Teaching in the Mix: Turntablism, DJ Aesthetics and African American Literature

References

• Alim, H. Samy. 2007. “The Whig Party Don’t Exist in My Hood: Knowledge, Reality, and Education in the Hip Hop Nation.” In Talkin Black Talk, edited by H. Samy Alim and John Baugh, 15–29. New York: Teachers College Press.
   Google Scholar
• Banks, Adam. 2011. Digital Griots: African American Rhetoric in a Multimedia Age. Carbondale, IL: Southern Illinois University Press.
   Google Scholar
• Biggie Smalls. 1994. “10 Crack Commandments.” Bad Boy Records. Vinyl/LP.
   Google Scholar
• Boogie Down Productions. 1988. By All Means Necessary. Jive/RCA Records. Vinyl/LP.
   Google Scholar
• Bradley, Regina. 2016. “Opinion: Why We Needed Kendrick Lamar’s Mind Unraveling Grammy Performance.” ArtsATL.
   Google Scholar
• Brewster, Bill, and Frank Broughton. 1999. Last Night a DJ Saved My Life: The History of the Disk Jockey. New York: Grove Press.
   Google Scholar
• Brown, Ruth Nicole. 2013. Hear Our Truths: The Creative Potential of Black Girlhood. Champaign, IL: University of Illinois Press.
   Google Scholar
• Chesnutt, Charles. [1898] 2014. “The Wife of His Youth.” In The Norton Anthology of African American Literature 3rd Ed. Vol. 1, edited by Henry Louis Gates and Valerie A. Smith, 602–610. New York: W.W. Norton and Company.
   Google Scholar
• Craig, Todd. 2013. “‘“Jackin for Beats”’: DJing for Citation Critique.” Radical Teacher 97: 20–29.10.5195/RT.2013.40
   Google Scholar
• Craig, Todd. 2015. “‘Makin’ Somethin’ Outta Little-to-Nuffin’’: Racism, Revision and Rotating Records – The Hip-Hop DJ in Composition Praxis.” Changing English 22 (4): 349–364.10.1080/1358684X.2015.1109833
   Web of Science ®Google Scholar
• D’Oyley, Demetria. 2016. “No Sexism Is Not The Main Reason Beyoncé Was Criticized and Kendrick Lamar Wasn’t’.” The Root.
   Google Scholar
• Ellison, Ralph. [1952] 2014. “From Invisible Man.” The Norton Anthology of African American Literature 3rd Ed. Vol. 2, edited by Henry Louis Gates and Valerie A. Smith, 258–279. New York: W.W. Norton and Company.
   Google Scholar
• Feeney, Michael J. 2014. “Harlem and Malcolm X’s Daughter Slam Nicki Minaj Artwork That They Call Disrespectful.” New York Daily News.
   Google Scholar
• Forman, Murray. 2001. The ‘Hood Comes First: Race, Space, and Place in Rap and Hip-Hop. Middleton, CT: Wesleyan University Press.
   Google Scholar
• Gates, Henry Louis, and Valerie A. Smith, eds. 2014. The Norton Anthology of African American Literature 3rd Ed. Vol. 2. New York: W.W. Norton and Company.
   Google Scholar
• Gaunt, Kyra. 2006. The Games Black Girls Play: Learning the Ropes from Double Dutch to Hip-Hop. New York: New York University Press.
   Google Scholar
• Guru. 2005. “Feed the Hungry.” Version 7.0: The Street Scriptures. 7 Grand/33 ½ Entertainment. CD.
   Google Scholar
• Heath, R. Scott. 2013. “Hip_Hop Redux: A Plugin with Extensions.” African American Review 46 (1): 133–144.
   Web of Science ®Google Scholar
• Hill, Marc Lamont, and Emery Petchauer, eds. 2013. Schooling Hip-Hop: Expanding Hip-Hop Based Education Across the Curriculum. New York: Teachers College Press.
   Google Scholar
• Incredible Bongo Band. 1973. “Apache.” MGM Records. Vinyl/LP.
   Google Scholar
• Irby, Decuteau. 2015. “Urban is Floating Face Down in the Mainstream: Using Hip-Hop-Based Education Research to Resurrect “the Urban” in Urban Education.” Urban Education 50 (1): 7–30.10.1177/0042085914563183
   Web of Science ®Google Scholar
• Irby, Decoteau, and Emery Petchauer. 2012. “‘Hustlin’ Consciousness: Critical Education and Hip-Hop Modes of Distribution.” In Hip-Hop(e): The Cultural Practice and Critical Pedagogy of International Hip-Hop, edited by Michael Viola and Brad Porfilio, 302–321. New York: Peter Lang.
