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Performance Research
A Journal of the Performing Arts
Volume 26, 2021 - Issue 8: Undercover
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Research Article

Spy House

Transformations in espionage performance

REFERENCES

  • Austin, J. L. (1962) How to Do Things with Words, Oxford: Oxford University Press.
  • Barsky, Jack (2017) Deep Undercover: My secret life and tangled allegiances as a KGB spy in America, Carol Stream, IL: Tyndale House.
  • Bharara, Preet (2018) ‘What happened in Helsinki (with Jeremy Bash)’, Stay Tuned with Preet podcast, episode 193, https://bit.ly/3N9MxSj, 26 July, accessed 8 April 2022.
  • Fischer-Lichte, Erika (2008) The Transformative Power of Performance: A new aesthetics, London: Routledge.
  • Kapitonov, Konstantin (2015 [2008]) ‘Inside KGB directorate S: The illegals’, trans. Mark Hackard, espionagehistoryarchive.com, https://bit.ly/3suDfs4, 5 May, accessed 24 April 2022.
  • Riehle, Kevin and May, Michael (2019) ‘Human-cyber nexus: The parallels between “illegal” intelligence operations and advanced persistent threats’, Intelligence and National Security 34(2): 189–204. doi: 10.1080/02684527.2018.1534642
  • Schechner, Richard (1981) ‘Performers and spectators transported and transformed’, The Kenyon Review 3(4) (Autumn): 83–113.
  • Schechner, Richard (2003) Performance Studies: An introduction, London: Routledge.
  • Schneider, Sara K. (2008) Art of Darkness: Ingenious performances by undercover operators, con men, and others, Chicago, IL: Cuniform Books.
  • Stevens, Fraser (2017) ‘Cultural camouflage: Acting identities in World War 2 espionage’, in Victor Emeljanow (ed.) War and Theatrical Innovation, London: Palgrave, pp. 23–40.
  • US v. Chapman, et al., Sealed Complaint, 26 June 2010.
  • US v. Metsos, et al., Sealed Complaint, 25 June 2010.

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