9,155
Views
175
CrossRef citations to date
0
Altmetric
Research Papers

The Anatomy of the Creative City

, &
Pages 91-111 | Published online: 24 Feb 2010

References

  • Aage , T. and Belussi , F. 2008 . From fashion to design: creative networks in industrial districts . Industry and Innovation , 15 ( 5 ) : 475 – 491 .
  • Allen , R. C. 1983 . Collective invention . Journal of Economic Behavior and Organization , 4 ( 1 ) : 1 – 24 .
  • Amin , A. 2002 . Spatialities of globalisation . Environment and Planning A , 34 ( 3 ) : 385 – 399 .
  • Amin , A. and Cohendet , P. 2004 . Architectures of Knowledge , Oxford : Oxford University Press .
  • Amin , A. and Roberts , J. 2008 . Community, Economic Creativity and Organization , Oxford : Oxford University Press .
  • Anderson , G. 1994 . Industry clustering for economic development . Economic Development Review , 12 ( 2 ) : 26 – 32 .
  • Aoyama , Y. and Izushi , H. 2003 . Hardware gimmick or cultural innovation? Technological, cultural, and social foundations of the Japanese video game industry . Research Policy , 32 ( 3 ) : 423 – 444 .
  • Arvidsson , A. 2007 . Creative class or administrative class? On advertising and the “underground” . Ephemera, Theory and Politics in Organizations , 7 ( 1 ) : 8 – 23 .
  • Asheim , B. T. and Gertler , M. 2005 . “ The geography of innovation: regional innovation systems ” . In The Oxford Handbook of Innovation , Edited by: Fagerberg , J. , Mowery , D. and Nelson , R. 291 – 317 . Oxford : Oxford University Press .
  • Babinski , T. 2004 . Cirque du Soleil: 20 Years Under the Sun—An Authorized History , New York : Harry N. Abrams .
  • Bathelt , H. 2005 . Cluster relations in the media industry: exploring the “distanced neighbour” paradox in Leipzig . Regional Studies , 39 ( 1 ) : 105 – 127 .
  • Bathelt , H. , Malmberg , A. and Maskell , P. 2004 . Clusters and knowledge: local buzz, global pipelines and the process of knowledge creation . Progress in Human Geography , 28 ( 1 ) : 31 – 56 .
  • Belussi , F. and Sedita , S. R. 2008 . Managing situated creativity in cultural industries . Industry and Innovation , 15 ( 5 ) : 457 – 458 .
  • Brown , J. S. and Duguid , P. 1991 . Organizational learning and communities of practice: toward a unified view of working, learning and innovation . Organization Science , 2 ( 1 ) : 40 – 57 .
  • Callon , M. 1999 . “ Le Réseau comme Forme Emergente et comme Modalité de Coordination: Le Cas des Interactions Stratégiques entre Firmes Industrielles et Laboratoires Académiques ” . In Réseau et Coordination , Edited by: Callon , M. , Cohendet , P. , Curien , N. and Dalle , J. M. 13 – 61 . Paris : Économica .
  • Callon , M. and Latour , B. 1991 . La Science Telle qu'elle se Fait: Anthologie de la Sociologie des Sciences de Langue Anglaise , Paris : La Découverte .
  • Caves , R. 2000 . Creative Industries: Contracts between Art and Commerce , Cambridge, MA : Harvard University Press .
  • Cohen , W. M. and Levinthal , D. A. 1989 . Innovation and learning: the two faces of R&D . The Economic Journal , 99 ( 397 ) : 569 – 596 .
  • Cohendet , P. and Simon , L. 2007 . Playing across the playground: paradoxes of knowledge creation in the video game industry . Journal of Organizational Behavior , 28 : 587 – 605 .
  • Coriat , B. and Dosi , G. 1998 . “ Learning how to govern and learning how to solve problems: on the co-evolution of competences, conflicts and organizational routines ” . In The Dynamic Firm—The Role of Technology, Strategy, Organizations and Regions , Edited by: Chandler , A. , Hagstrom , P. and Solvell , O. 103 – 133 . Oxford : Oxford University Press .
  • Cowan , R. , David , P. A. and Foray , D. 2000 . The explicit economics of knowledge codification and tacitness . Industrial and Corporate Change , 9 ( 2 ) : 73 – 85 .
  • Crosby , O. 2000 . Working so others can play: jobs in video game development . Occupational Outlook Quarterly , 44 : 3 – 13 .
  • Currid , E. 2007 . The Warhol Economy: How Fashion, Art and Music Drive New York City , Princeton, NJ : Princeton University Press .
