Beyond mimesis to an assemblage of reals in the drama classroom: which reals? Which representational aesthetics? What theatre-building practices? Whose truths?

References

• Aston, Elaine. 2003. An introduction to Feminism and Theatre. London: Routledge.
   Google Scholar
• Barker, Roberta, and Kim Solga, eds. 2012. New Canadian Realisms: New Essays on Canadian Theatre. Vol. 2. Toronto: Playwrights Canada Press.
   Google Scholar
• Case, Sue-Ellen. 2012. “Towards a Butch-Femme Aesthetic.” In The Lesbian and Gay Studies Reader, edited by Henry Abelove, 1–14. London: Routledge.
   Google Scholar
• Dalton, Russell J. 2006. Citizenship Norms and Political Participation in America: The Good News Is … The Bad News Is Wrong. Occasional paper. Washington, DC: Georgetown University, Centre for Democracy and Civil Society.
   Google Scholar
• Diamond, Elin. 1997. Unmaking Mimesis: Essays on Feminism and Theatre. London: Routledge.
   Google Scholar
• Duggan, Patrick. 2013. “Others, Spectatorship, and the Ethics of Verbatim Performance.” New Theatre Quarterly 29 (2): 146–158. doi: 10.1017/S0266464X13000250
   Web of Science ®Google Scholar
• Eriksson, Stig A. 2011. “Distancing.” In Key Concepts in Theatre/Drama Education, edited by Shifra Schonmann, 65–72. Rotterdam: Sense.
   Google Scholar
• Forsyth, Alison, and Chris Megson, eds. 2009. Get Real: Documentary Theatre Past and Present. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Gallagher, K., B. Freeman, and A. Wessels. 2009. “It Could Have Been So Much Better’: The Aesthetic and Social Work of Theatre.” Research in Drama Education: The Journal of Applied Theatre and Performance 15 (1): 5–27. doi: 10.1080/13569780903480971
   Web of Science ®Google Scholar
• Gibson, Janet. 2011. “Saying It Right: Creating Ethical Verbatim Theatre.” NEO: Journal for Higher Degree Research Students in the Social Sciences and Humanities 4: 1–18.
   Google Scholar
• Hazou, R. 2009. “Refugee Advocacy and the Theatre of Inclusion.” About Performance 9: 67–85.
   Google Scholar
• Heddon, Deidre. 2008. Autobiography and Performance: Performing Selves. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Jeffers, Alison. 2006. “Refugee Perspectives: The Practice and Ethics of Verbatim Theatre and Refugee Stories.” Platform 1 (1): 1–17.
   Google Scholar
• Lauglo, John, and Tormod Oia. 2007. “Education and Civic Engagement: A Review of Research and a Study on Norwegian Youths. ” OECD Working Papers, Number 12. Organization for Economic Co-operation and Development Publishing.
   Google Scholar
• Lehmann, Hans-Thies. 2006. Postdramatic Theatre. Translated by Karen Jürs-Munby. London: Routledge.
   Google Scholar
• Little, Edward. 2016. “When You’re up to Your Ass in Alligators?….” In Defense of Theatre: Aesthetic Practices and Social Interventions, edited by Barry Freeman, and Kathleen Gallagher, 49–64. Toronto: University of Toronto Press.
   Google Scholar
• Martin, Carol. 2006. “Bodies of Evidence.” TDR/The Drama Review 50 (3): 8–15. doi: 10.1162/dram.2006.50.3.8
   Web of Science ®Google Scholar
• Martin, Carol, ed. 2010. The Dramaturgy of the Real on the World Stage. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Martin, Carol. 2012. Theatre of the Real. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Neelands, Jonothan. 1984. Making Sense of Drama: A Guide to Classroom Practice. Portsmouth: Heineman.
   Google Scholar
• Potolsky, Matthew. 2006. Mimesis. New York: Taylor & Francis.
   Google Scholar
• Rayner, Alice. 2006. Ghosts: Death’s Double and the Phenomena of Theatre. Minneapolis: University of Minnesota Press.
   Google Scholar
• Salverson, Julie. 1999. “Transgressive Storytelling or an Aesthetic of Injury: Performance, Pedagogy and Ethics.” Theatre Research in Canada/Recherches Théâtrales au Canada 20 (1): 35–51. https://journals.lib.unb.ca/index.php/TRIC/article/view/7096/8155.
   Web of Science ®Google Scholar
• Schneider, Rebecca. 2011. Performing Remains: Art and War in Times of Theatrical Reenactment. London: Routledge.
   Google Scholar
• Sextou, Persephone. 2011. “Theatre for Children in Hospitals.” In Key Concepts in Theatre/Drama Education, edited by Shifra Schonmann, 313–320. Rotterdam: Sense.
   Google Scholar
• Shields, David. 2011. Reality Hunger: A Manifesto. New York: Alfred A. Knopf.
   Google Scholar
• Sutton, Damian, Susan Brind, and Ray McKenzie. 2007. The State of the Real: Aesthetics in the Digital age. London: I.B.Tauris.
   Google Scholar