REFERENCES
- Bacci, Francesca and Melcher, David (2011) Art and the Senses, Oxford: Oxford University Press.
- Bläsing, Bettina, Puttke-Voss, Martin and Schack, Thomas (2019) The Neurocognition of Dance: Mind, movement and motor skills, 2nd edn, New York, NY: Routledge.
- Di Benedetto, Stephen (2010) The Provocation of the Senses in Contemporary Theatre, New York, NY: Routledge.
- Hansen, Pil (2011) ‘Perceptual dramaturgy: Swimmer (68)’, Journal of Dramatic Theory and Criticism XXV(2): 107–24. doi: https://doi.org/10.1353/dtc.2011.0023
- Hansen, Pil and Bläsing, Bettina (2017) ‘Introduction: Studying the cognition of memory in the performing arts’, in Pil Hansen and Bettina Blaesing (eds) Performing the Remembered Present: The cognition of memory in dance, theatre and music, London: Methuen, pp. 1–35.
- Vass-Rhee, Freya (2011) ‘Auditory turn: William Forsythe’s vocal choreography’, Dance Chronicle 33(3): 388–413. doi: https://doi.org/10.1080/01472526.2010.517495