REFERENCES
- Arendt, Hannah (1978) The Life of the Mind, San Diego, Harcourt.
- Balint, Benjamin (2018) Kafka’s Last Trial: The case of a literary legacy, New York: W. W. Norton & Company.
- Beckett, Samuel (1990) Endgame, The Complete Dramatic Works, London: Faber and Faber.
- Benjamin, Walter (2001) ‘Franz Kafka: On the tenth anniversary of his death’, in Selected Writings, Volume 2, Cambridge, MA, Harvard University Press, pp. 794–818.
- Benjamin, Walter (2003) ‘What Is Epic Theater? II’, in Selected Writings, Volume 4, Cambridge MA, Harvard University Press, pp. 302–9.
- Ben-Shaul, Daphna, Ruth Kanner, Janelle Reinelt and Freddie Rokem (2010) ‘Capturing Moments of Misperformance “Local Tales”’, Performance Research 15(2): 66–73, DOI: 10.1080/13528165.2010.490433 and https://bit.ly/3q0mxyO, accessed 12 December 2921.
- Rokem, Freddie (2010) Philosophers and Thespians: Thinking performance, Stanford, CA: Stanford University Press.
- Rokem, Freddie (2017) ‘The Hebrew Notebook—and other stories by Franz Kafka. A work of “Speech Theatre” by the Ruth Kanner Theatre Group’, Kafka und Theater, Thewis, GTW, https://bit.ly/3F1DZcl, accessed 25 October 2021.
- Rokem, Freddie (2018) ‘Before the Hebrew Notebook: Kafka’s words and gestures in translation’, in Amir Eshel and Rachel Seelig (eds) The German–Hebrew Dialogue: Studies of encounter and exchange, Berlin, Boston: De Gruyter, pp. 177–96.
- Rokem, Freddie (2019) ‘”Suddenly a Stranger Appears”: Walter Benjamin’s readings of Bertolt Brecht’s Epic Theatre’, Nordic Theatre Studies 31(1): 8–21, DOI: https://bit.ly/3shEfAJ, accessed 9 November 021. doi: 10.7146/nts.v31i1.112998
- Shakespeare, William (1989) Hamlet, Prince of Denmark, Cambridge: Cambridge University Press.