https://orcid.org/0000-0002-4541-785X
References
- Becker, Carol. 2012. “Microutopias: Public Practice in the Public Sphere.” In Living as Form: Socially Engaged Art from 1991–2011, edited by Nato Thompson, 64–71. Cambridge, MA: MIT Press.
- Bloch, Ernest. 1986. The Principle of Hope. Translated by Neville Plaice, Stephen Plaice & Paul Knight. Vol. 3. Cambridge, MA: MIT Press.
- Bottoms, Stephen. 2009. “Authorizing the Audience: The Conceptual Drama of Tim Crouch.” Performance Research: A Journal of the Performing Arts 14 (1): 65–76. doi:10.1080/13528160903113213.
- Bourriaud, Nicolas. 2002. Relational Aesthetics. Translated by Simon Pleasance & Fronza Woods, with Mathieu Copeland. Dijon, FR: Les Presses du Réel.
- Buber, Martin. 1971. I and Thou. Translated by Walter Kaufmann. New York: Touchstone.
- Busby, Selina. 2015. “A Pedagogy of Utopia.” Research in Drama Education: the Journal of Applied Theatre and Performance 20 (3): 413–416. doi:10.1080/13569783.2015.1059259.
- Busby, Selina. 2017. “Finding a Concrete Utopia in the Dystopia of a ‘sub-city’.” Research in Drama Education: the Journal of Applied Theatre and Performance 22 (1): 92–103. doi:10.1080/13569783.2016.1263557.
- Crouch, Tim. 2005a. An Oak Tree. London: Oberon Books.
- Crouch, Tim. 2019. “Tim Crouch Theatre.” http://www.timcrouchtheatre.co.uk
- Delgado-García, Cristina. 2014. “Dematerialised Political and Theatrical Legacies: Rethinking the Roots and Influences of Tim Crouch’s Work.” Platform: Journal of Theatre and Performing Arts 8(1 (Spring)): 69–85.
- Dodge, Blake. 2019. “People Are Resurfacing Greta Thunberg’s Anti-Bullying Tweet After Donald Trump Mocking.” Newsweek, September 24. https://www.newsweek.com/greta-thunberg-tweet-anti-bullying-trump-1461110
- Dolan, Jill. 2005. Utopia in Performance: Finding Hope at the Theater. Ann Arbor: University of Michigan Press.
- Foon, Dennis. 2009. Kindness. Toronto: Playwrights Canada Press.
- Gardner, Lyn. 2017. “Nassim Review: Language and Life Lessons from a Vivid Iranian Voice.” The Guardian, August 9. https://www.theguardian.com/stage/2017/aug/09/nassim-soleimanpour-review-theatre-lyn-gardner-edinburgh
- Harpin, Anna, and Helen Nicholson, eds. 2016. Performance and Participation: Practices, Audiences, Politics. London: Palgrave Macmillan.
- Heddon, Deirdre, and Dominic Johnson, eds. 2016. It’s All Allowed: The Performances of Adrian Howells. Bristol: Intellect Books.
- Hurley, Erin. 2010. Theatre and Feeling. New York: Palgrave Macmillan.
- Hurley, Erin, ed. 2014. Theatres of Affect. Toronto: Playwrights Canada Press.
- Iball, Helen. 2014. “Towards an Ethics of Intimate Audience.” Performing Ethos 3 (1): 41–57. doi:10.1386/peet.3.1.41_1.
- Jameson, Fredric. 2005. Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions. New York: Verso.
- Knowles, Richard Paul. 2004. Reading the Material Theatre. Cambridge: Cambridge University Press.
- Love, Catherine. 2017. Tim Crouch’s An Oak Tree. London: Routledge.
