- Julia S. Ardery, The Temptation: Edgar Tolson and the Genesis of Twentieth-century Folk Art (Chapel Hill: University of North Carolina Press, 1998).
- Garth Clark, ‘How Envy Killed the Crafts Movement: An Autopsy in Two Parts’, lecture at the Museum of Contemporary Crafts, Portland, Oregon, 2008 (podcast available at www.museumofcontemporarycraft.org/programs_lecture.php).
- Richard Sennett, The Craftsman (London: Allen Lane, 2008).
- David Samuels, ‘Atomic John’, New Yorker, 15 December 2008, 50–63.
- Ibid., 61.
- Debbie Stoller, Stitch'n Bitch Nation (New York: Workman Publishing, 2004), 5.
- Lacey Jane Roberts, ‘Put Your Thing Down Flip It and Reverse It: Re-imaging Craft Identities Using Tactics of Queer Theory’, in Extra/Ordinary: Craft Culture and Contemporary Art, ed. Maria Elena Buszek (Chapel Hill: Duke University Press, forthcoming).
- As written in the brochure on the series, published by the shop Moss in 2007.
- Caroline A. Jones, Machine in the Studio: Constructing the Postwar American Artist (Chicago: University of Chicago Press, 1996).
- John Roberts, The Intangibilities of Form: Skill and Deskilling in Art after the Readymade (London: Verso, 2008), 10.
- Ossian Ward, ‘Size Matters’, TimeOut London, 16–22 October 2008, 54.
- For a more extensive argument on this point, see Glenn Adamson, ‘Sloppy Seconds: The Strange Return of Clay’, in Dirt on Delight: Impulses That Form Clay, ed. Ingrid Schaffner and Jenelle Porter (Philadelphia: Institute of Contemporary Art, 2009), 73–80.
- Sianne Ngai, ‘Merely Interesting’, Critical Inquiry 34, no. 4, Summer 2008, 777–817.
- On Chihuly's work as spectacular, see Glenn Adamson, Thinking through Craft (London: Victoria and Albert Publications and Berg, 2007).
Australian and New Zealand Journal of Art
Volume 10, 2009 - Issue 1: The Conference Issue