  • Dahlander , L. , Frederiksen , L. and Rullani , F. 2008 . Online communities and open innovation: governance and symbolic value creation [Special issue editorial] . Industry and Innovation , 15 ( 2 ) : 115 – 123 .
  • Di Maria , E. and Finotto , V. 2008 . Communities of consumption and Made in Italy . Industry and Innovation , 15 ( 2 ) : 179 – 197 .
  • Drazin , R. , Glynn , M. A. and Kazanjian , R. K. 1999 . Multilevel theorizing about creativity in organizations: a sensemaking perspective . Academy of Management Review , 24 : 286 – 307 .
  • Eisenhardt , K. 1989 . Building theories from case study research . Academy of Management Review , 14 : 532 – 550 .
  • Feldman , M. 2003 . The locational dynamics of the US biotech industry: knowledge externalities and the anchor hypothesis . Industry and Innovation , 10 ( 3 ) : 311 – 329 .
  • Fleming , L. , Mingo , S. and Cheng , D. 2007 . Collaborative brokerage, generative creativity and creative success . Administrative Science Quarterly , 52 ( 3 ) : 443 – 475 .
  • Florida , R. 2002 . The Rise of the Creative Class , New York : Basic Books .
  • Florida , R. 2008 . Who's Your City? How the Creative Economy is Making Where to Live the Most Important Decision of Your Life , New York : Basic Books .
  • Florida , R. , Mellander , C. and Stolarick , K. 2008 . Inside the black box of regional development—human capital, the creative class and tolerance . Journal of Economic Geography , 8 : 615 – 649 .
  • Freeman , C. 1987 . Technology Policy and Economic Performance: Lessons from Japan , London : Pinter .
  • Geertz , C. 1973 . The Interpretation of Cultures , New York : Basic Books .
  • Geertz , C. 1983 . Local Knowledge: Further Essays in Interpretive Anthropology , 3rd edn , New York : Basic Books .
  • Glaser , B. 1978 . Theoretical Sensitivity: Advances in the Methodology of Grounded Theory , Mill Valley, CA : Sociology Press .
  • Glaser , B. 1992 . Basics of Grounded Theory Analysis , Mill Valley, CA : Sociology Press .
  • Glaser , B. and Strauss , A. 1967 . The Discovery of Grounded Theory: Strategies for Qualitative Research , New York : Aldine de Gruyter .
  • Grabher , G. 2001 . Ecologies of creativity: the village, the group and the heterarchic organisation of the British advertising industry . Environment and Planning A , 33 : 351 – 374 .
  • Hartley , J. 2005 . Creative Industries , Malden, MA : Blackwell Publishing .
  • Howkins , J. 2001 . The Creative Economy , London : Penguin .
  • Jacobs , J. 1969 . The Economy of Cities , New York : Random House .
  • Lange , B. , Kalandide , A. , St Ber , B. and Mieg , H. A. 2008 . Berlin's creative industries: governing creativity? . Industry and Innovation , 15 ( 5 ) : 531 – 549 .
  • Lave , J. and Wenger , E. 1991 . Situated Learning: Legitimate Peripheral Participation , Palo Alto, CA : Institute for Research Learning .
  • Lazzeretti , L. , Boix , R. and Capone , F. 2008 . Do creative industries cluster? Mapping creative local production systems in Italy and Spain . Industry and Innovation , 15 ( 5 ) : 549 – 567 .
  • Ley , D. 2003 . Artists, aestheticisation, and the field of gentrification . Urban Studies , 40 : 2527 – 2544 .
  • Lloyd , R. 2005 . Neo-Bohemia: Art and Commerce in the Postindustrial City , New York : Routledge .
  • Lundvall , B. A. 1992 . National Systems of Innovation: Towards a Theory of Innovation and Interactive Learning , London : Pinter .
  • Mahy, I. (2005a) Artistes et Managers, Ethnographie du Cirque du Soleil. PhD Thesis, Université de Montréal
  • Mahy , I. 2005b . Watching artists and managers innovate—what can we learn from the world's most applauded circus? . European Academy of Management Conference, Responsible Management in an Uncertain World , Munich, Germany, 4–7 May
  • Malenga , S. 2004 . The curse of the creative class . The Wall Street Journal , 19 January
  • Markusen , A. 2006 . Urban development and the politics of a creative class: evidence from a study of artists . Environment and Planning A , 38 : 1921 – 1940 .
