References
- Astell-Burt, C. 2002. I Am the Story: A Manual of Special Puppetry Projects. 2nd ed. London: Souvenir Press.
- Barounis, C. 2013. “Cripping Heterosexuality, Queering Able-Bodiedness: Murderball, Brokeback Mountain and the Contested Masculine Body.” In The Disability Studies Reader, edited by Lennard J. Davis, 381–397. New York: Routledge.
- Cappalletto, C. 2011. “The Puppet’s Paradox: An Organic Prosthesis.” Anthropology and Aesthetics 59–60: 325–336. doi: 10.1086/RESvn1ms23647798
- Delpit, Lisa. 1993. “The Politics of Teaching Literate Discourse.” In Freedom’s Plough: Teaching in the Multicultural Classroom, edited by James Fraser, and Theresa Perry, 285–295. New York: Routledge.
- Hall, S. 1990. “Cultural Identity and Diaspora.” In Identity: Community, Culture, Difference, edited by Jonathan Rutherford, 222–237. London: Lawrence & Wishart.
- Kuppers, P. 2003. Disability and Contemporary Performance: Bodies on the Edge. Abingdon: Routledge.
- Kuppers, P. 2011. Studying Disability Arts and Culture: An Introduction. London: Palgrave MacMillan.
- McDonagh, R. 2012. “Cripping Up – Copping On.” Irish Theatre Magazine. https://kaiteoreilly.wordpress.com/2012/03/13/cripping-up-copping-on-rosaleen-mcdonagh-in-irish-theatre-magazine/.
- Moore, L. 2012. “Krip-Hop Nation is Moore than Music.” Wordgathering. www.wordgathering.com/issue22/essays/moore2.html.
- Parker-Starbuck, J. 2011. Cyborg Theatre: Corporeal/Technological Intersections in Multimedia Performance. London: Palgrave Macmillan.
- Sandahl, C., and P. Auslander. 2005. “Introduction: Disability Studies in Commotion with Performance Studies and Rehabilitating the Medical Model.” In Bodies in Commotion: Disability and Performance, edited by Carrie Sandahl, and Philip Auslander, 1–12. Ann Arbor: University of Michigan Press.
- Tajfel, H., and J. C. Turner. 1979. “An Integrative Theory of Intergroup Conflict.” In The Social Psychology of Intergroup Relations, edited by William G. Austin, and Stephen Worchel, 33–47. Pacific Grove: Brooks/Cole.
- Williams, M. 2014. “The Death of ‘The Puppet’?” In The Routledge Companion to Puppetry and Material Performance, edited by Dassia N. Posner, Claudia Orenstein, and John Bell, 18–29. New York: Routledge.