References
Archives
- British Library, Add MS 12334: ‘Collection of Javanese airs, set to music.’
- National Library of Scotland, MS 14949c: ‘Collection belonging to Margaret Douglas Maclean Clephane, and, Anna Jane Douglas Maclean Clephane.
- Norfolk Record Office, MS 11244: ‘Memoirs compiled by W.C. [William Crotch] from his own letters. With a sketch of W.C. by John Constable.’
Publications
- Abdullah, A. Rahman Tang. 2011. Sultan Abu Bakar's foreign guests and travels abroad, 1860s–1895: fact and fiction in early Malay historical accounts. Journal of the Malaysian Branch of the Royal Asiatic Society 84(1): 1–22. doi: 10.1353/ras.2011.0002
- Andaya, Leonard Y. 1995. The Portuguese tribe in the Malay-Indonesian archipelago in the seventeenth and eighteenth centuries. In Francis A. Dutra and João Camilo dos Santos (eds), The Portuguese and the Pacific. Santa Barbara CA: Center for Portuguese Studies, University of California, Santa Barbara, pp. 129–48.
- Andaya, Leonard Y. 2001. The search for the ‘origins’ of Melayu. Journal of Southeast Asian Studies 32(3): 315–30. doi: 10.1017/S0022463401000169
- Andaya, Barbara Watson. 2011. Distant drums and thunderous cannon: sounding authority in traditional Malay society. International Journal of Asia-Pacific Studies 7(2): 19–35.
- Andaya, Barbara Watson. 2013. Gates, elephants, cannon and drums: symbols and sounds in the creation of a Patani identity. In Patrick Jory (ed), Ghosts of the past in southern Thailand: essays on the history and historiography of Patani. Singapore: NUS Press, pp. 31–52.
- Asiatic Journal and Monthly Register for British and Foreign India, China and Australasia. 1837. A day at Malacca. Asiatic Journal 24: 121–9.
- Barnard, Timothy P. (ed). 2004. Contesting Malayness: Malay identity across boundaries. Singapore: Singapore University Press.
- Bassett, D.K. 1961. Thomas Forrest, an eighteenth-century mariner. Journal of the Malaysian Branch of the Royal Asiatic Society 34(2): 106–22.
- Bassett, D.K. 1969. Introduction. In Thomas Forrest (ed), A Voyage to New Guinea and the Moluccas 1774–1776. Kuala Lumpur: Oxford University Press, pp. 1–22. Facsimile edition.
- Begbie, P.J. 1834. The Malayan Peninsula: embracing its history, manners and customs of the inhabitants, politics, natural history from its earliest records. Madras: Printed for the author, by Vepery Mission Press.
- Bird, Isabella L. 1883. The Golden Chersonese and the way thither. London: John Murray.
- Bridgewater, Thomas. 1824. Malay air, with variations for the piano forte, and an accompaniment (ad lib) for the flute, etc. York: Knapton, White & Knapton, for the author.
- Brinner, Benjamin. 1993. A musical time capsule from Java. Journal of the American Musicological Society 46(2): 221–60. doi: 10.2307/831966
- Cameron, John. 1865. Our tropical possessions in Malayan India: being a descriptive account of Singapore, Penang, Province Wellesley, and Malacca; Their peoples, products, commerce, and government. London: Smith, Elder and Co.
- Carroll, Diana J. 2011. William Marsden and patterns of British scholarship in the Malay Peninsula. Indonesia and the Malay World 39(114): 269–94. doi: 10.1080/13639811.2011.575623
- Cohen, Matthew Isaac. 2006. The Komedie Stamboel: popular theater in colonial Indonesia, 1891–1903. Athens OH: Ohio University Press.
- Cook, Nicholas. 2007. Encountering the Other, redefining the Self: Hindostannie airs, Haydn's folk song settings and the common practice style. In Martin Clayton and Bennett Zon (eds), Music and orientalism in the British empire, 1780s to 1940s: portrayal of the east. Aldershot: Ashgate, pp. 13–37.
