REFERENCES
- Ben-Zvi, Linda (1996) Theater in Israel, Ann Arbor, MI: University of Michigan Press.
- Chetrit, Sami Shalom (2009) Intra-Jewish Conflict in Israel: White Jews, Black Jews, New York, NY: Routledge.
- Dolan, Jill (2005) Utopia in Performance: Finding hope at the theatre, Ann Arbor, MI: University of Michigan Press.
- Kaynar, Gad, Rokem, Freddie and Rozik, Eli, eds (1999) The Camri: A theatre of time and place, Tel-Aviv: Tel-Aviv University. [in Hebrew]
- Levy, Tom (2016) The German Jews and the Hebrew Theatre: A clash between Western and Eastern Europe, Tel-Aviv: Resling.
- Rokem, Freddie (2019) ‘”Suddenly a stranger appears”: Walter Benjamin’s readings of Bertolt Brecht’s epic theatre’, Nordic Theatre Studies 31(1): 8–21. doi: 10.7146/nts.v31i1.112998
- Shem-Tov, Naphtaly (2018) ‘Displaying the Mizrahi identity in autobiographical performances: Body, food, and documents’, New Theatre Quarterly 34(2): 160–75. doi: 10.1017/S0266464X18000064
- Shem-Tov, Naphtaly (2019a) ‘Celebrating Jewish-Moroccan theatre in Israel: Production, repertoire, and reception’, Contemporary Theatre Review 29(1): 56–70. doi: 10.1080/10486801.2018.1556207
- Shem-Tov, Naphtaly (2019b) ‘Performing Iraqi-Jewish history on the Israeli stage’, Theatre Research International 44(3): 248–61. doi: 10.1017/S0307883319000294
- Shem-Tov, Naphtaly (2019c) ‘In sorrow thou shalt bring forth children: Docu-poetic theatre in Israel’, TDR/The Drama Review 63(3): 20–35. doi: 10.1162/dram_a_00854
- Urian, Dan (2001) ‘Mizrahi and Ashkenazi in the Israeli theatre’, Arabic & Middle Eastern Literature 4(1): 19–36. doi: 10.1080/13666160108718246
- Urian, Dan (2011) ‘Sefrou and Baghdad’, Israel Affairs 17(4): 542–62. doi: 10.1080/13537121.2011.603520
- Zer-Zion, Shelly (2015) Habima in Berlin: The institutionalization of a Zionist theatre. Jerusalem: Magnes. [in Hebrew]