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Performance Research
A Journal of the Performing Arts
Volume 26, 2021 - Issue 5: On Interruptions
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Research Article

Picturing Meditation

Corporeal mime and the performative time of photography

Cosimo Chiarelli
Pages 82-85 | Published online: 03 May 2022

REFERENCES

  • Artaud, Antonin (1994) Le Théâtre et son double, Paris: Gallimard. (Artaud, Antonin, (1958) The theater and its double, New York: Grove Press.)
  • Canis, Richard (1980) Interview with Etienne Bertrand Weill, unpublished text, Weill private archives, Jerusalem.
  • Chiarelli, Cosimo (2012) ‘La matière du mouvement. Photographie et mime corporel’, Revue de la BNF 1(40): 24–33. doi: 10.3917/rbnf.040.0024
  • Decroux, Etienne (1963) Paroles sur le mime, Paris: Gallimard.
  • Derrida, Jacques (1972) ‘La double séance (1969-1970)’, in La Dissémination, Paris: Seuil: 215-347 (Derrida, Jacques (1981). Dissemination, Chicago: University Press.)
  • Pezin, Patrick (2003) Étienne Decroux, mime corporel: textes, études et témoignages, Saint-Jean-de-Védas: L’Entretemps éditions.
  • Saussure, Ferdinand de (1916) Cours de linguistique générale, Lausanne: Payot. (Saussure, Ferdinand de (2013) Course in general linguistics, London ; New York : Bloomsbury Academic)
  • Weill, Etienne Bertrand (c.1994) Unpublished interview, Weill private archives, Jerusalem.

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