REFERENCES
- Aristotle (1984) ‘Metaphysics’, in Jonathan Barnes (ed.) The Complete Works of Aristotle: The revised Oxford translation, trans. William David Ross, vol. 2, Princeton, NJ: Princeton University Press, pp. 1552–728.
- Benjamin, Walter (2003) ‘What is epic theater? (II)’, in Howard Eiland and Michael W. Jennings (eds) Selected Writings, vol. 4, Cambridge, MA: Harvard University Press, pp. 302–9.
- Berlin, Normand (2008) ‘The tragic pleasure of Waiting for Godot’, in Harold Bloom (ed.) Samuel Beckett’s Waiting for Godot, New York, NY: Bloom’s Literary Criticism, pp. 55–69.
- Davidson, Christopher (2019) ‘Producing marks of distinction: hilaritas and devotion as singular virtues in Spinoza’s aesthetic festival’, Textual Practice 33(5): 821–38. doi: 10.1080/0950236X.2019.1581687
- Descartes, René (1985) ‘The Passions of the Soul’, in John Cottingham, Robert Stoothoff and Dugald Murdoch (trans) The Philosophical Writings of Descartes, vol. 1, Cambridge: Cambridge University Press, pp. 305–404.
- Plato (2015) ‘Theaetetus’, in Christopher Rowe (ed. and trans.) Plato: Theaetetus and Sophist, Cambridge: Cambridge University Press, pp. 1–98.
- Spinoza, Benedict (1985) ‘Ethics’, in Edwin Curley (ed. and trans.) The Collected Works of Spinoza, vol. 1, Princeton, NJ: Princeton University Press, pp. 408–617.
- Spinoza, Benedict (2007) Theological-Political Treatise, ed. Jonathan Israel, trans Michael Silverthorne and Jonathan Israel, Cambridge: Cambridge University Press.