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Exhibition Reviews

Balenciaga, L’oeuvre au Noir & Fortuny, un Italien à Venise: Complementary takes on Contemporary Monographic Fashion Exhibiting

References

  • de Lorenzo, V. 2018. “Exhibition Review: Costumes Espagnols Entre Ombre et Lumière [Spanish Costumes: Darkness and Light].” Fashion Theory 22 (2). doi: 10.1080/1362704X.2018.1430882. https://www.tandfonline.com/action/showCitFormats?doi=10.1080%2F1362704X.2018.1430882.
  • Di Trocchio, P. 2014. “Madame Grès: Couturier at Work.” Fashion Theory 18 (4): 465–71. doi:10.2752/175174114X13996533400114.
  • Macé, G. 1987. Le manteau de Fortuny. Paris: Gallimard.
  • Miller, L. E. 1993. Cristóbal Balenciaga. Teaneck, NJ: Holmes & Meier.
  • Ribeiro, H. C. 2009. “Made in America: Paris, New York and Postwar Fashion Photography.” In The Fabric of Cultures. Fashion, Identity, and Globalization, edited by Eugenia Paulicelli and Hazel Clark, 41–52. London/New York: Routledge.
  • Vänskä, A., and C. Hazel. 2017. Fashion Curating: Critical Practice in the Museum and Beyond. London, UK: Bloomsbury.

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