366
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

A Pan-African Space in Cape Town? The Chimurenga Archive of Pan-African Festivals

References

  • Adi, Hakim. 2018. Pan-Africanism: A History. London, New York Oxford New Delhi Sydney: Bloomsbury Academic.
  • Apter, Andrew. 2005. The Pan-African Nation: Oil and the Spectacle of Culture in Nigeria. 1st ed. Chicago: University of Chicago Press.
  • Baumann, Stéfanie. 2009. “Archiver ce qui aurait pu avoir lieu. Walid Raad et les archives de l’Atlas Group.” Conserveries Mémorielles 6: 2–21.
  • Bonacci, Giulia. 2010. Exodus, l’histoire du retour des Rastafariens en Ethiopie. Paris: L'Harmattan.
  • Borggreen, Gunhild, and Rune Gade, eds. 2013. Performing Archives/Archives of Performance. Copenhagen: Museum Tusculanum Press.
  • Bosch Santana, Stephanie. 2016. “Exorcizing the Future: Afropolitanism’s Spectral Origins.” Journal of African Cultural Studies 28 (1): 120–126.
  • Boukari-Yabara, Amzat. 2014. Africa Unite! Une histoire du panafricanisme. Paris: La Découverte.
  • De Jong, Ferdinand, and Elisabeth Harney, eds. 2015. “Art from the Archive”. African Arts 48 (2): 1–4.
  • Ekpo, Denis. 2008. “Festac 77 et le projet de modernité africaine : des méfaits d'un nationalisme culturel excessif.” Africultures 73 (2): 26–34.
  • Falola, Toyin, and Kwame Essien. 2013. Pan-Africanism, and the Politics of African Citizenship and Identity. London: Routledge.
  • Ficquet, Éloi, and Lorraine Gallimardet. 2009. “On ne peut nier longtemps l’art nègre:. Enjeux du colloque et de l’exposition du Premier Festival mondial des arts nègres de Dakar en 1966.” Gradhiva 10: 134–155.
  • Foster, Hal. 2004. “An Archival Impulse.” October 110: 3–22.
  • Gallimardet, Lorraine. 2010. “Libération de l’Afrique au festival Panaf’ d’Alger.” Afrique Contemporaine 235 (March): 70–71.
  • Gevisser, Mark. 2007. Thabo Mbeki: The Dream Deferred. Cape Town: Jonathan Ball Publishers.
  • Guedj, Pauline. 2012. Panafricanisme, religion akan et dynamiques identitaires aux Etats-Unis. Le chemin du Sankofa. Paris: L’Harmattan.
  • Hamilton, Carolyn, Verne Harris, Jane Taylor, et al., eds. 2002. Refiguring the Archive. Cape Town: David Philip.
  • Harris, Verne. 2002. “The Archival Sliver: Power, Memory, and Archives in South Africa.” Archival Science 2: 63–86.
  • Isaacman, Allen, Premesh Lalu, and Thomas Nygren. 2005. “Digitization, History, and the Making of a Postcolonial Archive of Southern African Liberation Struggles: The Aluka Project.” Africa Today 52 (2): 55–77.
  • Jaji, Tsitsi Ella. 2014. Africa in Stereo: Modernism, Music, and Pan-African Solidarity. Oxford: Oxford University Press.
  • Kepley, David R. 1984. “Sampling in Archives: A Review.” American Archivist 47 (3): 237–242.
  • Le Lay, Maëline, Dominique Malaquais, and Nadine Siegert, (dir.) 2015 Archive (re)mix : vues d’Afrique. Rennes: Presses universitaires de Rennes.
  • Lemanski, Charlotte. 2004. “A new Apartheid? The Spatial Implications of Fear of Crime in Cape Town, South Africa.” Environment & Urbanization 16 (2): 101–112.
  • Maart, Brenton, ed. 2013. Imaginary Fact. Contemporary South African Art and the Archive. Grahamstown: National Arts Festival.
