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Changing English
Studies in Culture and Education
Volume 26, 2019 - Issue 4
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Articles

‘Whatever Else May Be Going On:’ Sharing Books in Bechdel’s Fun Home

Michelle MillerFaculty of Liberal Arts and Sciences and School of Interdisciplinary Studies, Ontario College of Art and Design University, Toronto, ON, CanadaCorrespondence[email protected]
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Pages 405-414 | Published online: 03 Sep 2019

References

  • Bechdel, A. 2006. Fun Home: A Family Tragicomic. Boston: Houghton Mifflin.
  • Britzman, D. 2006. “On Being a Slow Reader: Psychoanalytic Reading Problems in Ishiguro’s Never Let Me Go.” Changing English 13 (3): 307–318. doi:10.1080/13586840600971810.
  • Chute, H. 2010. Graphic Women: Life Narrative in Contemporary Comics. New York: Columbia.
  • Chute, H. 2014. Outside the Box: Interviews with Contemporary Cartoonists. Chicago: University of Chicago.
  • Cvetkovich, A. 2008. “Drawing the Archive in Alison Bechdel’s Fun Home.” Women’s Studies Quarterly 36 (1–2): 111–128. doi:10.1353/wsq.0.0037.
  • Farley, L. 2012. “An Essay Is Being Written: between Aggression and ‘just Words’.” Changing English 19 (2): 167–178. doi:10.1080/1358684X.2012.680759.
  • Georgis, D. 2014. The Better Story: Queer Affects from the Middle East. New York: SUNY.
  • Grumet, M. 2006. “Romantic Research: Why We Love to Read.” In Love’s Return: Psychoanalytic Essays on Childhood, Teaching and Learning, edited by G. M. Boldt and P. M. Salvio, 207–227. New York: Routledge.
  • McCullough, K. 2018. “The Complexity of Loss Itself”: the Comics Form and Fun Home’s Queer Reparative Temporality.” American Literature 90 (2): 377–405. doi:10.1215/00029831-4564346.
  • Rohy, V. 2010. “In the Queer Archive: Fun Home.” GLQ 16 (3): 341–361. doi:10.1215/10642684-2009-034.
  • Sedgwick, E. K. 2003. Touching Feeling: Affect, Pedagogy, Performativity. Durham: Duke.
  • Thurman, J. 2012. “Drawn from Life: the World of Alison Bechdel.” The New Yorker. Retrieved from http://www.newyorker.com/magazine/2012/04/23/drawn-from-life

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