Unfolding Artisanal Fashion

References

• Adamson, G. 2007. Thinking through Craft. Oxford: Berg.10.5040/9781350036062
   Google Scholar
• Adamson, G., ed. 2010. The Craft Reader. Oxford: Berg.
   Google Scholar
• Aakko, M. 2015. “Crafting Aesthetics: The Meaning Of Materiality and The Making Process in Artisanal Fashion.” Proceedings of “Momenting the Memento” The 17th IFFTI Conference, Florence, May 12–15.
   Google Scholar
• Aakko, M. 2016. Fashion In-between. Artisanal Design and Production of Fashion. PhD diss., Aalto University, Helsinki.
   Google Scholar
• Bain, M. 2015. “If Mad Max Started a Luxury Fashion Label, It Would Look like the Work of These Designers.” Quartz, May 16. http://qz.com/402478/if-mad-maxstarted-a-luxury-fashion-label-it-wouldlook-like-the-work-of-these-designers/
   Google Scholar
• Barnes, L., and G. Lea-Greenwood. 2006. “Fast Fashioning the Supply Chain: Shaping the Research Agenda.” Journal of Fashion Marketing and Management: An International Journal 10 (3): 259–271.10.1108/13612020610679259
   Google Scholar
• Beazley, A. 1973. “The ‘Heavy’ and ‘Light’ Clothing Industries 1850–1920.” Costume 7 (1): 55–59.
   Google Scholar
• Becker, H. S. 1982. Art Worlds. Berkeley: University of California Press.
   Google Scholar
• Belfer, N. 1954. “Section Work in the Women’s Garment Industry.” Southern Economic Journal 21 (2): 188–200.10.2307/1054742
   Google Scholar
• Bolton, A. 2016. Manus X Machina: Fashion in an Age of Technology. New York, NY: The Metropolitan Museum of Art.
   Google Scholar
• Breward, C. 2003. Fashion. Oxford: Oxford University Press.
   Google Scholar
• Brownell, B. 2014. “Manipulating the Material Code: The Transformation of Material Meaning in Contemporary Japanese Design.” In Materials Experience: Fundamentals of Materials and Design, edited by E. Karana, O. Pedgley, and V. Rognoli, 51–61. Oxford: Elsevier.10.1016/B978-0-08-099359-1.00005-9
   Google Scholar
• Campbell, C. 2005. “The Craft Consumer: Culture, Craft and Consumption in a Postmodern Society.” Journal of Consumer Culture 5 (1): 23–42.10.1177/1469540505049843
   Google Scholar
• Choi, Y. 2003. “Understanding ICT Adoption from the SME User Centred Approach: Views from the Boutique Fashion SMEs & the Australian Government.” Paper presented at the 16th Annual Conference of Small Enterprise Association of Australia and New Zealand, Ballarat, Sep 28–Oct 1.
   Google Scholar
• Clark, H. 2008. “Slow + Fashion – An Oxymoron – Or a Promise for the Future…?” Fashion Theory 12 (4): 427–446.10.2752/175174108X346922
   Web of Science ®Google Scholar
• De Marly, D. 1980. The History of Haute Couture 1850–1950. London: B.T. Batsford.
   Google Scholar
• Deserti, A. 2014. “Shaping the Identity of Italian Fashion Brands: The Role of Design between Tangible and Intangible.” Fashion Practice 6 (2): 243–262.
   Web of Science ®Google Scholar
• Dormer, P. 1994. The Art of the Maker. Skill and Its Meaning in Art, Craft and Design. London: Thames and Hudson.
   Google Scholar
• Dormer, P. 1997. “The Salon De Refuse?” In The Culture of Craft: Status and Future, edited by P. Dormer, 2–16. Manchester and New York: Manchester University Press.
   Google Scholar
• Fletcher, K. 2010. “Slow Fashion: An Invitation for Systems Change.” Fashion Practice 2 (2): 559–566.
   Google Scholar
• Fletcher, K., and L. Grose. 2012. Fashion & Sustainability. Design for Change. London: Laurence King.
   Google Scholar
• Frayling, C. 2011. On Craftsmanship: Towards a New Bauhaus. London: Oberon Books.
   Google Scholar
• Gill, A. 1998. “Deconstruction Fashion: The Making of Unfinished, Decomposing and Re-Assembled Clothes.” Fashion Theory 2 (1): 25–49.10.2752/136270498779754489
   Google Scholar
• Glaser, B., and A. Strauss. 1967. The Discovery of Grounded Theory: Strategies for Qualitative Research. Chicago, IL: Aldine Publishing Company.
   Google Scholar
• Helland, J. 2016. “The Craft and Design of Dressmaking, 1880–1907.” In The Routledge Companion to Design Studies, edited by P. Sparke and F. Fisher, 89–98. London and New York: Routledge.
