755
Views
2
CrossRef citations to date
0
Altmetric
Articles

Writing the Dandy through Art Criticism: Elegance and Civilization in Monsieur, 1920–1924

References

  • Arnold, Rebecca. 1999. “The Brutalized Body.” Fashion Theory: The Journal of Dress, Body and Culture 3(4): 487–502.
  • Baudelaire, Charles. 1972. Baudelaire: Selected Writings on Art and Artists‬. Cambridge and New York: Penguin.‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬
  • Boscagli, Maurizia. 1996. Eye on the Flesh: Fashions of Masculinity in the Early Twentieth Century. Boulder: University of Colorado Press.
  • Boylesve, René. 1920. “De l’Élégance de l’Esprit: Querelle des Anciens et des Modernes. [Of Elegance of Spirit: The War between the Ancients and the Moderns].” Monsieur ( June).
  • Budd, Michael Anton. 1997. The Sculpture Machine: Physical Culture and Body Politics in the Age of Empire. London: Macmillan Press Ltd.10.1057/9780230377127
  • Budd, Michael Anton. 1998. “Every Man a Hero: Sculpting the Homoerotic in Physical Culture Photography.” In The Passionate Camera: Photography and Bodies of Desire, Deborah Bright (ed.), 41–57. London and New York: Routledge.
  • Carco, Francis. 1920. “Les Arts [The Arts].” Monsieur ( February).
  • Carney, James D. 1994. “A Historical Theory of Art Criticism.” Journal of Aesthetic Education Vol. 28, No. 1 (Spring): 13–29.10.2307/3333153
  • Cohen, Ed. 1993. Talk on the Wilde side: Toward a Genealogy of a Discourse on Male Sexualities. New York: Routledge.
  • Corday, Michel. 1920. “L’Influence Morale de la Tenue. [The Moral Influence of Clothing].” Monsieur ( Easter).
  • Elias, Norbert. 1982. The Civilizing Process Vol. II: State Formation and Civilization. Oxford: Oxford University Press.
  • Felski, Rita. 1995. The Gender of Modernity. Cambridge: Cambridge University Press.
  • Flügel, J. C. 1930. The Psychology of Clothes. London: Institute of Psycho-analysis and Hogarth Press.
  • de Fouquières, André. 1920. “Le Sport a Tanformé le Dandysme. [Sports has Transformed Dandyism].” Monsieur ( November).
  • Garb, Tamar. 1998. Bodies of Modernity: Figure and Flesh in Fin-de-Siècle. London: Thames and Hudson.
  • Garelick, Rhonda. 1998. Rising Star: Dandyism, Gender, and Performance in the Fin de Siècle. Princeton: Princeton University Press.
  • Geczy, Adam and Vicki Karaminas (eds.). 2012. Fashion and Ar. London and New York: Berg.
  • Geiger, André. 1922. “Polémiques sur la Beauté Masculine. [Polemic on Male Beauty].” Monsieur ( August).
  • Giles, Gilbert. 1922. “Monsieur Amateur de Peinture. [Monsieur Amateur Painter].” Monsieur ( November).
  • Glick, Elisa. 2001. “The Dialectics of Dandyism: Gay Identity and Its Secret.” Cultural Critique 48(1): 129–163.10.1353/cul.2001.0035
  • Glick, Elisa. 2009. Materializing Queer Desire: Oscar Wilde to Andy Warhol. New York: SUNY Press.
  • Gregh, Fernand. 1920. “Élégance et Civilisation. [Elegance and Civilization].” Monsieur ( October).
  • Hollander, Anne. 1978. Seeing Through Clothes. New York: University of California Press.
  • Irvin, Kate and Laurie Anne Brewer. 2013. Artist Rebel Dandy: Men of Fashion. New Haven and London: Yale University Press in association with Museum of Art Rhode Island School of Design.
  • Lerousseau, Georges. 1920. “La Culture Physique. [Physical Culture].” Monsieur ( February).
  • Lerousseau, Georges. 1921. “L’Homme Complet. [The Complete Man].” Monsieur ( March).
  • Mackrell, Alice. 2005. Art and Fashion: The Impact of Art on Fashion and Fashion on Art. London: Batsford.
  • Martin, Martin. 1987. Fashion and Surrealism. New York: Rizzoli.
  • Martin, Richard. 1999. Cubism and Art. New York: Metropolitan Museum of Art.
  • Martin, Richard and Harold Koda. 1989. The Historical Mode: Fashion and Art in the 1980s. New York: Rizzoli.
  • Mosse, George L. 1985. Nationalism and Sexuality: Respectability and Abnormal Sexuality in Modern Europe. New York: Howard Fertig.
