Publication Cover
Mortality
Promoting the interdisciplinary study of death and dying
Latest Articles
13
Views
0
CrossRef citations to date
0
Altmetric
Research Article

The poetics of mourning or loss: a study in Angeliki Sidira’s poetry

&

References

  • Al-Zubbaidi, H. K. E., & Al-Hameedawi, M. A. J. (2019). Lamenting the father in modern American poetry: A study in selected elegies of mark strand and sharon olds. Al-Adab Journal, 131, 1–14.
  • Anjum, T. (2020). Death: A challenge. International Journal of English Literature and Social Sciences, 5(1), 186–189. https://dx.doi.org/10.22161/ijels.51.37
  • Badrideen, A. (2015). Home and domesticity in contemporary elegy. English Studies, 97(1), 78–93. https://doi.org/10.1080/0013838x.2015.1090743
  • Beach, C. (2003). The Cambridge introduction to twentieth century American poetry. Cambridge University Press.
  • Bukhari, R., & Khan, M. (2021). A shift of conformist culture from mainstream to margins” investigating conversion trends from modernism to postmodern in American literature. Kashmir Journal of Language Research, 24(2), 239–254.
  • Burt, J. (2015). Review of “Jahan Ramazani: Poetry of mourning: The modern elegy from Hardy to Heaney. Modernism/Modernity, 1(3), 285–286. https://doi.org/10.1353/mod.1994.0049
  • Collins, L. (2003). Confessionalism. In N. Roberts (Ed.), A companion to twentieth-century poetry (pp. 197–208). Blackwell Publishing Ltd.
  • Collins, L. (2015). Private memory and the construction of subjectivity in contemporary Irish women’s poetry. In Contemporary Irish Women Poets: Memory and Estrangement (pp. 78–108). Liverpool University Press.
  • Dimitriadou, D. (2021). The “I” of mourning in the poetry of Angeliki Sidira. Sisyphus Journal, 19, 27–33.
  • Dobbs, J. (1977). “Viciousness in the kitchen”: Sylvia plath’s domestic poetry. Modern Language Studies, 7(2), 11–25. https://doi.org/10.2307/3194361
  • Eagleton, T. (1996). Literary theory, an introduction. Blackwell Publishing.
  • Emeney, J. (2018). The rise of autobiographical medical poetry and the medical humanities. Ibidem-Verlag.
  • Gana, N. (2011). Signifying loss: Toward a poetics of narrative mourning. Bucknell University Press.
  • Georgiadou, A. (2010). The woman in postwar poetry. Kastaniotis Publications.
  • Gilbert, S. M. (1977). “My name is darkness”: The poetry of self-definition. Contemporary Literature, 18(4), 443–457.
  • Glaser, B. B. (2009). Fatherhood in confessional poetry: One facet of men’s autobiographical writing. College Literature, 36(4), 25–45.
  • Gupta, T., & Bala Sharma, A. (2014). Confessional poetry in the light of psychoanalytic theory with special reference to Sylvia plath. Asian Journal of Multidisciplinary Studies, 2(11), 112–116.
  • Gusdorf, G. (1980). Conditions and limits of autobiography. In J. Olney (Ed.), Autobiography, Essays Theoretical and Critical (pp. 28–48). Princeton University Press.
  • Harris, J. (2001). Breaking the code of silence: Ideology and women’s confessional poetry. In S. Kate & G. David (Eds.), After Confession: Poetry as Autobiography (pp. 254–256). Graywolf Press.
  • Harrison, R. P. (2003). The dominion of the dead. Chicago UP.
  • Higonnet, M. (2007). The great war and the female elegy: Female lamentation and silence in global contexts. The Global South, 1(2), 120–136.
  • Holst-Warhaft, G. (1992). Dangerous voices. Women’s laments and Greek literature. Routledge.
  • Isherwood, P. (2021). Poetry and the good. A Good Death.
  • Kabatza, V. (2021). The function of time and memory in the experiential poetry of Angeliki Sidira. Sisyphus Journal, 19, 51–59.
