Reception and Contingency in Recent Art from Chile

References

• Auslander, Philip. 2008. Liveness: Performance in a Mediatized Culture. New York and Oxon: Routledge.
   Google Scholar
• Auslander, Philip. 2009. Reactivation: Performance, Mediatization and the Present Moment. In Interfaces of Performance, edited by MariaChatzichristodolou, 81–93. Farnham: Ashgate.
   Google Scholar
• Auslander, Philip. 2012. The Performativity of Performance Documentation. In Perform, Repeat, Record: Live Art in History, edited by AdrianHeathfield and AmeliaJones, 47–58. Bristol and Chicago: Intellect.
   Google Scholar
• Barría, Cristóbal. 2013. Sebastián Vidal: En El Principio. Artishock. 25 July 2013. http://www.artishock.cl/2013/04/sebastian-vidal-en-el-principio/.
   Google Scholar
• Beasley-Murray, Jon. 2010. Posthegemony: Political Theory and Latin America. Minneapolis: University of Minnesota Press.
   Google Scholar
• Bell, Vicky. 2010. On Fernando's photograph: the biopolitics of aparicion in contemporary Argentina. Theory, Culture and Society27 (4): 69–89.
   Web of Science ®Google Scholar
• Bernaschina, Vicente, and Paulina Soto. 2011. La Epica Artística de Avanzada: la Palabra Autoritaria. 30 July 2013. http://www.historiacritica.cl/pdf/capitulo5final.pdf.
   Google Scholar
• Berríos, María, and GuillermoMachuca. 2006. Art and Context: Three Decades of Aesthetic Production in Chile. In Copiar el Eden: Arte Reciente en Chile/Copying Eden: Recent Art from Chile, edited by GerardoMosquera, 84–101. Santiago: Ediciones Puro Chile.
   Google Scholar
• CADA. 1979. Para No Morir de Hambre en el Arte (unedited footage). Hemispheric Institute Digital Video Library. 31 July 2013. http://hidvl.nyu.edu/video/003180963.html.
   Google Scholar
• Chile.com. 2009. Arte chileno sale a la conquista del mundo. 15 July 2013. http://www.chile.com/secciones/ver_seccion.php?id = 113988.
   Google Scholar
• El Astuto Mono Pinochet Contra la Memoria de los Cerdos. 2004. Dir. Ivan Osnovikoff and Bettina Perut. http://www.youtube.com/watch?v=dKF8nMTU_J4.
   Google Scholar
• Fernández, Cristina. 2007. Campo Intelectual de las Artes Visuales en Chile: las Reglas del Arte Chileno. 31 July 2013. http://campointelectual.wordpress.com/.
   Google Scholar
• Fischer-Lichte, Erika. 2008. The Transformative Power of Performance: A New Aesthetics. London: Routledge.
   Google Scholar
• Fortuño, Sergio. 2007. El soplo de Zurita. 30 July 2013. http://sergiofortuno.blogspot.co.uk/2007/07/el-soplo-de-zurita.html.
   Google Scholar
• Godoy, Francisco. 2011. Cita con Duchamp: Espejo y Negativo en la Apropiación de Carlos Leppe. 30 July 2013. http://salonkritik.net/09-10/2010/08/cita_con_duchamp_espejo_y_nega.php.
   Google Scholar
• Gómez-Moya, Cristián, ed. 2013. Human Rights| Copy Rights. Visual Archives on the Age of Declassification. Santiago: Vicerrectoría de Investigación y Desarrollo, Museo de Arte Contemporáneo (MAC) Universidad de Chile.
   Google Scholar
• Hopenhayn, Martín. 1987. ¿Qué Tienen Contra los Sociólogos? In Arte en Chile desde 1973. Escena de Avanzada y Sociedad, edited by NellyRichard, 93–9. Santiago: FLACSO.
   Google Scholar
• Heathfield, Adrian, and Jones, Amelia, eds. 2012. Perform, Repeat, Record: Live Art in History. Bristol and Chicago: Intellect.
   Google Scholar
• Hirsch, Marianne. 1997. Family Frames: Photography, Family and Postmemory. Cambrdige and London: Harvard University Press.
   Google Scholar
• Hirsch, Marianne. 2012. The Generation of Post-Memory: Writing and Visual Culture after the Holocaust. New York: Columbia University Press.
   Google Scholar
• Jones, Amelia. 1997. “Presence” in Absentia: Experiencing Performance as Documentation. Art Journal56 (4): 11–18.
   Web of Science ®Google Scholar
• Los Rubios. 2003. Dr Albertina Carri. DVD.
