Publication Cover
Rethinking History
The Journal of Theory and Practice
Volume 27, 2023 - Issue 2
3,247
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Reclaiming History in the British Museum entranceway: imperialism, patronage and female, queer and black legacies

Pages 187-220 | Received 04 Sep 2021, Accepted 21 Feb 2023, Published online: 12 Apr 2023

References

  • Aronsson, P. 2011. “Explaining National Museums.” In National Museums, edited by S. J. Knell, et al., 29–54. New York: Routledge.
  • Ashton, R. 2012. Victorian Bloomsbury. New Haven: Yale University Press.
  • Asukile, T. 2006. “J.A. Rogers: The Scholarship of an Organic Intellectual.” The Black Scholar 36 (2–3): 35–50. doi:10.1080/00064246.2006.11413355.
  • Asukile, T. 2010. “Joel Augustus Rogers: Black International Journalism, Archival Research and Black Print Culture.” The Journal of African American History 95 (3–4): 322–347. doi:10.5323/jafriamerhist.95.3-4.0322.
  • Aveling, E., and E. M. Aveling. 1886. “The Woman Question.” Westminster Review, George Eliot Archive. Accessed July 25 2021. http://georgeeliotarchive.org/items/show/23
  • Barker, E., and A. Thomas. 1999. “The Sainsbury Wing and Beyond: The National Gallery Today.” In Contemporary Cultures of Display, edited by E. Barker, 73–101. New Haven: Yale University Press in association with the Open University.
  • Bernstein, S. D. 2014. Roomscape: Women Writers in the British Museum from George Eliot to Virginia Woolf. Edinburgh: Edinburgh University Press.
  • Bhullar, I. 2016 March 21. Beatrice Webb, Clara Collet and Charles Booth’s Survey of London. LSE.
  • Blazwick, I. 1993. “Psychogeographies.” In On Taking a Normal Situation and Retranslating It into Overlapping and Multiple Readings of Conditions Past and Present. Antwerp: Museum van Hedendaagse Kunst Antwerpen. http://ensembles.mhka.be/items/5793
  • Bourdieu, P. 1996. The Rules of Art. Cambridge: Polity Press.
  • Bowdler, R. 1998. “The British Museum: Entrance Hall Decoration.” In A Collection of Reports and Papers on the British Museum, edited by Richard Lea, 29–32. UK: English Heritage.
  • Bradley, M. 2010. “Introduction.” In Classics and Imperialism in the British Empire, edited by M. Bradley, 1–28. Oxford: Oxford University Press.
  • British Museum. 1904. A Guide to the Exhibition Galleries of the British Museum. London: Printed by order of the British Museum Trustees by William Clowes and sons, Limited. http://onlinebooks.library.upenn.edu/webbin/book/lookupname?key=British%20Museum
  • British Museum. 1924. A Guide to the Use of the Reading Room. London: Printed by order of the British Museum Trustees by William Clowes and sons, Limited.
  • British Museum. 2001. Annual Review. UK: The British Museum.
  • British Museum. 2006. The British Museum Report and Accounts for the Year Ended 31 March 2006. UK: The British Museum.
  • British Museum. 2014. The Building Development Framework. UK: The British Museum.
  • British Museum. 2016. The British Museum Report and Accounts for the Year Ended 31 March 2016. UK: The British Museum.
  • Brown, M. 2017. “British Museum to Bring Back Reading Room as Part of Revamp.” The Guardian, July 4. https://www.theguardian.com/culture/2017/jul/04/british-museum-to-bring-back-reading-room-as-part-of-revamp
  • Burton, A. 1998. At the Heart of the Empire: Indians and the Colonial Encounter in Late-Victorian Britain. Berkeley: University of California Press.
  • Caygill, M. 2000. The British Museum Reading Room. London: The British Museum.
  • Caygill, M., and C. Date. 1999. Building the British Museum. London: British Museum Press.
  • Ceracchi, G. 1778. Muse of Sculpture [ Sculpture]. British Museum, London.
  • Chadwick, E. 2019. “Notes on ‘A Revolutionary Legacy: Haiti and Toussaint Louverture’ at the British Museum.” Third Text 33 (4–5): 501–520. doi:10.1080/09528822.2019.1653071.
  • Clark, A. 2005. The Routledge History of Women in Europe Since 1700. London: Routledge.
  • Clark, L. L. 2008. Women and Achievement in Nineteenth-Century Europe. Cambridge: Cambridge University Press.
  • Clarke, H. G. 1847. The British Museum: Its Antiquities and Natural History; a Hand-Book Guide. London: Clarke and Co. https://babel.hathitrust.org/cgi/pt?id=uc1.b4119884&view=1up&seq=2.
