel Hill: University of North Carolina Press.
- Unknown (2010) ‘Interview: Lemi Ponifasio, choreographer’, The Scotsman, http://bit.ly/2Qk9F8v, accessed 7 March 2021.
- Wendt, Albert (1999) ‘Tatauing the postcolonial body’ in Vilsoni Hereniko and Rob Wilson (eds) Inside out: Literature, cultural politics and indentity in the new Pacific, Lanham: Rowman & Littlefield, pp. 399-412.