REFERENCES
- Adorno, Theodor (1969) ‘Alban Berg: oper und moderne’, in Rolf Tiedemann (ed.) Gretel Adorno, Susan Buck-Morss, and Klaus Schultz Gesammelte Schriften 18, Frankfurt am Main: Suhrkamp, pp. 650–72.
- Adorno, Theodor (1990) ‘On the characteristic of “Wozzeck”‘, Alban Berg: Wozzeck (English National Opera Guide) 42, London: J. Calder, pp. 37–40.
- Adorno, Theodor and Berg, Alban (1995) Theodor W. Adorno, Briefe und Briefwechsel, 8 vols, vol. 2: Briefwechsel, 1925-1935, ed. Henri Lonitz, Frankfurt am Main: Suhrkamp.
- Adorno, Theodor and Berg, Alban (2005) Theodor W. Adorno and Alban Berg Correspondence, 1925-1935, trans. Wieland Hoban Smith, Cambridge: Polity.
- Berg, Alban (1955) Georg Büchner’s Wozzeck: Oper in 3 Akten (15 Szenen), [Georg Büchner’s Wozzeck: Opera in 3 acts (15 scenes)], Op 7, ed. Hans Erich Apostel, Orchestral score, Vienna: Universal-Edition.
- Berg, Alban (2007) Wozzeck, Calixto Bieito (dir.), Barcelona: Gran Teatre del Liceu. Recorded January 2006, London: Opus Arte.
- Berg, Alban (2012) Wozzeck, Dmitri Tcherniakov (dir.), Moscow: Bolshoi Theatre. Recorded November 2010, Paris: Bel Air Classiques.
- Berg, Alban (2016) Wozzeck, Andreas Homoki (dir.), Zürich: Opernhaus Zürich. Recorded September 2015, Leipzig: Accentus Music.
- Hölderlin, Friedrich (2001) ‘Hölderlin’s notes to Oedipus’, in Hölderlin’s Sophocles: Oedipus and Antigone, trans. David Constantine, Highgreen: Bloodaxe, pp. 63–8.
- Lehmann, Hans-Thies (2016) Tragedy and Dramatic Theatre, trans. Erik Butler, New York, NY: Routledge.
- Levin, David (2017) ‘Adorno’s spectacles: Strawinsky und der Ort der Dialektik’, in Gabriele Brandstetter and Katja Schneider (eds) Sacre 1913/2013. Tanz, Opfer, Kultur, Berlin: Rombach, pp. 275–92.
- Meyler, Bernadette (2016) ‘Adorno’s shifting Wozzeck‘, in Richard Begam and Matthew Wilson Smith (eds) Modernism and Opera, Baltimore, MD: Johns Hopkins University Press, pp. 148–85.
- Rokem, Freddie (2010) ‘Walter Benjamin and Bertolt Brecht discuss Franz Kafka: Exilic journeys’, in Philosophers and Thespians: Thinking performance, Stanford, CA: Stanford University Press, pp. 118–37.
- Smith, Stephen Decatur (2014)’”Even money decays”: Transience and hope in Adorno, Benjamin, and Wozzeck‘, The Opera Quarterly 29(3–4), Oxford: Oxford University Press, pp. 212–43, DOI: 10.1093/oq/kbt035.
- Weber, Samuel (2004) ‘Scene and screen: Electronic media and theatricality’, in Theatricality as Medium, New York, NY: Fordham University Press, pp. 97–120.