Choreographic Explorations in the Middle and the Excess

REFERENCES

• Barad, Karen (2003) ‘Posthumanist performativity: Toward an understanding of how matter comes to matter’, Signs: Journal of women in culture and society 28(3): 801–31. doi: 10.1086/345321
   Web of Science ®Google Scholar
• Barad, Karen (2007) Meeting the Universe Halfway: Quantum physics and the entanglement of matter and meaning, Durham, NC: Duke University Press.
   Google Scholar
• Barad, Karen (2014) ‘Diffracting diffraction: Cutting together-apart’, Parallax 20(3): 168–87. doi: 10.1080/13534645.2014.927623
   Web of Science ®Google Scholar
• Bissell, David (2012) ‘Agitating the powers of habit: Towards a volatile politics of thought’, Theory and Event: 15(1) n.p. doi: 10.1353/tae.2012.0000
   Google Scholar
• Bleeker, Maike (2015) ‘Movement and 21st century literacy’, in Nicholas Salazar Sutil and Sita Popat (eds) Digital Movement: Essays in motion technology and performance, Houndmills, Basingstoke, Hampshire and New York, NY: Palgrave Macmillan, pp. 95–105.
   Google Scholar
• Camilleri, Frank (2018) ‘On habit and performer training’, Theatre, Dance and Performance Training 9(1): 36–52. doi: 10.1080/19443927.2017.1390494
   Web of Science ®Google Scholar
• deLahunta, Scott, Clarke, Gill and Barnard, Phil (2012) ‘A conversation about choreographic thinking tools’, Journal of Dance & Somatic Practices 3(1–2): 243–59.
   Google Scholar
• Deleuze, Gilles (1993) The Deleuze Reader, ed. Constantin V. Boundas, Oxford: Columbia University Press.
   Google Scholar
• Deleuze, Gilles (1997 [1986]) Cinema 1: The movementimage trans Hugh Tomlinson and Barbara Habberjam, Minneapolis, MN: University of Minnesota Press.
   Google Scholar
• Deleuze, Gilles (2003 [1981]) Francis Bacon: The logic of sensation, trans. Daniel W. Smith, London: Continuum.
   Google Scholar
• Dewsbury, John-David (2012) ‘Affective habit ecologies: Material dispositions and immanent inhabitations’, Performance Research 17(4): 74–82. doi: 10.1080/13528165.2012.712263
   Web of Science ®Google Scholar
• Edinborough, Campbell (2011) ‘Developing decision-making skills for performance through the practice of mindfulness in somatic training’, Theatre, Dance and Performance Training 2(1): 18–33. doi: 10.1080/19443927.2010.543917
   Google Scholar
• Françoise, Jules, Schnell, Norbert, Borghesi, Riccardo and Bevilacqua, Frederic (2014) ‘Probabilistic models for designing motion and sound relationships’, in Proceedings of the 2014 International Conference on New Interfaces for Musical Expression, London, UK, pp. 287–92.
   Google Scholar
• Gil, José (2009) ‘Paradoxical body’, in André Lepecki and Jenn Joy (eds) Planes of Composition: Dance, theory, and the global, London and New York, NY: Seagull, pp. 85–106.
   Google Scholar
• Hayles, N. Katherine (2012) How We Think: Digital media and contemporary technogenesis, Chicago, IL: The University of Chicago Press.
   Google Scholar
• Levinsky, Sarah (2018) ‘Discussion after workshop with Company Van Huynh, 4th Dec 2018’ [recording transcription], Centre 151, London, Appendix C: Encounters between Dance and Digital Meaning: Discovering potential in the question of movement, PhD thesis, Falmouth University.
   Google Scholar
• Levinsky, Sarah (2019a) ‘Studio discussions during three weekend research and development sessions in May 2019 at Falmouth University’ [recording transcription], Academy of Music and Theatre Arts (AMATA), Falmouth University.
   Google Scholar
• Levinsky, Sarah (2019b) ‘Semi-structured interviews with participant dancers after the creation process for Body of Memory creation, September 2019’ [recording transcription], Academy of Music and Theatre Arts (AMATA), Falmouth University. Sample interview available at Appendix B: Encounters between Dance and Digital Meaning: Discovering potential in the question of movement, PhD thesis, Falmouth University.
   Google Scholar
• Levinsky, Sarah (2021) Videos made with Tools that Propel [online videos], https://bit.ly/3wLp3jm, November, accessed 13 March 2024.
   Google Scholar
• Levinsky, Sarah and Russell, Adam (2019) ‘Agency in dialogue: How choreographic thought emerges through dancing with Tools that Propel’, presented at the AISB 2019 Convention: Movement that shapes behaviour, Falmouth University, pp. 7–14.
   Google Scholar
• Rotman, Brian (2008) Becoming Beside Ourselves: The alphabet, ghosts, and distributed human being, Durham, NC: Duke University Press.
   Google Scholar
• Simondon, Gilbert (2011 [1958]) ‘On the mode of existence of technical objects’, trans Ninian Mallamphy, Dan Mallamphy and Nandita Biswas Mallamphy, Deleuze Studies 5(3): 407–24. doi: 10.3366/dls.2011.0029
   Google Scholar
• Yang, Andrew S. (2015) ‘Second laws, two cultures, and the emergence of an ecosystem aesthetics’, Interdisciplinary Science Reviews 40(2): 168–81. doi: 10.1179/0308018815Z.000000000111
   Web of Science ®Google Scholar