  • Collman, L. and A. Stevens. 1847 Entrance Hall, British Museum [drawing]. British Museum, London.
  • Coombes, A. 1997. Reinventing Africa: Museums, Material Culture and Popular Imagination in Late Victorian and Edwardian England. New Haven: Yale University Press.
  • Cowtan, R. 1872. Memories of the British Museum. London: R. Bentley and Son.
  • Cuéllar, G. L. 2019. Empire, the British Museum, and the Making of the Biblical Scholar in the Nineteenth Century. London: Palgrave Macmillan.
  • Damer, A 1788 Antony and Cleopatra [bas relief]. reproduction in Noble, P. 1908. p.82. Anne Seymour Damer: A Woman of Art and Fashion, 1748–1828. London: K. Paul, Trench, Trübner.
  • Daut, M. L. 2019. “Haiti @ the Digital Crossroads: Archiving Black Sovereignty.” Archipelagos (3). http://smallaxe.net/sxarchipelagos/issue03/daut.html
  • Dawson, A. 1999. Portrait Sculpture: A Catalogue of the British Museum Collection, C. 1675-1975. London: British Museum Press.
  • Debord, G. 1958. “Theory of the Dérive.” Internationale Situationniste 2: 62–66. https://teaching.ellenmueller.com/walking/files/2021/05/DebordTheoryOfTheDerive.pdf.
  • Denlinger, E. C. 2005. Before Victoria: Extraordinary Women of the British Romantic Era. New York: Columbia University Press.
  • Duncan, C. 1995. Civilising Rituals. London: Routledge.
  • Duncan, C., and A. Wallach. 1980. “The Universal Survey Museum.” Art History 3 (4): 448–469. doi:10.1111/j.1467-8365.1980.tb00089.x.
  • Duthie, E. 2011. “The British Museum: An Imperial Museum in a Post-Imperial World.” Public History Review 18 (1): 12–25. doi:10.5130/phrj.v18i0.1523.
  • First, R., and A. Scott. 1980. Olive Schreiner. New York: Schocken Books.
  • Frey, B. S., and S. Meier. 2011. “Cultural Economics.” In A Companion to Museum Studies, edited by Sharon Macdonald, 398–414. New Jersey: Wiley-Blackwell.
  • Frost, S. 2019. “A Bastion of Colonialism.” Third Text 33 (4–5): 487–499. doi:10.1080/09528822.2019.1653075.
  • Frost, S. 2021. “Pandemic, Protests and Building Back: 20 Months at the British Museum.” Museum International 73 (3–4): 70–83. doi:10.1080/13500775.2021.2016277.
  • Garvey, M. [1913] 1983. “The British West Indies in the Mirror of Civilisation, History Making by Colonial Negroes.” In The Marcus Garvey and Universal Negro Improvement Association Papers, edited by R. A. Hill, 27–31. Los Angeles: University of California Press.
  • Giblin, J., I. Ramos, and N. Grout. 2019. “Dismantling the Master’s House.” Third Text 33 (4–5): 471–486. doi:10.1080/09528822.2019.1653065.
  • Goreau, A. 1997. “The Round Room Comes to an End.” New York Times, November 9.
  • Griswold, C. L. 1992. “Vietnam Veterans Memorial.” In Art and the Public Sphere, edited by W. J. T. Mitchell, 79–112. Chicago: The University of Chicago Press.
  • Gross, J. D. 2014. The Life of Anne Damer: Portrait of a Regency Artist. Minneapolis: Lexington Books.
  • Grunenberg, C. 1994. “The Politics of Presentation: The Museum of Modern Art. New York.” In Art Apart: Art Institutions and Ideology Across England and North America, edited by M. Pointon, 192–211. Manchester: Manchester University Press.
  • Henderson, R. 2017. Vladimir Burtsev and the Struggle for a Free Russia. London: Bloomsbury Group.
  • Hoberman, R. 2002. “Women in the British Museum Reading Room During the Late-Nineteenth and Early-Twentieth Centuries: From Quasi- to Counterpublic.” Feminist Studies 28 (3): 489–512. doi:10.2307/3178782.
  • Hoelscher, S., and D. Alderman. 2004. “Memory and Place: Geographies of a Critical Relationship.” Social & Cultural Geography 5 (3): 347–355. doi:10.1080/1464936042000252769.
  • Jaffry, S., and A. Apostolakis. 2011. “Evaluating Individual Preferences for the British Museum.” Journal of Cultural Economics 35 (1): 49–75. doi:10.1007/s10824-010-9133-z.
  • Jones, O. 1845. Details and Ornaments from the Alhambra. London: Owen Jones.
