REFERENCES
- Bishop, Claire (2012) Artificial Hells: Participatory art and the politics of spectatorship, London: Verso.
- Carson, Thomas L. (2010) Lying and Deception: Theory and practice, Oxford: Oxford University Press.
- Garcia, Dora (2020) Email to Thomas Bîrzan, August 23.
- Kierkegaard, Søren (1997 [1843]) The Seducer’s Diary, trans Edna H. Hong and Howard V. Hong, Princeton, NJ: Princeton University Press.
- Perrin, Julie (2013) ‘Habiter en danseur’ (Dwelling as a dancer), in Christian Gaussen (ed.) Du Périmètre Scénique en Art : Re/penser la skéné (Of the stage’s perimeter in Art : Re/thinking the skene), Montpellier : École supérieure des beaux-arts, pp. 8–19.
- Schechner, Richard (2013 [2002]) Performance Studies: An introduction, 3rd edn, New York, NY: Routledge.
- Szendy, Peter (2017) All Ears: The aesthetics of espionage, trans. Roland Végső, New York, NY:Fordham University Press.