References
- Aflamuna. 2020. “Aflamuna (Our Films).” Accessed June 19, 2020. https://www.aflamuna.online/.
- Al-Samman, Hanadi. 2008. “Out of the Closet: Representation of Homosexuals in Modern Arabic Literature.” Journal of Arabic Literature 39: 270–310. doi: 10.1163/157006408X330481
- Amarger, Michel. 2003. “Bedwin Hacker. Interview with Nadia El Fani.” Accessed April 3, 2020. Beurfm.net/article.php3?id_article=273.
- Anzieu, Didier. 1989. The Skin Ego. New Haven, CT: Yale University Press.
- Butler, Judith. 1988. “Performance Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal 40 (2): 519–533. doi: 10.2307/3207893
- Cameron, Deborah, and Don Kulick. 2003. Language and Sexuality. Cambridge: Cambridge University Press.
- Chenchabi, Rachid. 1984. “Le cinéma Maghrébin, une dimension francophone?” Französisch Heute 15 (2): 224–233.
- Christensen, Tina Dransfeldt. 2017. “Breaking the Silence: Between Literary Representation and LGBT Activism. Abdellah Taïa as Author and Activist.” Expressions Maghrébines 16 (1): 107–125. doi: 10.1353/exp.2017.0006
- Connor, Steven. 2004. The Book of Skin. London: Reaktion Books.
- Dialmy, Abdessamad. 2005. “Sexuality in Contemporary Arab Society.” Social Analysis 49 (2): 16–33. doi: 10.3167/015597705780886257
- Felder, Rachel. 2019. Red Lipstick: An Ode to a Beauty Icon. London: Harper Design.
- Gal, Susan. 1991. “Between Speech and Silence: The Problematics of Research on Language and Gender.” In Gender at the Crossroads of Knowledge: Feminist Anthropology in the Postmodern Era, edited by Micaela di Leonardo, 175–203. Berkeley, CA: University of California Press.
- Hayes, Jarrod. 2000. Queer Nations: Marginal Sexualities in the Maghreb. Chicago, IL: University of Chicago Press.
- Kligerman, Nicole. 2007. “Homosexuality in Islam: A Difficult Paradox.” Macalester Islam Journal 8 (3): 50–64.
- Knegt, Peter. 2013. “Que(e)ries: Salvation Army Director Abdellah Taïa on The Challenges of Making a Queer Moroccan Film.” Accessed April 3, 2020. https://www.indiewire.com/2013/09/queeries-salvation-army-director-abdellah-taia-on-the-challenges-of-making-a-queer-moroccan-film-34727/.
- Lang, Robert. 2014. Tunisian Cinema: Allegories of Resistance. New York, NY: Columbia University Press.
- Martin, Lowry. 2020. “Defiant Deviance and Franco-Moroccan Cinema’s Queer Representations of Masculinity.” Journal of Bodies, Sexualities, and Masculinities 1 (1): 80–103. doi: 10.3167/jbsm.2020.010106
- Martin, Fran, Peter A. Jackson, Mark McLelland, and Audrey Yue. 2008. AsiaPacifiQueer: Rethinking Genders and Sexualities. Urbana-Champaign, IL: University of Illinois Press.
- Massad, Joseph A. 2007. Desiring Arabs. Chicago, IL: University of Chicago Press.
- Ménager, Serge Dominique. 2007. Au Maroc. Femmes 1995 Rétrospective. Casablanca: Éditions Aïni Bennaï.
- Mourchild, Younes. 2010. “The Dialectics of Islamophobia and Homophobia in the Lives of Gay Muslims in the United States.” Counterpoints 346: 187–203.
- Murray, Stephen O. 1995. “Southwest Asian and North African Terms for Homosexual Roles.” Archives of Sexual Behaviour 24 (6): 623–629. doi: 10.1007/BF01542184
- Murray, Stephen O. 2013. “Conceptions about and Representations of Male Homosexuality in the Popular Book and Movie, The Yacoubian Building.” Journal of Homosexuality 60 (7): 1081–1089. doi: 10.1080/00918369.2013.776414
- Naficy, Hamid. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton, NJ: Princeton University Press.
- Orlando, Valérie K. 2011. Screening Morocco: Contemporary Film in Changing Society. Athens, OH: Ohio University Press.
- Orlando, Valérie K. 2014. “L’Armée du Salut Directed by Abdellah Taïa (Review).” African Studies Review 57 (2): 245–250. doi: 10.1017/asr.2014.80
- Orlando, Valérie K. 2017. New African Cinema. New Brunswick, NJ: Rutgers University Press.
- Rees-Roberts, Nick. 2008. French Queer Cinema. Edinburgh: Edinburgh University Press.
- Said, Edward. 1979. Orientalism. New York: Pantheon Books.
- Shaheen, Jack G. 2008. Guilty: Hollywood’s Verdict on Arabs after 9/11. Northampton, MA: Olive Branch Design.
- Temple, Walter S. 2017. “Transitions within Queer North African Cinema: Nouri Bouzid, Abdellah Taia, and the Transnational Tourist.” Screen Bodies 2 (2): 64–77. doi: 10.3167/screen.2017.020205
- Whitaker, Brian. 2006. “Call to Censor ‘Immoral’ Egyptian Film.” Accessed June 18, 2020. https://www.theguardian.com/world/2006/jul/06/film.egypt.
- Zine, Jasmin. 2016. “Between Orientalism and Fundamentalism: Muslim Women and Feminist Engagement.” In (En)Gendering the War on Terror: War Stories and Camouflaged Politics, edited by Krista Hunt, and Kim Rygiel, 27–50. New York, NY: Routledge.
Filmography
- Amari, Raja. dir. 2009. Al Dowaha [Buried Secrets]. Paris: Les films d’ici.
- El Fani, Nadia. dir. 2003. Bedwin Hacker. Tunis: Z’Yeux Noirs Movies.
- Taïa, Abdellah. dir. 2013. L’Armée du Salut [The Salvation Army]. Paris: Les Films Pelléas.