- Crawfurd, John. 1820. History of the Indian Archipelago. 3 vols. Edinburgh: Archibald Constable and Co.
- Crawfurd, John. 1852. A grammar and dictionary of the Malay Language, with a preliminary dissertation. 2 vols. London: Smith, Elder, and Co.
- Crawfurd, John. 1856. A descriptive dictionary of the Indian islands & adjacent countries. London: Bradbury & Evans.
- Crotch, William. 1807. Specimens of various styles of music, referred to in a course of lectures, and at Oxford & London and adapted to keyed instruments by W. Crotch. London: R. Birchall, for the Author.
- Crotch, William. c.1821. Specimens of various styles of music, referred to in a course of lectures, read at Oxford & London. And adapted to keyed instruments by W.m Crotch, Mus. Doc. Professor of Music in the University of Oxford. 3 vols. 3rd edition with corrections & additions. London: Cramer, Addison & Beale.
- Engel, Carl. 1866. An introduction to the study of national music: comprising researches into popular songs, traditions, and customs. London: Longmans, Green, Reader, and Dyer.
- Farrell, Gerry. 1997. Indian music and the west. Oxford: Clarendon Press.
- Ferzacca, Steve. 2006. Learning how to listen: kroncong music in a Javanese neighborhood. Senses and Society 1(3): 331–58. doi: 10.2752/174589206778476207
- Forrest, Thomas. 1779. A voyage to New Guinea, and the Moluccas, from Balambangan: including an account of Magindano, Sooloo, and other islands; and illustrated with thirty copperplates. Performed in the Tartar Galley, belonging to the Honourable East India Company, during the Years 1774, 1775, and 1776, by Captain Thomas Forrest. to which is added, a vocabulary of the Magindano tongue. London: G. Scott.
- Forrest, Thomas. 1792. A voyage from Calcutta to the Mergui Archipelago, lying on the east side of the Bay of Bengal. London: J. Robson.
- Gelbart, Matthew. 2007. The invention of folk music and art music: emerging categories from Ossian to Wagner. Cambridge: Cambridge University Press.
- Gullick, J.M. 1987. Malay society in the late nineteenth century: the beginnings of change. Singapore: Oxford University Press.
- Harding, James, and Gullick John. 1997. The music of Negara-ku. Journal of the Malaysian Branch of the Royal Asiatic Society 70(20): 68–74.
- Horne, M.J. 1827. The adventures of Naufragus. London: Smith, Elder, & Co.
- Horner, Keith. 2011. Jullien, Louis. In Grove Music Online. Oxford Music Online, <http://www.oxfordmusiconline.com/subscriber/article/grove/music/14538> Accessed 11 September 2011.
- Irving, D.R.M. 2013. Trading tunes: Thomas Forrest, Malay songs, and musical exchange in the Malay Archipelago, 1774–84. In Tara Alberts and D.R.M. Irving (eds), Intercultural exchange in Southeast Asia: history and society in the early modern world. London: I.B. Tauris, pp. 203–35.
- Johnson, David. 2011. Gow. In Grove Music Online. Oxford Music Online, <http://www.oxfordmusiconline.com/subscriber/article/grove/music/11554pg1> Accessed 11 September 2011.
- Johore Quadrilles, Arranged by the Composer of the Singapore Schottische, Polka &c. and Dedicated to His Highness the Maharajah of Johore, K. C. S. I. [1867]. London: Robert Cocks & Co.
- Jones, Russell. 1984. Malay studies and the British. Archipel 28: 117–48. doi: 10.3406/arch.1984.1923
- Jones, Sir William. 1796. On the musical modes of the Hindus: Written in 1784, and since much enlarged, by the President. In Dissertations and miscellaneous pieces relating to the history and antiquities, the arts, sciences, and literature, of Asia. London: Vernor and Hood, Birchin-Lane; and Darton and Harvey, pp. 312–52.
