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Articles

Farewell to the Self: Between the Letter and the Self-Portrait

Archival Sources

  • National Library of Wales, Archives, Gwen John's papers (NLW MS).
  • Rodin Museum, Marie Gwendolen John's boxes (MR/MGJ).

References

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  • Bustin, Mary. ‘The Rules or Problems of Painting: Gwen John's Later Painting Techniques.’ Gwen John and Augustus John. Ed. David Fraser Jenkins and Chris Stephens. London: Tate publishing, 2004. 196–202.
  • Chitty, Susan. Gwen John. New York: Franklin Watts, 1987.
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  • Langdale, Cecily. Gwen John, With a Catalogue Raisonné of the Paintings and a Selection of the Drawings. New Haven and London: Yale UP, 1987.
  • Lloyd-Morgan, Ceridwen. Gwen John: Letters and Notebooks. London: Tate Publishing in association with the National Library of Wales, 2004.
  • Meskimmon. Marsha. The Art of Reflection: Women Artists’ Self-Portraiture in the Twentieth Century. London: Scarlet Press, 1996.
  • Peirce Charles Sanders. ‘Sign. Peirce on Signs: Writings on Semiotic by Charles Sanders Peirce. Ed. James Hoops. 1901. Chapel Hill and London: The U of North Carolina P, 1991. 239–40.
  • Rideal, Liz. Self-Portraits. London: National Portrait Gallery Publications, 2005.
  • Riessman-Kohler, Catherine. Narrative Methods for the Human Sciences. London: Sage, 2008.
  • Roe, Sue. Gwen John, A Life. London: Vintage, 2002.
  • Tamboukou, Maria. ‘Re-imagining the narratable subject.’ Qualitative Research 8.3 (2008): 283–92. 10.1177/1468794106093623
  • Tamboukou, Maria. ‘Charting Cartographies of Resistance: Line of Flight in Women Artists’ Narratives.’ Gender and Education 22.6 (2010): 679–96.
  • Tamboukou, Maria. ‘Interfaces in narrative research: letters as technologies of the self and as traces of social forces’. Qualitative Research 11.5 (2011): 625–41.
  • Tamboukou, Maria. ‘Beyond figuration and narration: Deleuzian approaches to Gwen John's paintings,’ Deleuze Studies ( in press).
  • Taubman, Mary. Gwen John: The artist and her work. Ithaca: Cornell UP, 1985.
  • Weiss, Gali. The Anonymous Portrait: A Creative and Critical Investigation of Diaspora, Portraiture, Subjectivity. Unpublished PhD thesis. Melbourne: Victoria University, 2009.
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