- Maga, Carly. 2017. “Blind Date’s Rebecca Northan Takes Her New Genre in Mysterious New Direction with Undercover.” Toronto Star, September 20. https://www.thestar.com/entertainment/stage/2017/09/20/blind-dates-rebecca-northan-takes-her-new-genre-in-mysterious-new-direction-with-undercover.html
- Manzoor, Sarfraz. 2012. “White Rabbit, Red Rabbit: The Play that Asks You to Leave Your Phone On.” The Guardian, June 21. https://www.theguardian.com/stage/2012/jun/21/nassim-soleimanpour-play-censorship
- MOMA Learning. 2010. “The Artist Is Present.” Performance installation by Marina Abramović, March 15–May 31. https://www.moma.org/learn/moma_learning/marina-abramovic-marina-abramovic-the-artist-is-present-2010/
- Northan, Rebecca. 2016. “The Accidental Birth of Spontaneous Theatre.” Intermission, September 29. https://www.intermissionmagazine.ca/artist-perspective/spontaneous-theatre/
- Prendergast, Monica. 2007. “Tim Crouch’s an Oak Tree and My Arm Review.” Victoria Theatre Reviews (blog), February 4. http://vicreviews.blogspot.com/2007/02/tim-crouchs-oak-tree-my-arm-review.html
- Prendergast, Monica. 2015. “Sharing the Wealth: Performance Studies in the Lives of Young People.” In Drama, Theatre and Performance Education in Canada: Classroom and Community Contexts. edited by Mindy R. Carter, Monica Prendergast, and George Belliveau, 108–116. Ottawa: Canadian Association for Teacher Education/Canadian Society for the Study of Education. https://sites.google.com/site/cssecate/polygraph-book-series
- Prendergast, Monica. 2016. Staging the Not-Yet: How Dramatic Ensemble Creates Utopian Space [Monograph]. Milton, QLD: Drama Australia.
- Prendergast, Monica, and Robyn Shenfield. 2019. “From Theatre to Performance Studies: Collaborating on Curriculum Change with Secondary Level Dramatic Arts Teachers.” Research in Drama Education: The Journal of Applied Theatre and Performance 24 (2): 118–132. doi:10.1080/13569783.2018.1551127.
- Prendergast, Monica, and Will Weigler, eds. 2018. Web of Performance: An Ensemble Workbook. Victoria, BC: University of Victoria. http://dspace.library.uvic.ca/handle/1828/9426
- Rebellato, Dan. 2013. “Tim Crouch.” In Modern British Playwriting: Voices, Documents, New Interpretations, edited by Dan Rebellato, 125–144. Bloomsbury: London.
- Robinson, Dan. 2014. “Feeling Reconciliation, Remaining Settled.” In Theatres of Affect, edited by Erin Hurley, 275–306. Toronto: Playwrights Canada Press.
- Soleimanpour, Nassim. 2017a. Nassim Soleimanpour: Two Plays. London: Oberon Books.
- Soleimanpour, Nassim 2017b. Nassim. [Unpublished play].
- Solga, Kim. 2014. “Meet Me At The Border: Theatre Replacement’s BIOBOXES.” In Theatres of Affect, edited by Erin Hurley, 171–191. Toronto: Playwrights Canada Press.
- Thesaurus.com. 2019. “Generous.” https://www.thesaurus.com/
- Turner, Victor. [1969] 2017. The Ritual Process: Structure and Anti-Structure. New York: Routledge.
- Wikipedia. 2019. “Murder of Jo Cox.” November 21. https://en.wikipedia.org/wiki/Murder_of_Jo_Cox
- Zec, Milica (Director). n.d. “Marina Abramović On The Artist Is Present (2010).” Marina Abramović Institute [video]. https://vimeo.com/72711715
List of Plays
- Abramović, Marina. 2010. The Artist Is Present. March 15-May 31, 2010. New York: Museum of Modern Art (MOMA.
- Crouch, Tim. 2005b. An Oak Tree. Premiered at Edinburgh Festival Fringe.
- Howells, Adrian. 2006. Held. Glasgow: AHRC (Arts and Humanities Research Council) Creative Fellowship in the Department of Theatre, Film and TV Studies, Glasgow University.
- Howells, Adrian. 2008–2012. Foot-Washing for the Sole. Edinburgh: Presented by The Arches at St Stephens.
- Soleimanpour, Nassim. 2011. White Rabbit, Red Rabbit. New York: Joint premiere at Edinburgh Festival Fringe and Clubbed Thumb’s Summerworks Festival.
- Soleimanpour, Nassim. 2017c. Nassim. Commissioned by the Bush Theatre, London, UK, premiered at Edinburgh Festival Fringe.
- Spontaneous Theatre. 2008. Blind Date. A Spontaneous Theatre creation by Rebecca Northan. Premiered as full-length performance at the Loose Moose Theatre, Calgary, Alberta; professional premiere, World Stage Festival, Toronto, Ontario, 2009.
- Spontaneous Theatre. 2014. Legend Has It. A Spontaneous Theatre creation by Rebecca Northan (with Renee Amber, Bruce Horak, Mark Meer, Jamie Northan, and Sean Bowie). Premiered March 6 – April 5, 2014, at Alberta Theatre Projects. Alberta: Calgary.
- Theatre Replacement. 2007. BIOBOXES: Artifacting Human Experience. Originally co-produced by the High Performance Rodeo and Theatre Replacement. Premiered January 3–6, 2007. Alberta: Art Gallery of Calgary.