535
Views
3
CrossRef citations to date
0
Altmetric
Articles

Absence and ‘presence’: el-Hadhra and the cultural politics of staging Sufi music in Tunisia

References

  • Abassi, Asma. 2015. “El Hadhra 2015 au festival international de Carthage: Sacré Jaziri!” La Presse, July 28. http://fr.allafrica.com/stories/201507282091.html.
  • Barnat, Rachid. 2015. “El-Hadhra à Carthage: Le soufisme dans l’âme des Tunisiens.” Kapitalis, July 26. http://kapitalis.com/tunisie/2015/07/26/el-hadhra-a-carthage-le-soufisme-dans-lame-des-tunisiens/.
  • Ben Youssef, Amira. 1993. “Fadhel Laziri met en scene ‘Hadhra’: L’appel à la vie.” Le Renouveau, n.d.
  • Bohlman, Philip V. 1997. “World Musics and World Religions: Whose World?”.” In Enchanting Powers: Music in the World’s Religions, edited by Lawrence E. Sullivan, 61–90. Cambridge, MA: Harvard University Press.
  • Briggs, Charles L., and Richard Bauman. 1992. “Genre, Intertextuality, and Social Power.” Journal of Linguistic Anthropology 2 (2): 131–172. doi: 10.1525/jlin.1992.2.2.131
  • Brown, Carl L. 1964. “The Islamic Reformist Movement in North Africa.” The Journal of Modern African Studies 2 (1): 55–63. doi: 10.1017/S0022278X00003669
  • Brown, Carl L. 1974. The Tunisia of Ahmed Bey, 1837–1855. Princeton, NJ: Princeton University Press.
  • Brown, Kenneth. 1985. “The Discrediting of a Sufi Movement in Tunisia.” In Islamic Dilemmas: Reformers, Nationalists, and Industrialization, edited by Ernest Gellner, 146–168. Berlin: Mouton.
  • Catzaras, Marianne. 1993. “‘El Hadhra’ ou la danse des étoiles.” Le Temps, March 2.
  • Chelbi, Mustapha. 1999. “Eloge de la soulemiya.” La Presse, December 30.
  • Chelbi, Mustapha. 2002. La musique en Tunisie. Tunis: Finzi.
  • Davis, Ruth F. 2004. Ma’luf: Reflections on the Arab-Andalusian Music of Tunisia. Lanham, MD: Scarecrow Press.
  • Ferchiou, Sophie. 1991. “La Possession: Forme de Marginalité Féminine.” Annuaire de l’Afrique du Nord 30: 191–200.
  • Frishkopf, Michael. 2001. “Tarab in the Mystic Sufi Chant of Egypt.” In Colors of Enchantment: Theater, Dance, Music and the Visual Arts of the Middle East, edited by Sherifa Zuhur, 233–269. Cairo: American University in Cairo Press.
  • Glasser, Jonathan. 2016. The Lost Paradise: Andalusi Music in Urban North Africa. Chicago, IL: University of Chicago Press.
  • Goodman, Jane Elizabeth. 2005. Berber Culture on the World Stage: From Village to Video. Bloomington: Indiana University Press.
  • Guss, David M. 2000. The Festive State: Race, Ethnicity, and Nationalism as Cultural Performance. Berkeley: University of California Press.
  • Handelman, Don. 1997. “Rituals/Spectacles.” International Social Science Journal 49 (153): 387–399. doi: 10.1111/j.1468-2451.1997.tb00031.x
  • Hawkins, Simon. 2008. “Hijab: Feminine Allure and Charm to Men in Tunis.” Ethnology 47 (1): 1–21.
  • Hibou, Béatrice. 2011. The Force of Obedience: The Political Economy of Repression in Tunisia. Translated by Andrew Brown. Cambridge: Polity Press.