   Google Scholar
• Memoria Chilena. 9 August 2013. www.memoriachilena.cl.
   Google Scholar
• Mosquera, Gerardo. 2006. Copiar el Eden: Arte Reciente en Chile/Copying Eden: Recent Art from Chile. Santiago: Ediciones Puro Chile.
   Google Scholar
• Neustadt, Robert. 1999. (Con)Fusing Signs and Postmodern Positions: Spanish American Performance, Experimental Writing, and the Critique of Political Confusion. New York and London: Garland.
   Google Scholar
• Neustadt, Robert. 2001. CADA Día: La Creación de un Arte Social. Santiago: Cuarto Propio.
   Google Scholar
• Nostalgia de la Luz. 2010. Dir. Patricio Guzmán. http://www.ustream.tv/recorded/26976695.
   Google Scholar
• Nouzeilles, Gabriela. 2005. Postmemory Cinema and the Future of the past in Albertina Carri's Los Rubios. Journal of Latin American Cultural Studies: Travesia14 (3): 263–278. 10.1080/13569320500382500.
   Google Scholar
• Olivares, Lissette. 2009. Copiar el Edén: Arte Reciente from Chile by Gerardo Mosquera. E-Misférica 7.1. 31 July 2013. http://hemisphericinstitute.org/hemi/en/e-misferica-71/olivares.
   Google Scholar
• Olmedo, Carolina. 2012. Reflexiones en Torno al Arte Chileno Reciente y su Documentación. Revista Pretérito Imperfecto, Número 1, Otoño 2012, 80–89.
   Google Scholar
• Perez, MarianaEva. 2013. Their lives after: Theatre as testimony and the so-called ‘second generation’ in post-dictatorship Argentina. Journal of Romance Studies13 (3): 6–16.
   Google Scholar
• Reinalda del Carmen, mi Mamá y Yo. 2006. Dir. Lorena Giachino. DVD.
   Google Scholar
• Richard, Nelly. 1986. Margins and Institutions: Art in Chile Since 1973. Melbourne: Art & Text.
   Google Scholar
• Richard, Nelly. 1987. Márgenes e Instituciones: Arte en Chile desde 1973. In Arte en Chile desde 1973. Escena de Avanzada y Sociedad, edited by NellyRichard, 1–13. Santiago: FLACSO.
   Google Scholar
• Richard, Nelly. 2006. The Escena de Avanzada and its Historical and Social Context. In Copiar el Eden: Arte Reciente en Chile/Copying Eden: Recent Art from Chile, edited by GerardoMosquera, 112–9. Santiago: Ediciones Puro Chile.
   Google Scholar
• Richard, Nelly. 2007. Márgenes e instituciones: Arte en Chile desde 1973. Santiago: Metales Pesados.
   Google Scholar
• Richard, Nelly. 2009. Lo Político en el Arte: Arte, Política e Institutiones. E-Misférica 6.2. 31 July 2013. http://hemisphericinstitute.org/hemi/en/e-misferica-62/richard.
   Google Scholar
• Ros, Ana. 2012. The Post-Dictatorship Generation in Argentina, Chile, and Uruguay: Collective Memory and Cultural Production. New York: Palgrave Macmillan.
   Google Scholar
• Rosenfeld, Lotty. 1980. Una Milla de Cruces en el Pavimento. Santiago: Ediciones CADA.
   Google Scholar
• Stern, Steve. 2004. Remembering Pinochet's Chile: On the Eve of London, 1998. Durham and London: Duke University Press.
   Google Scholar
• Taylor, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham and London: Duke University Press.
   Google Scholar
• Valdés, Adriana. 1987. La escritura crítica y su efecto: una reflexión particular. In Arte en Chile desde 1973. Escena de Avanzada y Sociedad, edited by NellyRichard, 81–90. Santiago: FLACSO.
   Google Scholar
• Valdés, Adriana. 2006. Servants to the Word: Art and Writing in Chile. In Copiar el Eden: Arte Reciente en Chile/Copying Eden: Recent Art from Chile, edited by GerardoMosquera, 50–64. Santiago: Ediciones Puro Chile.
   Google Scholar
• Vidal, Hernán. 1997. Poética de la Población Marginal. Minneapolis: Prism Institute.
   Google Scholar
• Zurita, Raúl. 1979. Purgatorio. Santiago: Editorial Universitaria.
   Google Scholar
• Zurita, Raúl. 2007. Purgatorio. Santiago: Ediciones UDP.
   Google Scholar