  • Kauffman, J. L. (2009). Poetry “found” in illness narrative: A feminist approach to patients’ ways of knowing and the concept of relational autonomy. Indiana University.
  • Kennedy, D. (2009). ‘Representable justice’: Returning the dead and policing the city in some Vctorian and contemporary elegies. Mortality, 14(1), 19–33. https://doi.org/10.1080/13576270802591285
  • Kimball, C. (1995). Review on “poetry of mourning: The modern elegy from hardy to heaney” by Jahan Ramazani. Rocky Mountain Review of Language and Literature, 49(1), 96–98.
  • Kirmayer, L. J. (2000). Broken narratives: Clinical encounters and the poetics of the illness experience. In C. Mattingly & L. C. Garro (Eds.), Narrative and the cultural construction of illness and healing (pp. 153–180). The University of California Press.
  • Komura, T. (2010). Modern elegy and the fiction and creation of loss: Wallace Stevens’s “The owl in the sarcophagus. English Literary History, 7(1), 45–70.
  • Koulouris, T. (2011). Jacques derrida in Virginia Woolf: Death, loss and mourning in Jacob’s room. Pacific Coast Philology, 46, 65–79.
  • Martiros, N., Vikrant Kapoor, E. S. K., & Venkatesh, N. M. (2022). Distinct representation of cue-outcome association by D1 and D2 neurons in the ventral striatum’s olfactory tubercle. eLife, 11(e75463). https://doi.org/10.7554/eLife.75463
  • Mauna, S. (2014). Confession and development in Sylvia plath’s poetry and prose. CoolCats Publishing.
  • Michailidou, A. (2004). Edna St. Vincent Millay and Anne Sexton: The disruption of domestic bliss. Journal of American Studies, 38, 67–88.
  • Ramazani, J. (1991). Elegy and anti-elegy in Stevens’ ‘harmonium’: Mockery, melancholia, and the pathetic fallacy. Journal of Modern Literature, 17(4), 567–582.
  • Ramazani, J. (1993). “Daddy, I have had to kill you”: Plath, rage, and the modern elegy. PMLA, 108(5), 1142–1156. https://doi.org/10.2307/462991
  • Ramazani, J. (1994). Poetry of mourning: The modern elegy from Hardy to Heaney. University of Chicago Press.
  • Riquelme, J. P. (1996). Review on “poetry of mourning: The modern elegy from Hardy to Heaney” by Jahan Ramazani. The Journal of English & Germanic Philology, 95(1), 153–156.
  • Roy, A. (2015). The theme of death and time in Emily Dickinson’s poetry. International Journal of English Language, Literature and Humanities, 3(II), 166–174.
  • Savory, E. (1999). “To sing me home”: Elegy and anti-elegy in Caribbean women’s poetry. Journal of West Indian Literature, 8(2), 50–67.
  • Schenck, C. M. (1986). Feminism and deconstruction: Re-constructing the elegy. Tulsa Studies in Women’s Literature, 5(1), 13–27. https://doi.org/10.2307/463660
  • Seifert, C. J. (1980). Images of domestic madness in the art and poetry of American women. Woman’s Art Journal, 1(2), 1–6. https://doi.org/10.2307/1358076
  • Spargo, R. C. (2010). The contemporary anti–elegy. In K. Weisman (Ed.), The oxford handbook of the elegy (pp. 413–429). Oxford University Press.
  • Stone, C. (1991). Elegy as political expression in women’s poetry: Akhmatova, Levertov, Forché. College Literature, 18(1), 84–91.
  • Uppal, P. (2009). We are what we mourn. The contemporary English - Canadian elegy. McGill-Queen’s University Press.
  • Walsh, C. (2020). What the nose knows. Experts discuss the science of smell and how scent, emotion, and memory are intertwined — and exploited. The Harvard Gazette.
  • Zeiger, F. M. (1997). Beyond consolation. Death, sexuality, and the changing shapes of elegy. Cornell University Press.
  • Ziras, A. (1991). Continuity and renewal of ethnography in the work of George Ioannou. Grammata Kai Technes, 62, 3–5.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.