  • Jordanova, L. 1989. “Objects of Knowledge: A Historical Perspective on Museums.” In New Museology, edited by Peter Vergo, 22–40. London: Reaktion Books.
  • Kiwara-Wilson, S. 2013. “Restituting Colonial Plunder: The Case for the Benin Bronzes and Ivories.” DePaul Journal of Art, Technology & Intellectual Property Law 23 (2): 375. https://via.library.depaul.edu/jatip/vol23/iss2/5.
  • Lawrence, J. 1986 “General Toussaint L’Ouverture”. [colour screenprint printed by Lou Stovall]. British Museum, London.
  • Legge, G., C. Pratt, R. Williams, and H. Winsor. 1970. “The Black Paper: An Alternative Policy for Canada Towards Southern Africa.” Canadian Journal of African Studies/Revue Canadienne Des Études Africaines 4 (3): 363–394. doi:10.2307/484068.
  • McIntosh, T. 2018. “A Revolutionary Legacy: Haiti and Toussaint Louverture, Room 3, British Museum, 22 February–22 April 2018.” H-Haiti. https://networks.h-net.org/node/116721/discussions/1686456/revolutionary-legacy-haiti-and-toussaint-louverture-room-3
  • Miller, R. Don. 2013. “Monumental Rome.” In The Cambridge Companion to Ancient Rome, edited by Paul Erdkamp, 190–204. Cambridge: Cambridge University Press.
  • Mossman, M. J. 2004. “Cornelia Sorabji: A “Woman in Law” in India in the 1890s.” Canadian Journal of Women and the Law 16 (1): 54–85.
  • Myrone, M. 2017. “Drawing After the Antique at the British Museum, 1809–1817: “Free” Art Education and the Advent of the Liberal State.” British Art Studies 5 (5). doi:10.17658/issn.2058-5462/issue-05/mmyrone/abstract.
  • Noble, P. 1908. Anne Seymour Damer: A Woman of Art and Fashion, 1748–1828. London: K. Paul, Trench, Trübner.
  • O’Callaghan, C. 2012. “Re-Claiming Anne Damer/re-Covering Sapphic History: Emma Donoghue’s Life Mask.” In The Female Figure in Contemporary Historical Fiction, edited by K. Cooper and E. Short, 134–152. London: Palgrave Macmillan.
  • Oram, A. 2011. “Going on an Outing: The Historic House and Queer Public History.” Rethinking History 15 (2): 189–207. doi:10.1080/13642529.2011.564816.
  • Ōtsuka, T. 1997. Drag Queen Deck. [digital photography on paper]. British Museum, London.
  • Parkinson, R. B. 2013. A Little Gay History Book: Desire and Diversity Across the World. London: British Museum Press.
  • Puwar, N. 2010. “The Archi-Texture of Parliament: Flaneur as Method in Westminster.” The Journal of Legislative Studies 16 (3): 298–312. doi:10.1080/13572334.2010.498099.
  • Rogers, J. A. [1947] 1996. World’s Greatest Men of Colour. New York: Scribner.
  • Rose, S. 2002. “The Man Who Would Be King.” The Guardian. Saturday April 20. Accessed 10 January 2020. https://www.theguardian.com/education/2002/apr/20/arts.highereducation
  • Schmid, S. 2012. “Mary Berry’s “Fashionable Friends” (1801) on Stage.” The Wordsworth Circle 43 (3): 172–177. doi:10.1086/TWC24043988.
  • Scholes, T. 1905. Glimpses of the Ages. London: J. Long.
  • Taylor, B. 1999. Art for the Nation: Exhibitions and the London Public, 1747-2001. Manchester: Manchester University Press.
  • Trafton, S. 2004. Egypt Land: Race and Nineteenth-Century American Egyptomania. Durham, NC: Duke University Press.
  • Walford, E. 1878. “The British Museum: Part 1 of 2.” Chap. 38 in Old and New London: Volume 4. London: Cassell, Petter & Galpin. http://www.british-history.ac.uk/old-new-london/vol4/pp490-519
  • Walker, C. J. 2002. “British Architectural Polychromy: 1840-1870” PhD diss., UCL.
  • Williams, R. J. 2004. The Anxious City: British Urbanism in the Late 20th Century. London: Psychology Press.
  • Wingfield, C. 2011. “Placing Britain in the British Museum.” In National Museums, edited by Simon J. Knell, et al., 29–54. New York: Routledge.
  • Woolf, V. [1929] 2004. A Room of One’s Own. London: Penguin Books.
  • Wu, C. 2003. Privatising Culture. London: Verso.
  • Zan, L. 2000. “Management and the British Museum.” Museum Management and Curatorship 18 (3): 221–270. doi:10.1080/09647770000201803.