   Google Scholar
• Johnson, James Weldon. 2014. “From The Autobiography of An Ex-Colored Man.” In The Norton Anthology of African American Literature 3rd Ed. Vol. 1, edited by Henry Louis Gates and Valerie A. Smith, 792–870. New York: W.W. Norton and Company.
   Google Scholar
• Kaiser, Zachary. 2015. “The DJ Process as Educational Agenda of Possibility.” Words, Beats, & Life: The Global Journal of Hip-Hop Culture 6.
   Google Scholar
• Ladson-Billings, Gloria. 1995. “But that's Just Good Teaching! The Case for Culturally Relevant Pedagogy.” Theory Into Practice 34 (3): 159–165.10.1080/00405849509543675
   Web of Science ®Google Scholar
• Lamar, Kendrick. 2016. “Alright/Blacker the Berry/Untitled 3.” 58th Annual Grammy Awards. California: Staples Center. Performance. https://www.youtube.com/watch?v=dGGCx-RrKg8
   Google Scholar
• Larsen, Nella. [1929] 2014. "Passing." In The Norton Anthology of African American Literature 3rd Ed. Vol. 1, edited by Henry Louis Gates and Valerie A. Smith, 1080–1140. New York: W.W. Norton and Company.
   Google Scholar
• ‘Malcolm X and The Hip-Hop Generation.’ 2015. The Source.
   Google Scholar
• Malcolm X, and Alex Haley. 1965. The Autobiography of Malcolm X. New York: Grove Press.
   Google Scholar
• Malcolm X, and Alex Haley. [1965] 2014. “From The Autobiography of Malcolm X.” In The Norton Anthology of African American Literature 3rd Ed. Vol. 2, edited by Henry Louis Gates and Valerie A. Smith, 565–581. New York: W.W. Norton and Company.
   Google Scholar
• Marshall, Wayne. 2006. “Giving up Hip-Hop's Firstborn: A Quest for the Real after the Death of Sampling.” Callaloo 29: 868–892.10.1353/cal.2006.0149
   Web of Science ®Google Scholar
• Nice, Paul. 2007. “Sade Blends.” CD.
   Google Scholar
• Noz, Andrew. 2011. “The 50 Best Hip Hop Album Covers.” Complex.
   Google Scholar
• Onika, Maraj and Noel Fisher. 2014. “Looking Ass.” Young Money: Rise of An Empire. MP3.
   Google Scholar
• Petchauer, Emery. 2012. “Sampling Memories: Using Hip-Hop Aesthetics to Learn From Urban Schooling Experiences.” Educational Studies 48 (1): 78–105.
   Google Scholar
• Petchauer, Emery. 2015. “Starting With Style: Toward a Second Wave of Hip-Hop Education Research and Practice.” Urban Education 50 (1): 78–105.10.1177/0042085914563181
   Web of Science ®Google Scholar
• Public Enemy. 1991. “Shut Em Down (Pete Rock Remix). Def Jam Records.” Vinyl/12 single.
   Google Scholar
• Reed, Ryan. 2016. “Kendrick Lamar Debuts New Song in Cathartic Grammy Medley.” Rolling Stone.
   Google Scholar
• Rice, Jeff. 2003. “The 1963 Hip-Hop Machine: Hip-Hop Pedagogy as Composition.” College Composition and Communication 54: 453–471.10.2307/3594173
   Web of Science ®Google Scholar
• Rose, Tricia. 1994. Black Noise: Rap Music and Black Culture in Contemporary America. Middleton, CT: Wesleyan University Press.
   Google Scholar
• Schloss, Joseph. 2004. Making Beats: The Art of Sample Based Hip-Hop. Middleton, CT: Wesleyan University Press.
   Google Scholar
• Shakur, Tupac. 1991. “Words of Wisdom.” 2Pacalypse Now. Interscope Records. CD.
   Google Scholar
• Shaw, A. R. 2013. “5 Hip-Hop Songs Inspired By Malcolm X.” Rollingout.
   Google Scholar
• Shusterman, Richard. 1991. “The Fine Art of Rap.” New Literary History 22 (3): 613–632.10.2307/469207
   Web of Science ®Google Scholar
• Walker, Alice. [1973] 2014. “Everyday Use.” The Norton Anthology of African American Literature 3rd Ed. Vol. 2, edited by Henry Louis Gates and Valerie A. Smith, 1188–1194. New York: W.W. Norton and Company.
   Google Scholar
• Weheliye, Alexander. 2005. Phonographies: Grooves in Sonic Afro-Modernity. Durham, NC: Duke University Press.10.1215/9780822386933
   Google Scholar