References
- Bivins, Jason C. (2008) Religion of Fear: The politics of horror in conservative evangelicalism, Oxford: Oxford University Press.
- Fletcher, John (2007) ‘Tasteless as Hell: Community performance, distinction, and countertaste in Hell House’, Theatre Review 48(2): 313–30.
- Hoedt, Madelon (2012) ‘Hell to pay: Christian haunted houses and audience reception’, Journal of Religion and Popular Culture 24(2): 247–59. doi: https://doi.org/10.1353/rpc.2012.0024
- Howard, Pamela (2019) What Is Scenography?, 3rd edn, London: Routledge.
- Machon, Josephine (2013) Immersive Theatres: Intimacy and immediacy in contemporary performance, Basingstoke: Palgrave Macmillan.
- McAuley, Gay (2010) ‘A taxonomy of spatial function’, in Jane Collins and Andrew Nisbet (eds.) Theatre and Performance Design: A reader in scenography, London: Routledge, pp. 89–94.
- Morton, Lisa (2013) Trick or Treat: A history of Halloween, London: Reaktion Books.
- Pellegrini, Ann (2007) ‘Signaling through the flames: Hell House performance and structures of religious feeling’, American Quarterly 59(3): 911–35. doi: https://doi.org/10.1353/aq.2007.0067
- Schmidt, Theron (2013) ‘Outsider theatre: A journey through Back to Back’s Hell House’, Performance Research 18(1): 139–48. doi: https://doi.org/10.1080/13528165.2013.789263
- Stewart, Alexander E. (2017) ‘Scaring the hell out of you: Scare-tactics, Christian Horror Houses, and the Apocalypse of John’, Journal of Youth and Theology 16: 165–84. doi: https://doi.org/10.1163/24055093-01602005
- Willenbrink, Hank (2014) ‘The act of being saved: Hell House and the salvific performance’, Theatre Journal 66(1): 73–92. doi: https://doi.org/10.1353/tj.2014.0010