The Ghost on the Machine: The Corsican Trap and the Spirit of Industrial Capitalism

References

• Alcott, Louisa May (1884) Spinning-Wheel Stories, Boston: Roberts Brothers.
   Google Scholar
• Altick, Richard (1978) The Shows of London, Cambridge, MA: Belknap Press of Harvard University.
   Google Scholar
• Archer, William (1882) English Dramatists of To-day, London: Sampson Low.
   Google Scholar
• Booth, Michael (1965) English Melodrama, London: H. Jenkins.
   Google Scholar
• Booth, Michael (1981) Victorian Spectacular Theatre, Boston, London and Henley: Routledge & Kegan Paul.
   Google Scholar
• Boucicault, Dion (1877) ‘The decline of the drama’, The North American Review 125(258): 235–45.
   Google Scholar
• Boucicault, Dion (1987) The Corsican Brothers, in Andrew Parkin (ed.) Selected Plays of Dion Boucicault, Gerrards Cross, Bucks: Colin Smythe Press; Washington DC: Catholic University of America Press.
   Google Scholar
• Brooker, Jeremy (2007) ‘The Polytechnic ghost: Pepper's ghost, metempsychosis and the magic lantern at the Royal Polytechnic Institution’, Early Popular Visual Culture 5(2): 189–206. doi: https://doi.org/10.1080/17460650701433517
   Google Scholar
• Carlson, Marvin (2014) ‘Charles Dickens and the invention of the modern stage ghost’, in Mary Luckhurst and Emilie Morin (eds) Theatre and Ghosts: Materiality, performance and modernity, Houndmills and New York: Palgrave Macmillan, pp. 27–45.
   Google Scholar
• ‘The Corsican Brothers’ (1891) The Theatre 17(June): 307–9.
   Google Scholar
• D'Arcy, Geraint (2011a) ‘The Corsican trap: Its mechanism and reception’, Theatre Notebook 65(1): 12–22.
   Web of Science ®Google Scholar
• D'Arcy, Geraint (2011b) ‘Towards an aesthetics of theatre technology’, unpublished PhD dissertation, University of Glamorgan.
   Google Scholar
• Dawood, Sarah (2016) ‘How the RSC brought theatre to life through its digital production of the Tempest’, Design Week, 22 December, https://bit.ly/3p0dZGs, accessed 12 August 2020.
   Google Scholar
• Eliot, George (1861) Silas Marner, New Yorker: Harper & Bros.
   Google Scholar
• Fitzgerald, Percy (1906) Sir Henry Irving, a Biography, Philadelphia: G. W. Jacobs & Co.
   Google Scholar
• Groth, Helen (2007) ‘Reading Victorian illusions: Dickens's Haunted Man and Dr. Pepper's "ghost"’, Victorian Studies 50(1): 43–65. doi: https://doi.org/10.2979/VIC.2007.50.1.43
   Web of Science ®Google Scholar
• Gunning, Tom (2013) ‘To scan a ghost: The ontology of mediated vision’, in María del Pilar Blanco and Esther Peeren (eds) The Spectralities Reader: Ghosts and haunting in contemporary cultural theory, London: Bloomsbury Academic, pp. 207–44.
   Google Scholar
• ‘London Sketches’ (1863) Northampton Mercury, 9 May, p. 5.
   Google Scholar
• MacEwen, Walter (1887) The Ghost Story, Cleveland Museum of Art.
   Google Scholar
• Martin-Harvey, Sir John (1933) The Autobiography of Sir John Martin-Harvey, London: S. Low, Marston & Co.
   Google Scholar
• Meisel, Martin (1983) Realizations: Narrative, pictorial, and theatrical arts in nineteenth-century England, Princeton, NJ: Princeton University Press.
   Google Scholar
• ‘Princess's’ (1852) The Athenaeum, 28 February, p. 259.
   Google Scholar
• ‘Princess's Theatre’ (1852) The Times, 25 February, p. 5.
   Google Scholar
• Rees, Terence and Wilmore, David, eds. (1996) British Theatrical Patents, 1801–1900, London: Society for Theatre Research.
   Google Scholar
• Rowell, George (1981) Theatre in the Age of Irving, Oxford: Blackwell.
   Google Scholar
• Roy, Donald (2008) ‘Harvey, Sir John Martin-(1863–1944)’, in Oxford Dictionary of National Biography, https://bitly/3qGMPoB, accessed 9 June 2020.
   Google Scholar
• Royal Archives Queen Victoria's Journal (1852) 28 February, pp. 129–31.
   Google Scholar
• S., G. A. (1880) ‘The playhouses’, The Illustrated London News, 25 September, p. 303.
   Google Scholar
• Scott, Clement (1880) ‘The Corsican Brothers’, The Theatre 2(October): 236–9.
   Google Scholar
• Shears, Jonathon, ed. (2017) The Great Exhibition, 1851: A sourcebook, Manchester: Manchester University Press.
   Google Scholar
• Speaight, George (1989) ‘Professor Pepper's ghost’, Theatre Notebook 43(1): 16–24.
   Web of Science ®Google Scholar
• ‘The spectre drama at the Polytechnic’ (1863) The Illustrated London News, 2 May, p. 486.
   Google Scholar
• Sussman, Herbert (2009) Victorian Technology: Invention, innovation, and the rise of the machine, Santa Barbara, CA: Praeger Publishers.
   Google Scholar
• Urban, Eliza Dickinson (2019) ‘Spectral spectacle: Traps, disappearances, and disembodiment in nineteenth-century British melodrama’, Nineteenth-Century Theatre and Film 46(1): 18–37. doi: https://doi.org/10.1177/1748372718799081
   Google Scholar
• Thompson, E. P. (1966) The Making of the English Working Class, New York: Vintage Books.
   Google Scholar