- Kartomi, Margaret J. 1987. Kapri: a synthesis of Malay and Portuguese music on the west coast of North Sumatra. In Rainer Carle (ed), Cultures and societies of North Sumatra. Berlin: Dietrich Reiner Verlag, pp. 351–93.
- Kartomi, Margaret. 1997a. A Malay–Portuguese synthesis on the west coast of North Sumatra. In Salwa El-Shawan Castelo-Branco (ed), Portugal and the world: the encounter of cultures in music. Lisbon: Publicações Dom Quixote, pp. 289–321.
- Kartomi, Margaret J. 1997b. Portuguese influence on Indonesian music. In Axel Beer, Kristina Pfarr, and Wolfgang Ruf (eds), Festschrift Christoph-Hellmut Mahling zum 65. Geburtstag [Festschrift for Christoph-Hellmut Mahling on his 65th birthday]. Tutzing: Hans Schneider, pp. 657–66.
- Kartomi, Margaret. 1998. The Pan-East/Southeast Asian and national Indonesian song Bengawan Solo and its Javanese composer. Yearbook for Traditional Music 30: 85–101. doi: 10.2307/768555
- Kartomi, Margaret J. 2012. Musical Journeys in Sumatra. Urbana, IL: University of Illinois Press.
- Leyden, John. 1811. On the languages and literature of the Indo-Chinese nations. Asiatic Researches; or, Transactions of the Society Instituted in Bengal, for inquiring into History and Antiquities; the Arts, Sciences, and Literature, of Asia 10: 158–289.
- Liu, Gretchen. 1999. Singapore: a pictorial history 1819-2000. Singapore: Archipelago Press.
- London, Justin. 2013. Building a representative corpus of classical music. Music Perception: An Interdisciplinary Journal 31(1): 68–90. doi: 10.1525/mp.2013.31.1.68
- Low, James. 1837. History of Tennasserim (continued). Journal of the Royal Asiatic Society of Great Britain and Ireland 4(1): 42–108.
- Maier, Henk. 1997. ‘We are playing relatives’: Riau, the cradle of reality and hybridity. Bijdragen tot de Taal-, Land- en Volkenkunde 153(4): 672–98.
- Malik, Candra. 2009. Malaysian anthem actually Indonesian, says record company. Jakarta Globe 29 August. <http://www.thejakartaglobe.com/archive/malaysian-anthem-actually-indonesian-says-record-company/> Accessed 5 January 2014.
- Marsden, William. 1784. The history of Sumatra: containing an account of the government, laws, customs and manners of the native inhabitants, with a description of the natural productions, and a relation of the ancient political state of that island. 3rd edn. London: Printed for the author.
- Marsden, William. 1811. The history of Sumatra: containing an account of the government, laws, customs, and manners of the native inhabitants, with a description of the natural productions, and a relation to the ancient political state of that island. 3rd edn. London: Printed for the author.
- Matusky, Patricia. 1985. An introduction to the major instruments and forms of traditional Malay music. Asian Music 16(2): 121–82. doi: 10.2307/833774
- Matusky, Patricia, and Tan Sooi Beng. 2004. The music of Malaysia: the classical, folk and syncretic traditions. Aldershot: Ashgate.
- McAulay, Karen E. 2013a. The accomplished ladies of Torloisk. International Review of the Aesthetics and Sociology of Music 44(1): 57–78.
- McAulay, Karen. 2013b. Our ancient national airs: Scottish song collecting from the Enlightenment to the Romantic era. Farnham: Ashgate.
- McKnight, Dr. 1809. Brief biographical account of Neil Gow. Scots Magazine and Edinburgh Literary Miscellany 71: 2–5.
- Miller, Terry E. 1984. Reconstructing Siamese musical history from historical sources: 1548–1932. Asian Music 15(2): 32–42. doi: 10.2307/834029
- Milner, Anthony. 2004. Afterword: a history of Malay Ethnicity. In Timothy P. Barnard (ed), Contesting Malayness: Malay identity across boundaries. Singapore: Singapore University Press, pp. 241–57.