  • Jankowsky, Richard C. 2015. “Mizwid.” In Bloomsbury Encyclopedia of Popular Music of the World, Volume X. Genres: Middle East and North Africa, edited by Richard C. Jankowsky, 70–72. New York: Bloomsbury.
  • Johnson, Pamela. 1979. “A Sufi Shrine in Modern Tunisia.” PhD diss., University of California, Berkeley.
  • Jones, Lura JaFran. 1977. “The 'Īsāwīya of Tunisia and their Music.” PhD, Music, University of Washington.
  • Kahlawi, Muhammad. 1999. “Between Agrebi’s Ḥaḍra and Jaziri’s Ḥaḍra.” [Bayna Ḥaḍra al-Agrebī wa-Ḥaḍra al-Jazīrī.] Al-Ṣaḥāfa, January 3, n.p.
  • Kapchan, Deborah A. 2008. “The Promise of Sonic Translation: Performing the Festive Sacred in Morocco.” American Anthropologist 110 (4): 467–483. doi: 10.1111/j.1548-1433.2008.00079.x
  • Kirshenblatt-Gimblett, Barbara. 1998. Destination Culture: Tourism, Museums, and Heritage. Berkeley: University of California Press.
  • McGregor, Richard J. A. 1997. “A Sufi Legacy in Tunis: Prayer and the Shadhiliyya.” International Journal of Middle East Studies 29 (2): 255–277. doi: 10.1017/S0020743800064497
  • Medded, Abdelwahab. 2000. Liner Notes: Philips/Universal.
  • M’Halla, Moncef. 1996. “Le Confrérisme, Religion Diffuse: Les zaouias en Tunisie au XIXe siècle.” Cahiers des Arts et Traditions Populaires 11: 119–160.
  • Omri, Mohamed-Salah. 2013. “The Perils of Identity Politics in Tunisia.” Al-Jazeera, January 27. http://www.aljazeera.com/indepth/opinion/2013/01/2013127142856170386.html.
  • Perkins, Kenneth J. 2004. A History of Modern Tunisia. Cambridge: Cambridge University Press.
  • Radhouane, Nébil. 1994. “Al Hadhra de Jaziri et Agrebi: Erotique de la transe.” Le Temps, August 23, n.p.
  • Rizgui, Sadiq. [1968] 1989. Al-Aghānī al-Tūnisiyya. Reprint, 2nd ed. Tunis: Dār al-Tūnisiyya lil-Nashr.
  • Russell, Andrew L. 2012. “Modularity: An Interdisciplinary History of an Ordering Concept.” Information and Culture 47 (3): 257–287.
  • Schechner, Richard. 1985. Between Theater and Anthropology. Philadelphia: University of Pennsylvania Press.
  • Shannon, Jonathan. 2003. “Sultans of Spin: Syrian Sacred Music on the World Stage.” American Anthropologist 105 (3): 266–277. doi: 10.1525/aa.2003.105.2.266
  • Spadola, Emilio. 2015. “Rites of Reception: Mass-Mediated Trance and Public Order in Morocco.” In Trance Mediums and New Media: Spirit Possession in the Age of Technical Reproduction, edited by Heike Behrend, Anja Dreschke and Martin Zillinger, 137–155. New York: Fordham University Press.
  • Turino, Thomas. 1999. “Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music.” Ethnomusicology 43 (2): 221–255. doi: 10.2307/852734
  • Young, Elizabeth L. 2015. “Islam and Islamists in the 2014 Tunisian Elections.” Project on Middle East Political Science Studies 14 (Rethinking Nation and Nationalism): 52–55.
  • Zeghonda, Fethi. 1991. al-Ṭarīqa al-Sulāmiyya fī Tūnis: Ash'ārha wa-Alḥānha. Carthage: Dār al-Ḥikma.
  • Zillinger, Martin. 2017. “Graduated Publics: Mediating Trance in the Age of Technical Reproduction.” Current Anthropology 58 (S15): S41–S55. doi: 10.1086/689740

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.