506
Views
1
CrossRef citations to date
0
Altmetric
Articles

A hip-hopera in Cape Town: the aesthetics, and politics of performing ‘Afrikaaps’Footnote

References

  • Baderoon, Gabeba. 2014. Regarding Muslims: From Slavery to Post-apartheid. Johannesburg: Wits University Press.
  • Barber, Karin. 1987. “Popular Arts in Africa.” African Studies Review 30 (3): 1–78. doi: 10.2307/524538
  • Becker, Heike. 2015. “‘How We See Our Culture’: Photographic Self-representations from the Cape Flats, South Africa.” Visual Anthropology 28 (5): 373–397. doi: 10.1080/08949468.2015.1085791
  • Comaroff, John L., and Jean Comaroff. 2004. “Criminal Justice, Cultural Justice: The Limits of Liberalism and the Pragmatics of Difference in the New South Africa.” American Ethnologist 31 (2): 188–204. doi: 10.1525/ae.2004.31.2.188
  • Erasmus, Zimitri. 2000. “Hair Politics.” In Senses of Culture. South African Culture Studies, edited by Sarah Nuttall, and Cheryl-Ann Michael, 380–392. Cape Town: Oxford University Press.
  • Erasmus, Zimitri. 2001. “Introduction: Coloured Identities in Post-apartheid South Africa.” In Coloured by History, Shaped by Place: New Perspectives on Coloured Identities in Cape Town, edited by Zimitiri Erasmus, 13–18. Cape Town: Kwela Books.
  • Haupt, Adam. 2001. “Black Thing: Hip-hop Nationalism, ‘Race’ and Gender in Prophets of da City and Brasie vannie Kaap.” In Coloured by History, Shaped by Place: New Perspectives on Coloured Identities in Cape Town, edited by Zimitri Erasmus, 173–191. Cape Town: Kwela Books.
  • Haupt, Adam. 2004. “Hip-Hop in the Age of Empire: Cape Flats Style.” In Voices of the Transition. The Politics, Poetics and Practices of Social Change in South Africa, edited by Edgar Pieterse, and Frank Meintjies, 199–209. Sandton: Heinemann.
  • Haupt, Adam. 2012. Static: Race and Representation in Post-apartheid Music, Media and Film. Cape Town: HSRC Press.
  • Le Roux, Marlene C. 2011. Mitchell’s Plain. A Place in the Sun. The Story of Mitchell’s Plain as Told by Its People 1974–2011. Cape Town: Artscape and Alliance Française.
  • Martin, Denis-Constant. 2000. Coon Carnival: New Year in Cape Town, Past and Present. Cape Town: David Philip.
  • Meyer, Birgit. 2009. “Introduction: From Imagined Communities to Aesthetic Formations: Religious Mediations, Sensational Forms, and Styles of Binding.” In Aesthetic Formations: Media, Religion, and the Senses, edited by Birgit Meyer, 1–28. New York: Palgrave MacMillan.
  • Meyer, Birgit, Mattijs van de Port, Herman Roodenburg, David Chidester, Luis Nicolau Pares, and Kodjo Senah. 2008. “Heritage Dynamics: Politics of Authentication and Aesthetics in Brazil, Ghana, South Africa and the Netherlands.” (Project proposal)
  • Oliphant, Channel. 2010. “‘Stryt ytie’ … Reproclamation of Afrikaans: Afrikaaps, Everyday Performance and Discourses of Being from the Cape Flats.” Unpubl. BA Honours thesis, University of the Western Cape, Department of Anthropology and Sociology, Bellville.
  • Salo, Elaine. 2003. “Negotiating Gender and Personhood in the New South Africa: Adolescent Women and Gangsters on the Cape Flats.” European Journal of Cultural Studies 6 (3): 345–365. doi: 10.1177/13675494030063005
  • Schramm, Katharina. 2016. “Casts, Bones and DNA: Interrogating the Realtinships between Science and Postcolonial Indigeneity in Contemporary South Africa.” Anthropology Southern Africa 39 (2): 131–144. doi: 10.1080/23323256.2016.1168267
  • Steadman, Ian. 1990. “Towards Popular Theatre in South Africa.” Journal of Southern African Studies 16 (2): 208–228. doi: 10.1080/03057079008708231
  • Stone, Gerald Leslie. 1991. “An Ethnographic and Socio-semantic Analysis of Lexis Among Working-class Afrikaans-speaking Coloured Adoslescents and Young Adult Males in the Cape Peninsula.” Unpubl. MA thesis, University of Cape Town, Cape Town.
  • Van Heerden, Esther. 2009. “Liminality, Transformation and Communitas: Afrikaans Identities as Viewed through the Lens of South African Arts Festivals, 1995–2006.” Unpubl. PhD diss., Stellenbosch University.
  • Verbuyst, Rafael. 2016. “Claiming Cape Town: Towards a Symbolic Interpretation of Khoisan Activism and Land Claims.” Anthropology Southern Africa 39 (2): 83–96. doi: 10.1080/23323256.2016.1171159
  • Williams, Raymond. 1961. The Long Revolution. New York: Columbia University Press.
  • Websites and Grey literature
  • Afrikaaps Program. 2010. Cape Town.
  • Infecting the City. 2011. Accessed May13. www.infectingthecity.com/2011/artists/profiles/jethro-louw.
  • Jitsvinger website. Accessed May13. http://www.myspace.com/jitsvinger.
  • Khoisan. Accessed March 14. http://blogs.24.com/jeanihess/tag/Khoisan/.
  • Filmography and Videography
  • Kramer, David, and Taliep Petersen. 2007. District Six. Directed by David Kramer. Stage Productions.
  • Valley, Dylan. 2011. Afrikaaps. Directed by Dylan Valley. Amsterdam: Plexus Films/The Glasshouse.
  • Afrikaaps: Kom Khoisan! 2012. Accessed January 11. http://www.youtube.com/watch?v=dFXh7oWGvA0.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.