Towards a new public space: performance culture in 1980s South Africa

References

• Alvarez-Pereyre, Jacques. 1984. The Poetry of Commitment in South Africa. London: Heinemann.
   Google Scholar
• Barnard, Rita. 2007. Apartheid and Beyond. Oxford: Oxford University Press.
   Google Scholar
• Bozzoli, Belinda. 2004. Theatres of Struggle and the End of Apartheid. Edinburgh: Edinburgh University Press.
   Google Scholar
• Brown, Duncan. 1996. “South African Oral Performance Poetry of the 1980s: Mzwakhe Mbuli and Alfred Qabula.” In New Writing From Southern Africa, edited by Emmanuel Ngara, 120–147. London: James Currey.
   Google Scholar
• Chapman, Michael. 1988. “The Liberated Zone: The Possibilities of Imaginative Freedom: Expression in a State of Emergency.” The English Academy Review 5: 23–53. doi: 10.1080/10131758885310031
   Google Scholar
• Chapman, Michael. 1999. “From Shaka's Court to the Trade Union Rally: Praises in a Usable Past.” Research in African Literatures 30 (1): 34–43.
   Web of Science ®Google Scholar
• Chapman, Michael. 2007. “Introduction.” In Soweto Poetry, edited by Michael Chapman, 9–23. Scottsville: University of KwaZulu-Natal Press.
   Google Scholar
• Cooper, Saths. n.d. “What is Black Theatre?” Unpublished Paper. A2176. “South African Students’ Organisation, 1969–1977.” Historical Papers, The University of the Witwatersrand, Johannesburg.
   Google Scholar
• Coplan, David. 1986. “Ideology and Tradition in South African Black Popular Theatre.” The Journal of American Folklore 99 (392): 151–176. doi: 10.2307/539971
   Web of Science ®Google Scholar
• Cronin, Jeremy. 1988. “‘Even Under the Rine of Terror … ’: Insurgent South African Poetry.” Research in African Literatures 19 (1): 12–23.
   Web of Science ®Google Scholar
• Cronin, Jeremy. n.d. “No Unnecessary Voices Allowed, OK?” Ingolovane 1: 8–12.
   Google Scholar
• Erlmann, Veit. 1966. Nightsong: Performance, Power, and Practice in South Africa. London: The University of Chicago Press.
   Google Scholar
• Frid, Nicholas. n.d. “Mzwake Mbuli”. SA History Online. Accessed February 24, 2015. http://www.sahistory.org.za/people/mzwakhe-mbuli.
   Google Scholar
• Friedman, Michelle. 2011. “The Future is in the Hands of the Workers”: A History of FOSATU. Historical Papers Labour Archive Project, University of the Witwatersrand and the Mutloatse Arts Heritage Trust.
   Google Scholar
• Gelder, Ken, and Jane Jacobs. 1998. Uncanny Australia: Sacredness and Identity in a Postcolonial Nation. Melbourne: Melbourne University Press.
   Google Scholar
• Gready, Paul. 1994. “Political Autobiography in Search of Liberation: Working Class Theatre, Collaboration and the Construction of Identity.” In Politics and Performance, edited by Liz Gunner, 163–198. Johannesburg: Witwatersrand University Press.
   Google Scholar
• Gunner, Liz. 1984. “ Ukubonga Nezibongo: Zulu Praising and Praises.” PhD diss., School of Oriental and African Studies, University of London.
   Google Scholar
• Gunner, Liz. 1989. “Orality and Literacy: Dialoque and Silence.” In Discourse and its Disguises, edited by Karin Barber and Paulo F. de Moraes Farias, 49–56. Birmingham: Birmingham University African Studies Series.
   Google Scholar
• Gunner, Liz. 1995. “Clashes of Interest: Gender, Status and Power in Zulu Praise Poetry.” In Power, Marginality and African Oral Literature, edited by Liz Gunner and Graham Furniss, 185–196. Johannesburg: Witwatersrand University Press.
   Google Scholar
• Gunner, Liz. 2014. “Song, Identity, and the State: Julius Malema's Dubul’ Ibunu Sog as Catalyst.” Paper given at ASAUK Biannual Conference, University of Sussex, Brighton.
   Google Scholar
• Hauptfleisch, Temple, and Ian Steadman. 1984. South African Theatre. Johannesburg: HAUM Educational.
   Google Scholar
• Hay, Michelle. 2011. “‘The Last Thing That Tells Our Story’: The Roodepoort West Cemetery, 1958–2008.” Journal of Southern African Studies 37 (2): 297–311. doi: 10.1080/03057070.2011.579438
   PubMed Web of Science ®Google Scholar
• Jeffrey, Anthea. 2009. People's War. Cape Town: Jonathan Ball.