  • Marshall , A. 1961 [1890] . Principles of Economics , London : Macmillan .
  • Maskell , P. , Barthelt , H. and Malmberg , A. 2006 . Building global knowledge pipelines: the role of temporary clusters . European Planning Studies , 14 : 997 – 1013 .
  • Molotch , H. 2002 . Place in product . International Journal of Urban and Regional Research , 26 ( 4 ) : 665 – 688 .
  • Mommas , H. 2004 . Cultural clusters and the post-industrial city: towards the remapping of urban cultural policy . Urban Studies , 41 ( 3 ) : 507 – 532 .
  • Paiola , M. 2008 . Cultural events as potential drivers of urban regeneration: an empirical illustration . Industry and Innovation , 15 ( 5 ) : 513 – 529 .
  • Panne , G. 2004 . Agglomeration externalities: Marshall vs. Jacobs . Journal of Evolutionary Economics , 14 ( 5 ) : 593 – 604 .
  • Peck , J. 2005 . Struggling with the creative class . International Journal of Urban and Regional Research , 29 ( 4 ) : 740 – 770 .
  • Porter , M. E. 2000 . Location, competition, and economic development: local clusters in a global economy . Economic Development Quarterly , 14 ( 1 ) : 15 – 34 .
  • Potts , J. , Hartley , J. , Banks , J. , Burgess , J. , Cobcroft , R. , Cunningham , S. and Montgomery , L. 2008 . Consumer co-creation and situated creativity . Industry and Innovation , 15 ( 5 ) : 459 – 474 .
  • Pratt , A. C. 2006 . Advertising and creativity, a governance approach: a case study of creative agencies in London . Environment and Planning A , 38 : 1883 – 1899 .
  • Rosen , M. 1991 . Coming to terms with the field: understanding and doing organizational ethnography . Journal of Management Studies , 28 ( 1 ) : 1 – 24 .
  • Rothman , H. 2002 . Neon Metropolis: How Las Vegas Started the Twenty-First Century , New York : Routledge .
  • Rychen , F. and Zimmermann , J. B. 2008 . Clusters in the global knowledge-based economy: knowledge gatekeepers and temporary proximity . Regional Studies , 42 ( 6 ) : 767 – 776 .
  • Schwartzman , H. B. 1993 . Ethnography in Organizations , London : Sage .
  • Scott , A. J. 2006 . Creative cities: conceptual issues and policy questions . Journal of Urban Affairs , 28 ( 1 ) : 1 – 17 .
  • Sedita , S. R. 2008 . Interpersonal and inter-organizational networks in the performing arts: the case of project-based organizations in the live music industry . Industry and Innovation , 15 ( 5 ) : 493 – 511 .
  • Simon, L. (2002) Le Management en Univers Ludique: Jouer et Travailler chez Ubisoft, une Entreprise du Multimédia à Montréal (1998–1999). PhD Thesis, Université de Montréal
  • Simon , L. 2009 . Underground, Upperground et Middleground: Les Collectifs Créatifs et la Capacité Créative de la Ville . Management International , 13 : 37 – 51 .
  • Staber , U. 2008 . Network evolution in cultural industries . Industry and Innovation , 15 ( 5 ) : 569 – 578 .
  • Stolarick , K. and Florida , R. 2006 . Creativity, connections and innovation: a study of linkages in the Montreal region . Environment and Planning A , 38 : 1799 – 1817 .
  • Stolarick, K., Florida, R. and Musante, L. (2005) Montreal's capacity for creative connectivity: outlook and opportunities. Working Paper, Catalytix
  • Storper , M. and Venables , A. J. 2004 . Buzz: face-to-face contact and the urban economy . Journal of Economic Geography , 4 : 351 – 370 .
  • Van Maanen , J. 1979 . Qualitative methodology [Special issue] . Administrative Science Quarterly , 24 ( 4 ) : 519 – 711 .
  • Visser , E. J. 2009 . The complementary dynamic effects of clusters and networks . Industry and Innovation , 16 ( 2 ) : 167 – 195 .
  • Von Hippel , E. 1988 . The Sources of Innovation , New York : Oxford University Press .
  • Von Hippel , E. 2005 . Democratizing Innovation , Cambridge, MA : MIT Press .
  • Watson , C. W. , ed. 1999 . Being There: Fieldwork in Anthropology , London : Pluto Press .
  • Yin , R. K. 1994 . Case Study Research: Design and Methods , Thousand Oaks, CA : Sage .
  • Zukin , S. 1995 . The Cultures of Cities , Oxford : Blackwell .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.