- Milner, Anthony. 2008. The Malays. Oxford: Wiley-Blackwell.
- Mohamad, Maznah, and Syed Muhd. Khairudin Aljunied (eds). 2011. Melayu: the politics, poetics and paradoxes of Malayness. Singapore: NUS Press.
- Moor, Edward. 1810. The Hindu pantheon. London: J. Johnson.
- Musical Times and Singing Class Circular. 1865. Organist wanted for Singapore. Musical Times 11(263): 431.
- Myers, Charles S. 1905. A study of rhythm in primitive music. British Journal of Psychology 1(4): 397–406.
- Neale, Frederick Arthur. 1852. Narrative of a residence at the capital of the kingdom of Siam: With a description of the manners, customs, and laws of the modern Siamese. London: Offices of the National Illustrated Library.
- Pratt, Mary Louise. 1992. Imperial eyes: studies in travel writing and transculturation. London: Routledge.
- Rachman, Anita, and Malik Candra. 2009. Malaysian claim to gamelan may raise tensions with Indonesia. Jakarta Globe, 28 September. <http://www.thejakartaglobe.com/archive/malaysian-claim-to-gamelan-may-raise-tensions-with-indonesia/> Accessed 5 January 2014.
- Raffles, Sir Thomas Stamford. 1817. The history of Java. 2 vols. London: Black, Parbury, and Allen, and John Murray.
- Reid, Anthony. 2001. Understanding Melayu (Malay) as a source of diverse modern identities. Journal of Southeast Asian Studies 32(3): 295–313. doi: 10.1017/S0022463401000157
- Said, Edward W. 1978. Orientalism. London: Penguin.
- Seccombe, Thomas. 2009. Moor, Edward (1771–1848). Revised by J. B. Katz. Oxford Dictionary of National Biography. Oxford: Oxford University Press.
- Sheppard, Haji Mubin. 1967. Joget gamalan Trengganu. Journal of the Malaysian Branch of the Royal Asiatic Society 40(1): 149–52.
- Skeat, Walter William. 1900. Malay magic: being an introduction to the folklore and popular religion of the Malay Peninsula. London: Macmillan.
- St John, Horace. 1853. The Indian Archipelago: its history and present state. 2 vols. London: Longman, Brown, Green, and Longmans.
- Swettenham, Frank A. 1878. A Malay nautch. Journal of the Straits Branch of the Royal Asiatic Society 2: 163–7.
- Tait’s Edinburgh Magazine. 1858. Twenty-seven years of a cosmopolite's life. Tait’s Edinburgh Magazine 25 January–December.
- Teeuw, A., and Wyatt D.K. 1970. Hikayat Patani: the story of Patani. 2 vols. The Hague: Martinus Nijhoff.
- Trocki, Carl A. 2007. Prince of pirates: the Temenggongs and the development of Johor and Singapore, 1784–1885. 2nd edn. Singapore: NUS Press.
- Tuckey, James Hingston. 1815. Maritime geography and statistics, or a description of the ocean and its coasts, maritime commerce, navigation, &c. 4 vols. London: Black, Parry, and Co.
- Vaughan, J. D. 1858. Notes on the Malays of Pinang and Province Wellesley. Journal of the Indian Archipelago and Eastern Asia 2: 116–75.
- Woodfield, Ian. 1994. The ‘Hindostannie air’: English attempts to understand Indian music in the late eighteenth century. Journal of the Royal Musical Association 119(2): 189–211. doi: 10.1093/jrma/119.2.189
- Woodfield, Ian. 2000. Music of the Raj: a social and economic history of music in late eighteenth-century Anglo-Indian society. New York: Oxford University Press.
- Zon, Bennett. 2007. Representing non-western music in nineteenth-century Britain. Rochester, NY: University of Rochester Press.