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Research in Drama Education: The Journal of Applied Theatre and Performance Volume 23, 2018 - Issue 2: Envisioning Asylum/Engendering Crisis
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Interventions

The importance of being gay: the perils and possibilities of LGBTI asylum seekers’ involvement in Rights of Passage

Clare SummerskillRoyal Holloway, University of London, Egham, UKCorrespondence[email protected]
Pages 282-288 | Published online: 10 Apr 2018

References

  • Cox, Emma. 2014. Theatre and Migration. Basingstoke: Palgrave Macmillan.
  • Cox, Emma. 2016. “Concealment, Revelation and Masquerade in Europe’s Asylum Apparatus: Intimate Life at the Border.” Lateral 5 (2). doi:10.25158/L5.2.8.
  • Jeffers, Alison. 2008. “Dirty Truth: Personal Narrative, Victimhood and Participatory Theatre Work with People Seeking Asylum.” Research in Drama and Education: The Journal of Applied Theatre and Performance 13 (2): 217–221. doi: 10.1080/13569780802054919
  • Lewis, Rachel. 2013. “Deportable Subjects: Lesbians and Political Asylum.” Feminist Formations 25 (2): 174–194. doi: 10.1353/ff.2013.0027
  • Salverson, Julie. 1996. “Performing Emergency: Witnessing, Popular Theatre, and the Lie of the Literal.” Theatre Topics. 6 (2): 181–191. doi: 10.1353/tt.1997.0012
  • Salverson, Julie. 2001. “Change on Whose Terms? Testimony and an Erotics of Injury.” Theatre 31 (3): 119–125. doi:10.1215/01610775-31-3-119.
  • Summerskill, Clare. 2016. Rights of Passage. London: Tollington Press.
  • Wake, Caroline. 2013. “To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire.” Modern Drama 56 (1): 102–125. doi: 10.3138/md.2012-0465

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