REFERENCES
- Bernardinia Lithania (2021) (journalist not named), 5 March 2021, https://bit.ly/3oh5IjO, last accessed 29 September 2021.
- Calaciura, Giosuè (2005) in Mauro d’Agati, ‘Introduction’, Vucciria, Rome: Contrasto Due.
- Eliot, T. S. (1958 [1925]) The Hollow Men, in Selected Poems of T. S. Eliot, London: Faber and Faber, pp. 75–80.
- Greenhalgh, Jill (2006) ‘And before I know it’ in Judie Christie, Richard Gough and Daniel Peter Watt (eds) A Performance Cosmology, London: Routledge, pp. 39–40.
- Hotel Pro Forma (n.d.) Company website, https://bit.ly/39MfPVl, accessed 12 June 2021.
- Joyce, James (1969 [1916]) A Portrait of the Artist as a Young Man, London: Penguin Books. First published in 1916 by B. W. Huebsch, New York, USA.
- Kharms, Daniil (2018 [1928]) A Failed Performance: Short plays and scenes, trans. Dylan Bassett and Emma Winsor Wood, Pittsburgh: Plays Inverse Press.
- Lanza, Marco (photographs) and Facchi, Laura (text) (2000) The Living Dead: Inside the Palermo Crypt, London: Westzone.
- McGillivray, Glen (2008) ‘The picturesque world stage’, Performance Research, ‘On Appearance’ 13(4): 127–39. doi: https://doi.org/10.1080/13528160902875713
- Milton, John (1975 [1667]) Paradise Lost, A Norton Critical Edition, edited by Scott Elledge, New York and London: Norton. First published by Samuel Simmons (as ten books), London, 1667.
- Morden, Barbara C. (2010), John Martin Apocalypse Now!, Carmarthen, Wales: McNidder & Grace.
- O’Rourke, Meghan (2011) The Long Goodbye: A Memoir, London: Virago.
- Sinclair, Iain (2020) ‘Palermo deathship’, an introductory essay, in Iain Sinclair (text) and Ian Wilkinson (photography), Our Late Familiars, Rutland, UK: Goldmark.