   Google Scholar
• Heying, C. 2010. Brew to Bikes: Portland’s Artisan Economy. Portland, ME: Ooligan Press.
   Google Scholar
• Karana, E., O. Pedgley, and V. Rognoli. 2014. Materials Experience: Fundamentals of Materials and Design. Oxford: Elsevier Science.
   Google Scholar
• Karra, N. 2008. The UK Designer Fashion Economy. Value Relationships—Identifying Barriers and Creating Opportunities for Business Growth. A Report Commissioned for NESTA. London: Center for Fashion Enterprise.
   Google Scholar
• Kawamura, Y. 2004. The Japanese Revolution in Paris Fashion. Oxford: Berg.10.2752/9781847888907
   Google Scholar
• Kawamura, Y. 2005. Fashion-Ology: An Introduction to Fashion Studies. Oxford: Berg.
   Google Scholar
• Le Bihan, M. 2014. Personal interview, June 30.
   Google Scholar
• Leopold, E. 1992. “The Manufacture of the Fashion System.” In Chic Thrills: A Fashion Reader, edited by J. Ash, and E. Wilson, 101–117. Berkeley and Los Angeles: University of California Press.
   Google Scholar
• Littrell, M. A., and J. Frater. 2013. “Artisan Enterprise, Cultural Property, and the Global Market.” In The Handbook of Fashion Studies, edited by S. Black, A. De la Haye, J. Entwistle, A. Rocamora, R. E. Root, and H. Thomas, 371–390. London and New York: Bloomsbury.
   Google Scholar
• Maison Martin Margiela. 2009. New York, NY: Rizzoli.
   Google Scholar
• Malem, W., J. Miller, and A. König. 2009. High-End Fashion Manufacturing in the UK—Product, Process and Vision. Recommendations for Education, Training and Accreditation. London: London School of Fashion.
   Google Scholar
• Martin, R., and H. Koda. 1993. Infra-Apparel. New York, NY: Metropolitan Museum of Art.
   Google Scholar
• Motwary, F. 2010. “Interview: Maison Martin Margiela in Conversation with Filep Motwary.” A Blog Post at Un Nouveau Ideal, June 29. http://www.filepmotwary.com/motwary/2010/06/interview-maison-martin-margiela-in-a-conversation-with-filep-motwary.html
   Google Scholar
• Niinimäki, K., and M. Aakko. 2014. “Creative Control in Sustainable Fashion.” Proceedings of “Design Management in an Era of Disruption” The 19th DMI: Academic Design Management Conference, London, September 2–4.
   Google Scholar
• Nimkulrat, N., P. Seitamaa-Hakkarainen, S. Pantouvaki, and N. de Freitas. 2016. “Experience, Materiality and Articulation in Art / Design and Research Practices.” Studies in Material Thinking 16: 3–8.
   Google Scholar
• Osborne, H. 1978. “The Aesthetic Concept of Craftsmanship.” British Journal of Aesthetics 18 (2): 101–103.
   Google Scholar
• Ott, R., and W. Cukier. 2013. “Artisanal Fashion Design: Entrepreneurs on Thinking, Process, and Decision Making.” Proceedings of The 70th International Textile and Apparel Association Conference, New Orleans, October 15–18.
   Google Scholar
• Parkins, W., and G. Craig. 2006. Slow Living. Berg: Oxford & New York.10.5040/9781350044890
   Google Scholar
• Paulicelli, E. 2014. “Fashion: The Cultural Economy of Made in Italy.” Fashion Practice 6 (2): 155–174.
   Web of Science ®Google Scholar
• Prown, J. D. 1982. “Mind in Matter: An Introduction to Material Culture Theory and Method.” Winterthur Portfolio 17 (1): 1–19.10.1086/496065
   Web of Science ®Google Scholar
• Ruohonen, A. 2013. Personal interview, June 28.
   Google Scholar
• Sennett, R. 2009. The Craftsman. London: Penguin Books.
   Google Scholar
• Sinha, P. 2000. “The Role of Designing through Making across Market Levels in the UK Fashion Industry.” The Design Journal 3 (3): 26–44.10.2752/146069200789390079
   Google Scholar
• Small, G. 2014. Personal interview, January 13.
   Google Scholar
• Steele, V. 1998. “A Museum of Fashion is More than a Clothes-Bag.” Fashion Theory 2 (4): 327–335.10.2752/136270498779476109
   Google Scholar
• Toth, Z. 2014. “[Interview with] Jan-Jan Van Essche.” Freunde von Freunden, December 26. http://www.freundevonfreunden.com/interviews/jan-jan-van-essche/
   Google Scholar
• Van Essche, J-J. 2014. Personal interview, November 18.
   Google Scholar
• Zakim, M. 1998. “Customizing the Industrial Revolution: The Reinvention of Tailoring in the Nineteenth Century.” Winterthur Portfolio 33 (1): 41–58.10.1086/496732
   Web of Science ®Google Scholar