   Google Scholar
• Kavanagh, Robert. 1981. “Introduction.” In South African People's Plays, edited by Robert Kavanagh, i–xxii. Norwich: Fletcher and Son.
   Google Scholar
• Khoapa, Bennie. 1972. Black Review 1972. Durban: Black Community Programmes.
   Google Scholar
• Kirkwood, Mike. 1987. “Literature and Popular Culture in South Africa.” Third World Quarterly 9 (2): 657–671. doi: 10.1080/01436598708419992
   Web of Science ®Google Scholar
• Lobban, Michael. 1996. White Man's Justice. Oxford: Clarendon Press.
   Google Scholar
• Mahola, Mzi. 1994. “Interview with Robert Berold.” In South African Poets on Poetry, edited by Robert Berold, 43–52. Pietermaritzburg: Gecko Press.
   Google Scholar
• Malange, Nise. 2002. “To Understand the Gumboot Dance.” In From Anti-Apartheid to African Renaissance, edited by Ulrike Ernst, 108–133. Hamburg: Lit-Verlag.
   Google Scholar
• Maponya, Maishe. 1984. “The Hungry Earth.” In South African Theatre, edited by Temple Hauptfleisch and Ian Steadman, 150–165. Johannesburg: HAUM Educational.
   Google Scholar
• Mbuli, Mzwakhe. 1989. Before Dawn. Johannesburg: COSAW.
   Google Scholar
• Mbuli, Mzwakhe. 2001. “Kirsten Holst Petersen Interview with Mzwakhe Mbuli.” In On Shifting Sands, edited by Kirsten Holst Petersen and Anna Rutherford, 67–70. Portsmouth: Heinemann.
   Google Scholar
• Mkhatshwa, Smangaliso. 1989. “Preface.” In Before Dawn, edited by Mzwakhe Mbuli, 6–7. Johannesburg: COSAW.
   Google Scholar
• Mitchell, Don. 2003. The Right to the City: Social Justice and the Fight for Public Space. New York: Guilford Press.
   Google Scholar
• Moodley, Roy et al. n.d. “Peoples’ Experimental Theatre – Aims and History.” PET Newsletter 1 (1): 1–3.
   Google Scholar
• Ngaboh-Smart, Francis. 1999. “The Politics of Black Identity: Slave Ship and Woza Albert!” Journal of African Cultural Studies 12 (2): 167–185. doi: 10.1080/13696819908717848
   Google Scholar
• The O'Malley Files. 2014. “Congress of South African Trade Unions.” Nelson Mandela Centre of Memory. Accessed February 11, 2014. https://www.nelsonmandela.org/omalley/index.php/site/q/03lv02424/04lv02730/05lv03188/06lv03197.htm.
   Google Scholar
• Peterson, Bhekizizwe. 1990. “Performing History on the Stage: Notes on a Working Class Theatre.” Radical History Review 46/47: 321–329. doi: 10.1215/01636545-1990-46-47-321
   Google Scholar
• Ruedi, Franziska. 2012. “Violence in the Vaal Triangle.” Paper presented at the NLF History Seminar, University of the Witwatersrand, Johannesburg.
   Google Scholar
• Seekings, Jeremy. 2000. The UDF. Oxford: James Currey.
   Google Scholar
• Sitas, Ari. 1992. “The Making of the “Comrades” Movement in Natal, 1985–91.” Journal of Southern African Studies 18 (3): 629–641. doi: 10.1080/03057079208708329
   Web of Science ®Google Scholar
• Sitas, Ari. 1994. “Traditions of Poetry in Natal.” In Politics and Performance, edited by Liz Gunner, 139–162. Johannesburg: Witwatersrand University Press.
   Google Scholar
• Sitas, Ari. 2002. “Art Should Nation Build and the Idea Cracked.” In From Anti-Apartheid to African Renaissance, edited by Ulrike Ernst, 90–107. Hamburg: Lit-Verlag.
   Google Scholar
• Sole, Kelywn. 1984. “Black Literature and Performance: Some Notes on Class and Populism.” South African Labour Bulletin 9 (8): 54–76.
   Google Scholar
• Sole, Kelwyn. 1987. “Oral Performance and Social Struggle in Contemporary Black South African Literature.” In From South Africa, edited by David Bunn and Jane Taylor, 254–272. London: University of Chicago Press.
   Google Scholar
• Steadman, Ian. 1981 “Editorial: Culture and Context: Notes on Performance in South Africa.” Critical Arts 2 (1): 1–13.
   Google Scholar
• Tompkins, Joanne. 2006. Unsettling Space. London: Palgrave Macmillan.
   Google Scholar