  • Nelson, Brian. 2007. “Dandies, Dandyism, and the Uses of Style.” In Moderne begreifen: Zur Paradoxie eines sozio-ästhetischen Deutungsmusters [Understanding Modernity: On the paradox of a socio-economic pattern of interpretation], edited by Christine Magerski, Robert Savage, Robert Weller and Christiane Weller (eds.), 135–143. Wiesbaden: Deutscher Universitäts-Verlag.10.1007/978-3-8350-9676-9
  • Nowak, Magdalena. 2011. “The Complicated History of Einfühlung.” Argument 1(2): 301–326.
  • Péladan, J. 1922. “L’Esthétique du Muscle. [The Aesthetics of Muscles].” Monsieur ( December).
  • Potvin, John. 2008. Material and Visual Cultures beyond Male Bonding, 1870–1914. Aldershot and Burlington: Ashgate.
  • Prevost, Marcel. 1920. “Réflexions sur l’Élégance Masculine. [Reflections on Male Elegance].” Monsieur ( November).
  • Quick. 1923a. “La Mode aux Indépendants ou l’Indépendence des Modes. [Fashion at the Independents or Independence of Fashion].” Monsieur ( April).
  • Quick. 1923b. “Au Salon d’Automne: Portraits. [At the Autumn Salon: Portraits].” Monsieur ( December).
  • Quick. 1924. “La Mode Masculine aux Salons. [Men’s Fashion at the Salons].” Monsieur ( June).
  • Quick. 1975. Le Retour a l’ordre dans les arts plastiques et l’architecture, 1919–1925 [The Return to Order in the Plastic Arts and Architecture, 1919-1925]. Paris: Sainte Étienne Centre Interdisciplinaire d'Etudes et de Recherche sur l'Expression Contemporaine.
  • Ribeiro, Aileen. 1995. The Art of Dress: Fashion in England and France, 1750–1820. New Haven and London: Yale University Press.
  • Ribeiro, Aileen. 2000. The Gallery of Fashion. Princeton: Princeton University Press.
  • Ribeiro, Aileen. 2012. “Painting.” In Fashion and Art, Adam Geczy and Vicki Karaminas (eds.), 169–176. London and New York: Berg.
  • Sedgwick, Eve Kosofsky. 1993. “Shame, Theatricality, and Queer Performativity: Henry James’s The Art of the Novel.” GLQ: A Journal of Lesbian and Gay Studies 1: 1–16.
  • Setenac, Paul. 1922. “Un Peintre d’Élégances Masculines: Febderico Beltan-Masses. [A Painter of Modern Elegance: Federico Beltan-Masses].” Monsieur ( January).
  • Setenac, Paul. 1923. “Le Portrait de Monsieur. [The Portrait of Monsieur].” Monsieur ( November).
  • Sinfield, Alan. 1994. The Wilde Century: Effeminacy, Oscar Wilde, and the Queer Moment. New York: Columbia University Press.
  • Slater, Don. 1997. Consumer Culture and Modernity. Cambridge: Cambridge University Press.
  • Sontag, Susan. 1961. “Against Interpretation.” In Against Interpretation and Other Essays, 3–14. New York: Farrar, Strauss and Giroux.
  • Stanton, Domna C. 1980. The Aristocrat as Art: A Study of the Honnête Homme and the Dandy in Seventeenth- and Nineteenth-century French Literature. New York: University of California Press.
  • Steele, Valerie. 1998. “Art and Fashion.” In Paris Fashion: A Cultural History. Oxford and New York: Berg.10.2752/9781847887238
  • Tickner, Lisa. 2000. Modern Life and Modern Subjects: British Art in the Early Twentieth Century. New Haven and London: Yale University Press.
  • de Trévières, Pierre. 1923. “La Mode Masculine au Salon d’Automne. [Men’s Fashion at the Autumn Salon].” Monsieur ( June).
  • Troy, Nancy J. 1991. Modernism and the Decorative Arts in France: Art Nouveau to Le Corbusier. New Haven and London: Yale University Press.
  • Troy, Nancy. 2003. Couture Culture: A Study in Modern Art and Fashion. Cambridge: MIT Press.
  • Vischer, Robert. 1994. “On the Optical Sense of Form: A Contribution to Aesthetics.” In Empathy, Form, and Space: Problems in German Aesthetics, 1873–1893, edited by Harry F. Mallgrave and Eleftherios Ikonomou, 89–123. Santa Monica: The Getty Center for History of Art and the Humanities.
  • Wigley, Mark. 2001. White Walls, Designer Dresses: The Fashioning of Modern Architecture. Cambridge and London: MIT Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.