  • Malaquais, Dominique, and Vincent Cedric. 2016. “Panafest: a Festival Complex Revisited.” In The First World Festival of Negro Arts, Dakar 1966: Contexts and Legacies, edited by David Murphy, 194–202. Liverpool: Liverpool University Press.
  • Mangcu, Xolela, ed. 2011. Becoming Worthy Ancestors: Archive, Public Deliberation and Identity in South Africa. Johannesburg: Wits University Press.
  • Mbembe, Achille. 2004. “Aesthetics of Superfluity.” Public Culture 16 (3):373–406.
  • Miraftab, Faranak F. 2007. “Governing Post-Apartheid Spatiality: Implementing City Improvement Districts in Cape Town.” Antipode: Radical Journal of Geography 39 (4): 602–626.
  • Moore, Gerald. 2002. “The Transcription Centre in the Sixties: Navigating in Narrow Seas.” Research in African Literatures 33 (3): 167–181.
  • Murphy, David. 2016a. “Archiving the First World Festival of Negro Arts (Dakar 1966): Recuperation, Nostalgia and Utopianism.” World Art 6 (1): 125–146. https://doi.org/10.1080/21500894.2016.1165730.
  • Murphy, David, ed. 2016b. The First World Festival of Negro Arts, Dakar 1966: Contexts and Legacies. Liverpool: Liverpool University Press.
  • Nance, Marilyn and Fanny Robles (Interview with Marilyn). 2017. “FESTAC 77 à Lagos : la mémoire photographique de Marilyn Nance”. Africultures (blog). 30 janvier 2017. http://africultures.com/festac-77-a-lagos-la-memoire-photographique-de-marilyn-nance-13953/.
  • Nora, Pierre, ed. 1984. Les Lieux de mémoire. T.1 La République. Paris: Gallimard.
  • Osthoff, Simone, ed. 2009. Performing the Archive: The Transformation of the Archive in Contemporary Art from Repository of Documents to Art Medium. New York: Atropos Press.
  • Prah, Kwesi Kwaa. (compiled by). 2014. Africanism or continentalism: mobilizing global Africans for Renaissance and Unity, Selected Documents Of The 8th Pan-African Congress. Rondebosch: Centre For Advanced Studies Of African Society Casas, CASAS Book Series n°110.
  • Sapire, Hilary, and Chris Saunders, eds. 2012. Southern African Liberation Struggles: New Local, Regional and Global Perspectives. Cape Town, South Africa: University of Cape Town Press.
  • Saunders, Chris, ed. 2010. Documenting Liberation Struggles in Southern Africa : Select Papers from the Nordic Africa Documentation Project Workshop 26–27 November 2009, Pretoria, South Africa.”, The Nordic Africa Institute. On Line: http://www.diva-portal.org/smash/record.jsf?pid=diva2:344963.
  • Shepperson, George. 1962. “‘Pan-Africanism’ and ‘Pan-Africanism’: Some Historical Notes.” Phyllon XXIII (4): 346–358.
  • Steenveld, Lynette. 2004. “Transforming the Media: A Cultural Approach.” Critical Arts 18 (1): 92–115.
  • Tomaselli, K. G. 2000. “South African media, 1994–7: Globalising via Political Economy.” In De-Westernizing Media Studies, edited by J. Curran and M. J. Park, 247–259. London: Routledge.
  • Turok, Ivan. 2001. “Persistent Polarisation Post-Apartheid? Progress towards Urban Integration in Cape Town.” Urban Studies 38 (13): 2349–2377.
  • Veal, Michael E. 2000. Fela : The Life & Times of an African Musical Icon. Philadelphie: Temple University Press.
  • Wasserman, Herman, and Sean Jacobs. 2003. Shifting Selves: Post-Apartheid Essays on Mass Media, Culture, and Identity. Cape Town: Kwela Books.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.